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Chapter no 13 – THE WITNESS

I Am Watching You

I was so lucky with Luke as a baby, though I had no way of knowing this at first. No benchmark; no experience.

To be frank, I was expecting it to be nigh impossible, trying to run the business with a baby. Everyone went so heavy on the dire warnings when I was in the last stage of pregnancy. Brace yourself, they all said. Lack of sleep is a form of torture, they said. You’ll have no time to yourself. No time even to take a bath in peace. Blah de blah.

I got to the point where I seriously worried whether I would be able to keep the business going at all.

When does it get easier? I remember asking a friend with three girls. That was about two weeks before Luke arrived, and I will never forget her reply. Oh, it never gets easier, Ella. Just wait until they’re teenagers . . .

I went home that day and cried and cried, catastrophising that the flower shop would have to be sold. But do you know what?

It wasn’t nearly as difficult as they all predicted.

Sure – I remember the panic outside the hospital when we couldn’t even strap him into the car seat, despite all our practising. I remember the sense of shock that they were actually going to allow us to take this tiny bundle home when we had not the foggiest what we were doing. I remember also waking in the night between feeds in those early weeks, convinced I had forgotten to put him back in his Moses basket and fearing he had fallen off the bed.

Where’s the baby, Tony? Where did I put the baby?

But it was a surprise how quickly it all settled down.

Luke was this really placid, smiley baby, you see. An easy baby. My mum came to stay and I had to bring in help to keep the shop ticking over, but by week ten Luke was sleeping through the night.

He was the kind of child who, once fed and clean, was happy to amuse himself. I could pop him on a mat with a mobile overhead and he would just smile and coo.

You were never like this, my mother said. He must get it from his father.

Luke’s placid nature meant I started back at the shop much sooner than planned. We put up a hook from the ceiling and bought him one of those

bouncy contraptions. He would sit in his little bouncy sling for hours, just jiggling up and down, watching me putting orders together and gurgling at all the customers. Bounce. Gurgle. Bounce. Smile . . .

I have been sitting on the bed here for goodness knows how long, replaying all these pictures of Luke in my head. I smooth the fabric of my trousers. I have been worrying what to wear but I’m not changing. It doesn’t matter what you’re wearing, Ella. What you’re wearing won’t change this or fix it.

What matters is that my son – my beautiful Luke – has been going through hell and I had no idea. None at all. I have been so distracted, thinking about Anna and her family in Cornwall and the blessed postcards, that I have not seen what is right here under my nose. That my poor son’s life is in meltdown.

I was so shocked when he finally blurted it out. Again – so naive. I didn’t even realise they were having sex . . .

‘You ready, love?’ Tony is standing in the doorway. ‘Luke’s downstairs.’ ‘Yeah. Sure.’

In the sitting room, I repeat to Luke what I have said so many times in the last twenty-four hours. That the time for regret and ‘if only’ is over, and we have to look this in the face now. All of us together. Reminding him that he is not on his own with this anymore. If she wants to go ahead and have this baby, we should support her. As a family. Luke should not feel that this has to involve them living as a couple. Or settling down. They are far too young for that. But he does have to offer to play a part in this child’s life. To be a support. To face up to what has happened here. And we will support him. Them. The baby.

Luke’s face is white. Tony’s face is white. I wonder if I am the only one thinking how much more terrible it is for Emily’s parents. She is sixteen . . .

We drive in silence. Twenty minutes. Luke offers directions for the final mile. The fact that we do not even know where his girlfriend lives says everything about this situation. I gave him lifts to the cinema. They met in town. Took the bus.

I wonder where exactly they have been having sex.

This thought leads me back to the train. To Sarah and that man. Wondering how they could do that. In a train toilet. And no – the irony isn’t lost on me, remembering my shock. Me and my high horse.

I put on the radio but Luke asks me if I will turn it off, please.

Left at the postbox. Second right. There. It’s the detached house at the end of this cul-de-sac. That one.

A nice house. Red brick with a climber around the porch. The windows look freshly painted and the front garden is immaculate. Neatly clipped lawn and beds of roses and lots of hardy geraniums. I don’t know why I take all of

this in. Maybe it is because I don’t really want to get out of the car.

‘So. You ready, son?’ It is Tony who moves us forward. Opens his door

first.

Luke shrugs. I look at him and see that he is still in shock. He keeps

saying that they used protection.

We used a condom. I don’t understand.

‘Like I say, love. It is what it is. We’re here for you,’ I say. ‘Now – come on. Let’s go in.’

