The library looked tranquil enough as I entered it, and the Sibylโif Sibyl she wereโwas seated snugly enough in an easy-chair at the chimney-corner. She had on a red cloak and a black bonnet: or rather, a broad-brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my
entrance: it appeared she wished to finish a paragraph.
I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy’s appearance to trouble one’s calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf-locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze.
โWell, and you want your fortune told?โ she said, in a voice as decided as her glance, as harsh as her features.
โI don’t care about it, mother; you may please yourself: but I ought to warn you, I have no faith.โ
โIt’s like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold.โ
โDid you? You’ve a quick ear.โ
โI have; and a quick eye and a quick brain.โ โYou need them all in your trade.โ
โI do; especially when I’ve customers like you to deal with. Why don’t you tremble?โ
โI’m not cold.โ
โWhy don’t you turn pale?โ
โI am not sick.โ
โWhy don’t you consult my art?โ โI’m not silly.โ
The old crone โnicheredโ a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately
โโYou are cold; you are sick; and you are silly.โ โProve it,โ I rejoined.
โI will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you.โ
She again put her short black pipe to her lips, and renewed her smoking with vigour.
โYou might say all that to almost any one who you knew lived as a solitary dependent in a great house.โ
โI might say it to almost any one: but would it be true of almost any one?โ
โIn my circumstances.โ
โYes; just so, inย yourย circumstances: but find me another precisely placed as you are.โ
โIt would be easy to find you thousands.โ
โYou could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results.โ
โI don’t understand enigmas. I never could guess a riddle in my life.โ โIf you wish me to speak more plainly, show me your palm.โ
โAnd I must cross it with silver, I suppose?โ โTo be sure.โ
I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it.
โIt is too fine,โ said she. โI can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written
there.โ
โI believe you,โ said I.
โNo,โ she continued, โit is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head.โ
โAh! now you are coming to reality,โ I said, as I obeyed her. โI shall begin to put some faith in you presently.โ
I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined.
โI wonder with what feelings you came to me to-night,โ she said, when she had examined me a while. โI wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance.โ
โI feel tired often, sleepy sometimes, but seldom sad.โ
โThen you have some secret hope to buoy you up and please you with whispers of the future?โ
โNot I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself.โ
โA mean nutriment for the spirit to exist on: and sitting in that window-seat (you see I know your habits )โโ
โYou have learned them from the servants.โ
โAh! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Pooleโโ
I started to my feet when I heard the name.
โYou haveโhave you?โ thought I; โthere is diablerie in the business after all, then!โ
โDon’t be alarmed,โ continued the strange being; โshe’s a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?โ
โI like to observe all the faces and all the figures.โ
โBut do you never single one from the restโor it may be, two?โ
โI do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them.โ
โWhat tale do you like best to hear?โ
โOh, I have not much choice! They generally run on the same theme
โcourtship; and promise to end in the same catastropheโmarriage.โ โAnd do you like that monotonous theme?โ
โPositively, I don’t care about it: it is nothing to me.โ
โNothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman youโโ
โI what?โ
โYou knowโand perhaps think well of.โ
โI don’t know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me.โ
โYou don’t know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!โ
โHe is not at home.โ
โA profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintanceโblot him, as it were, out of existence?โ
โNo; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced.โ
โI was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester’s eyes that they overflow like two cups filled above the brim: have you never remarked that?โ
โMr. Rochester has a right to enjoy the society of his guests.โ
โNo question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?โ
โThe eagerness of a listener quickens the tongue of a narrator.โ I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for
weeks by my heart watching its workings and taking record of every pulse.
โEagerness of a listener!โ repeated she: โyes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?โ
โGrateful! I cannot remember detecting gratitude in his face.โ โDetecting! You have analysed, then. And what did you detect, if not
gratitude?โ
I said nothing.
