โWeโve got a body at a small, independent theater in Arlington.โ Agent Briggsโs fingers curled into his palms as he delivered the news, but he fought the urge to clench his fists. โItโs not Genevieve Ridgerton.โ
I didnโt know whether to be relieved or upset. Somewhere, fifteen-year-old Genevieve might still be alive. But now we were dealing with body number eight.
Our UNSUBโs โplus one.โ
โStarmans, Vance, Brooks: I want the three of you to take the kids back to the house. I want one of you posted at the front door, one at the back door, and one with Cassie at all times.โ Agent Briggs turned and started walking out of the club, a signal to the rest of us that he was so confident that we would follow his orders that he didnโt even need to stay here to see them through.
I didnโt need Lia or Michael here to tell me that his confidence was a lie. โIโm going with you,โ I said, following him outside. โThe exact same logic
that let you bring me here applies in Arlington. The UNSUB turned this into a little treasure hunt. He wants to see me follow it to the end.โ
โI donโt care what he wants,โ Briggs cut in. โI want to keep you safe.โ
His tone was uncompromising and full of warning, but I couldnโt stop myself from asking, โWhy? Because Iโmย valuable? Because Naturals work so well as a team, and youโd hate to throw that off?โ
Agent Briggs closed the space between us and brought his face down level with mine. โDo you really think that little of me?โ he asked quietly. โIโm ambitious. Iโm driven. Iโm single-minded, but do you really think that I would knowingly put any of you in danger?โ
I thought of the moment weโd met. The pen without the cap. His preference for basketball over golf.
โNo,โ I said. โBut we both know that this case is killing you. Itโs killing Locke, and now thereโs a senatorโs daughter involved. If it werenโt for me, you wouldnโt have sent someone to check out that theater. We wouldnโt have discovered the body for hours, maybe daysโand who knows what our UNSUB would have done to Genevieve in the meantime?
If you donโt want to use me as bait anymore, fine. But you need to take me with you. You need to take all three of us with you, because we might see something that you canโt.โ
That was the whole reason Briggs had started the Naturals program. The whole reason that heโd come to twelve-year-old Dean. No matter how long
they did this job, or how much training they had, these agents would never have instincts as finely honed as ours.
โLet her come.โ Locke placed a hand on Briggsโs arm, and for the first time, I wondered if there was anything between the two of them other than work. โIf Cassieโs old enough to play bait, sheโs old enough to learn from the experience.โ Locke glanced around the roomโat Sloane and Dean. โThey all are.โ
โ โ โ
Forty-five minutes later, we pulled up to 4587 North Oakland Street. The local police were already there, but at the FBIโs insistence, they hadnโt touched a thing. Dean, Sloane, and I waited in the car with Agents Starmans and Vance until the local PD had been cleared off the scene, and then they brought us up to the third floor.
To this tiny theaterโs only dressing room. I made it halfway down the hall before Agent Briggs stepped out of the room, blocking the entrance.
โYou donโt need to see this, Cassie,โ he said.
I could smell itโnot rotten, not yet, but coppery: rust with just a hint of decay. I pushed past Briggs. He let me.
The room was rectangular. There was blood smeared across the light switch, blood pooled near the door. The entire left-hand side of the room was lined with mirrors, like a dance studio.
Like my motherโs dressing room.
My limbs felt heavy all of a sudden. My lips were numb. I couldnโt breathe, and just like that, I was right backโ
The door is slightly ajar. I push it open. Thereโs something wet and squishy beneath my feet, and the smellโ
I grope for the light switch. My fingers touch something warm and sticky on the wall. Frantically, I search for the light switchโ
Donโt turn it on. Donโt turn it on. Donโt turn it on.
I turn it on.
Iโm standing in blood. Thereโs blood on the walls, blood on my hands. A lamp lies shattered on the wood floor. A desk is upturned, and thereโs a jagged line in the floorboards.
From the knife.
Pressure on my shoulders forced me to stop reliving the memory. Hands.
Deanโs hands, I realized. He brought his face very close to mine.
โStay in control,โ he said, his voice steady and warm. โEvery time you go back there, every time you see itโitโs just blood, just a crime scene, just a body.โ He dropped his hands to his sides. โThatโs all it is, Cassie. Thatโs all you can let it be.โ
I wondered which memories he relived over and overโwondered about the bodies and the blood. But right now, in this moment, I was just glad that he was here, that I wasnโt alone.
I took his advice. I forced myself to look at the mirror, smeared with blood. I could make out handprints, finger tracks, like the victim had used the mirror to pull herself along the ground after she was too weak to walk.
โTime of death was late last night,โ Briggs said. โWeโll have Forensics in here to see if they can lift any fingerprints besides the victimโs off the mirror.โ
โThatโs not her blood.โ
I glanced over at Sloane and realized that she was kneeling next to the body. For the first time, I looked at the victim. Her hair was red. Sheโd obviously been stabbed repeatedly.
