A week later, I pretended I was lost in the executive offices, and I ran into him in the hallway. He was a portly guy, but it was a weight that suited him. He had eyes that were so dark brown it was hard to make out the irises and the kind of five o’clock shadow that was permanent. But he had a pretty smile. And that was what I focused on.
“Mrs. Diaz,” he said. I was both surprised and not surprised to find that he had learned my name.
“Mr. Sullivan,” I said.
“Please, call me Ari.”
“Well, hello, Ari,” I said, grazing my hand on his arm.
I was seventeen. He was forty-eight.
That night, after his secretary left for the day, I was laid across his desk, with my skirt around my hips and Ari’s face between my legs. It turned out Ari had a fetish for orally pleasing underage girls. After about seven minutes of it, I pretended to erupt in reckless pleasure. I couldn’t tell you whether it was any good. But I was happy to be there, because I knew it was going to get me what I wanted.
If the definition of enjoying s*x means that it is pleasurable, then I’ve had a lot of s*x that I didn’t enjoy. But if we’re defining it as being happy to have made the trade, then, well, I haven’t had much I hated.
When I left, I saw the row of Oscars that Ari had sitting in his office. I told myself that one day I’d get one, too.
Love Isn’t All and the Gary DuPont movie I’d wanted came out within a week of each other. Love Isn’t All tanked. And Penelope Quills, the woman who’d gotten the part I’d wanted opposite Gary, got terrible reviews.
I cut out a review of Penelope and sent it by interoffice mail to Harry and Ari, with a note that said, “I would have knocked it out of the park.”
The next morning, I had a note from Harry in my trailer: “OK, you win.”
Harry called me into his office and told me that he had discussed it with Ari, and they had two potential roles for me.
I could play an Italian heiress as the fourth lead in a war romance. Or I could play Jo in Little Women.
I knew what it would mean, playing Jo. I knew Jo was a white woman. And still, I wanted it. I hadn’t gotten on my back just to take a baby step.
“Jo,” I said. “Give me Jo.”
And in so doing, I set the star machine in motion.
Harry introduced me to studio stylist Gwendolyn Peters. Gwen bleached my hair and cut it into a shoulder-length bob. She shaped my eyebrows. She plucked my widow’s peak. I met with a nutritionist, who made me lose six pounds exactly, mostly by taking up smoking and replacing some meals with cabbage soup. I met with an elocutionist, who got rid of the New York in my English, who banished Spanish entirely.
And then, of course, there was the three-page questionnaire I had to fill out about my life until then. What did my father do for a living? What did I like to do in my spare time? Did I have any pets?
When I turned in my honest answers, the researcher read it in one sitting and said, “Oh, no, no, no. This won’t do at all. From now on, your mother died in an accident, leaving your father to raise you. He worked as a builder in Manhattan, and on weekends during the summer, he’d take you to Coney Island. If anyone asks, you love tennis and swimming, and you have a Saint Bernard named Roger.”
I sat for at least a hundred publicity photos. Me with my new blond hair, my trimmer figure, my whiter teeth. You wouldn’t believe the things they made me model. Smiling at the beach, playing golf, running down the street being tugged by a Saint Bernard that someone borrowed from a set decorator. There were photos of me salting a grapefruit, shooting a bow and arrow, getting on a fake airplane. Don’t even get me started on the holiday photos. It would be a sweltering-hot September day, and I’d be sitting there in a red velvet dress, next to a fully lit Christmas tree, pretending to open a box that contained a brand-new baby kitten.
The wardrobe people were consistent and militant about how I was dressed, per Harry Cameron’s orders, and that look always included a tight sweater, buttoned up just right.
I wasn’t blessed with an hourglass figure. My ass might as well have been a flat wall. You could hang a picture on it. It was my chest that kept men’s interest. And women admired my face.
To be honest, I’m not sure when I figured out the exact angle we were all going for. But it was sometime during those weeks of photo shoots that it hit me.
I was being designed to be two opposing things, a complicated image that was hard to dissect but easy to grab on to. I was supposed to be both naive and erotic. It was as if I was too wholesome to understand the unwholesome thoughts you were having about me.
It was bullshit, of course. But it was an easy act to put on. Sometimes I think the difference between an actress and a star is that the star feels comfortable being the very thing the world wants her to be. And I felt comfortable appearing both innocent and suggestive.
When the pictures got developed, Harry Cameron pulled me into his office. I knew what he wanted to talk about. I knew there was one remaining piece that needed to be put into place.
“What about Amelia Dawn? That has a nice ring to it, doesn’t it?” he said. The two of us were sitting in his office, him at his desk, me in the chair.
I thought about it. “How about something with the initials EH?” I asked. I wanted to get something as close to the name my mother gave me, Evelyn Herrera, as I could.
“Ellen Hennessey?” He shook his head. “No, too stuffy.”