Emily’s parents introduce themselves but we don’t shake hands. None of us are going to pretend.

Emily is sitting all hunched up in a wide armchair, cushion to her stomach, as white as Luke.

‘Emily didn’t want us to meet like this but we felt – given how young they are – that a joint meeting was important.’ Rebecca sounds as if she has rehearsed this.

I notice that her husband has his eyes fixed on Luke. I can only imagine what may be going through his head, but I want to erase what he is thinking.

He is a good lad, Luke. He has stuffed up, yes, but so has she. And I wish I had the courage to tell the father to stop looking at my son like that.

‘Emily and Luke have been talking a lot about the options, but we feel we should know where the two families stand. Going forward.’ Rebecca is looking at me.

‘Well, I think you’re right. It’s important for us to talk. And the first thing I want to say is how sorry we are, as you must be – devastated, actually – that they find themselves in this situation so very young.’ I can feel Tony’s eyes on me and he tilts his head, a tiny sign of encouragement before speaking up to help me.

‘My understanding is that they did try to be sensible. To be safe.’ Tony turns to Emily’s father but the response is a cold stare.

‘She’s sixteen.’

‘Dad, please.’ Emily glances across at Luke who is still white, staring at the ground.

‘What we want to make clear’ – I glance at Tony again and then back at Emily’s parents – ‘is that as a family we will do whatever we can to support Emily.’

‘Emily has decided against a termination. We want to be open about that. But she may want to consider adoption.’

I feel a punch of shock at this. Our grandchild . . .

Rebecca is looking her daughter in the eye. ‘We are still talking this through as a family. She has a lot to consider. A levels. University.’ Her voice breaks and I feel this terrible surge in the pit of my stomach.

‘Perhaps we can talk again about this?’ Tony clears his throat to

continue.

‘We feel this should be Emily’s decision.’ Rebecca is now looking at her husband. ‘She will talk it through with Luke, of course. But we just wanted to check where we all stood. In terms of support.’

‘I’ve already told Emily that I’ll support her.’ Luke is looking straight at her. ‘I’ve told her that.’

‘Yes. Well maybe you should have thought about the consequences before you—’

‘Dad. Please don’t. Please.’ Emily’s voice is almost unbearably quiet. ‘So – is there anything else in particular that you need to know from us

today? Other than that Emily and Luke have our full support?’ I can feel my left fist clenching with the tension.

‘No.’ Rebecca tilts up her chin. ‘I . . . We just wanted to make absolutely sure that everyone knows where we are.’ She stands, and I realise this is the cue for us to leave. That this was only ever about ensuring that Luke came clean with us.

I hand a piece of paper with my personal email address to Rebecca. ‘Thank you.’

And then we part in silence. No handshakes. Nothing more to say.

We drive back to the house in silence, too. It is real now. At seventeen years of age, Luke is about to become a father. I want to speak up – to say that I will bring up the baby. That they must not, under any circumstances, give the child away. Luke’s child . . .

And then as we pull into the drive there is another shock. Sticking through the letterbox is a new postcard. Half in. Half out. No envelope this time, and unmistakable. Black with bright lettering.

It is eight o’clock in the evening. Which means that whoever is doing this has been to the house.

I feel utterly overwhelmed as I stand outside the porch, imagining that other person standing in precisely the same spot. I am terrified of what this now means. For me – and for my family. I realise that I should have gone straight to the police. Told Tony. That I am properly afraid that everything is running away from me. I realise also that tonight shouldn’t be about me and Anna and whatever these postcards may or may not mean.

Tonight should be about Luke.

‌WATCHING . . .‌

9 p.m.

I like that she is not sure.

That is why I like to watch people. Have to do this.

I don’t even remember how it began anymore. Only that it has become important. You need to watch, you see, because it is extremely important – to work out the difference between how people behave when they know they are being watched . . . and when they don’t.

Some people, you see, are much the same whether they are being watched or not. But most people aren’t. You don’t get to find out for sure until you watch a lot.

Sometimes, and this is also important, you don’t need to do anything very much. People will simply come to know. Give themselves away. Then the watching becomes more interesting because they will eventually turn. To a window. Or in exactly the right direction, and they will pull a blind or the curtains. Turn on a light. Or check a door.

Other times I have to help them out a bit. Stir it up. Until I can see the look that I have come to understand and is probably the thing I like the very best.

When someone feels they are being watched but is no longer absolutely sure . . .

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