โThe medical examiner will tell you the same thing,โ Sloane continued. โThis woman is five feet tall, approximately a hundred and ten pounds. Given her size, weโre looking at death from exsanguination with the loss of three quarts of blood, maybe less. Sheโs wearing jeans and a cashmere top.
Cashmereโand other forms of woolโcan absorb up to thirty percent of its weight in moisture without even appearing damp. Since the deepest wounds are concentrated over her stomach and chest areas, and her top and jeans were both tight, sheโd have had to bleedย throughย the fabric before dripping all over the floor.โ
I looked at the womanโs clothes. Sure enough, they were soaked with blood.
โBy the time her clothes were saturated enough to leave a puddle of that size on the floor over thereโโSloane gestured toward the doorโโour victim wouldnโt have been conscious to fight off her attacker, let alone lead him on a merry chase through the room. Sheโs too small, she doesnโt have enough blood, the fabrics sheโs wearing donโt expel liquid quickly enoughโthe numbers donโt add up.โ
โSheโs right.โ Agent Briggs stood up from examining the floor. โThereโs a knife mark on the floor over here. If it was made with a bloody knife, there would be blood embedded in the scratch, but thereโs not, meaning that either the UNSUB missed at his first attempt at stabbing the womanโwhich certainly doesnโt seem likely, given her size and the fact that he would have had the element of surpriseโor the UNSUB deliberately made these marks with a clean knife.โ
I put myself in the victimโs shoes. She was eight or nine inches shorter than my motherโs five-nine, but that didnโt mean she couldnโt have fought. But even if the UNSUB had come after her in the exact same way, what were the chances that the scene would have looked this much like my motherโs dressing room? The mirrors on the wall, the blood smeared on the light switch, the dark liquid pooled by the door.
Something about this didnโt feel right. โSheโs left-handed.โ
I turned to look at Dean, and he continued, โVictimโs wearing her watch on her right hand, and her manicure is more chipped on her left hand than her right,โ he said. โWas your mother left-handed, Cassie?โ
I shook my head and realized where he was going with this. โThey wouldnโt have fought off an attacker in the same way,โ I said.
Dean gave a brief nod of agreement. โIf anything, weโd expect spatter on this wall.โ He gestured to the plain wall opposite the mirrors. It was clean.
โThe UNSUB didnโt kill her here.โ Locke was the first one who said it out loud. โThereโs virtually no blood pooled around the body. She was killed somewhere else.โ
You killed her. You brought her here. You painted the room in blood. โFor a good time, call Lorelai,โ I murmured.
โCassie?โ Agent Locke raised an eyebrow at me. I answered the question that went along with the eyebrow raise.
โSheโs just a prop,โ I said, looking at the woman, wishing I knew her name, wishing that I could still make out the features of her face. โThis is a set. This entire thing was staged to look like my motherโs death. Exactly like it.โ My stomach twisted sharply.
โOkay,โ Agent Locke said. โSo Iโm the killer. Iโm fixated on you, and Iโm fixated on your mother. Maybe she was my first kill, but this time, it isnโt about your mother.โ
โItโs about you.โ Dean picked up where Agent Locke had left off. โIโm not trying to relive her death. Iโm trying to force you to relive discovering her.โ
The UNSUB had wanted me here. The presents, the coded message, and now thisโa corpse dumped in a crime scene strikingly like my motherโs.
โBriggs.โ One of Briggsโs agentsโStarmansโstuck his head into the room. โMedical examiner and the forensics team are here. Do you want me to hold them off?โ
Briggs looked at Dean, at me, and then at Sloane, still kneeling next to the body. Weโd been careful not to touch anything or disturb the crime scene, but plopping three teenagers down in the middle of a murder investigation wasnโt exactly covert. Briggs, Locke, and their team obviously knew about us, but I wasnโt convinced that the rest of the FBI did, and Briggs confirmed that when he glanced from Starmans to Locke.
โGet them out of here, Starmans,โ Briggs said. โI want you, Brooks, and Vance rotating through on Cassieโs protection detail. Director Sterling has offered some of his best men for surveillance. Theyโll keep an eye on the house from the outside, but I want one of you with Cassie at all times, and tell Judd that the house arrest is still in effect. No one leaves that house until this killer is caught.โ
I didnโt fight the orders.
I didnโt fight to stay there in the room, looking for clues.
There werenโt any. This was never about me figuring out who this killer was. This was always, always about the UNSUB playing with me, forcing me to relive the worst day of my life.
Sloane slipped an arm around my waist. โThere are fourteen varieties of hugs,โ she said. โThis is one of them.โ
Locke put a hand on my shoulder and steered the two of us out of the room, Dean on our heels.
This is a game. I heard Deanโs voice echoing through my memory.ย Itโs always a game. That was what heโd told Michael, and at the time, Iโd agreed. To the killer, this was a gameโand suddenly, I couldnโt help thinking that the good guys might not win this one.
We might lose.
Iย might lose.