โYou have seen love: have you not?โand, looking forward, you have seen him married, and beheld his bride happy?โ
โHumph! Not exactly. Your witch’s skill is rather at fault sometimes.โ โWhat the devil have you seen, then?โ
โNever mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?โ
โYes; and to the beautiful Miss Ingram.โ โShortly?โ
โAppearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,โhe’s dishedโโ
โBut, mother, I did not come to hear Mr. Rochester’s fortune: I came to hear my own; and you have told me nothing of it.โ
โYour fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug.โ
โDon’t keep me long; the fire scorches me.โ
I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,โ
โThe flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,โto disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable.
โAs to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious.
โI see no enemy to a fortunate issue but in the brow; and that brow professes to say,โโI can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.’ The forehead declares, โReason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.’
โWell said, forehead; your declaration shall be respected. I have formed my plansโright plans I deem themโand in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolutionโsuch is not my taste. I wish to foster, not to blightโto earn gratitude, not to wring tears of bloodโno, nor of brine: my harvest must be in smiles, in endearments, in sweetโThat will
do. I think I rave in a kind of exquisite delirium. I should wish now to protract this momentย ad infinitum; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; โthe play is played out’.โ
Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman’s voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glassโas the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from meโon the contrary, the bonnet was doffed, the bandage displaced, the head advanced.
โWell, Jane, do you know me?โ asked the familiar voice. โOnly take off the red cloak, sir, and thenโโ
โBut the string is in a knotโhelp me.โ โBreak it, sir.โ
โThere, thenโโOff, ye lendings!’โ And Mr. Rochester stepped out of his disguise.
โNow, sir, what a strange idea!โ
โBut well carried out, eh? Don’t you think so?โ โWith the ladies you must have managed well.โ โBut not with you?โ
โYou did not act the character of a gipsy with me.โ โWhat character did I act? My own?โ
โNo; some unaccountable one. In short, I believe you have been trying to draw me outโor in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir.โ
โDo you forgive me, Jane?โ
โI cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right.โ
โOh, you have been very correctโvery careful, very sensible.โ
I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole
โthat living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester.
โWell,โ said he, โwhat are you musing about? What does that grave smile signify?โ
โWonder and self-congratulation, sir. I have your permission to retire now, I suppose?โ
โNo; stay a moment; and tell me what the people in the drawing-room yonder are doing.โ
โDiscussing the gipsy, I daresay.โ
โSit down!โLet me hear what they said about me.โ
โI had better not stay long, sir; it must be near eleven o’clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?โ
โA stranger!โno; who can it be? I expected no one; is he gone?โ โNo; he said he had known you long, and that he could take the
liberty of installing himself here till you returned.โ โThe devil he did! Did he give his name?โ
โHis name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think.โ
Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath.
โMason!โthe West Indies!โ he said, in the tone one might fancy a speaking automaton to enounce its single words; โMason!โthe West Indies!โ he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing.
โDo you feel ill, sir?โ I inquired.
โJane, I’ve got a blow; I’ve got a blow, Jane!โ He staggered. โOh, lean on me, sir.โ
โJane, you offered me your shoulder once before; let me have it now.โ
โYes, sir, yes; and my arm.โ
He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look.
โMy little friend!โ said he, โI wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me.โ
โCan I help you, sir?โI’d give my life to serve you.โ
โJane, if aid is wanted, I’ll seek it at your hands; I promise you that.โ โThank you, sir. Tell me what to do,โI’ll try, at least, to do it.โ โFetch me now, Jane, a glass of wine from the dining-room: they will
be at supper there; and tell me if Mason is with them, and what he is doing.โ
I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,โthe supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library.
Mr. Rochester’s extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand.
โHere is to your health, ministrant spirit!โ he said. He swallowed the contents and returned it to me. โWhat are they doing, Jane?โ
โLaughing and talking, sir.โ
โThey don’t look grave and mysterious, as if they had heard something strange?โ
โNot at all: they are full of jests and gaiety.โ โAnd Mason?โ
โHe was laughing too.โ
โIf all these people came in a body and spat at me, what would you do, Jane?โ
โTurn them out of the room, sir, if I could.โ
He half smiled. โBut if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?โ
โI rather think not, sir: I should have more pleasure in staying with you.โ
โTo comfort me?โ
โYes, sir, to comfort you, as well as I could.โ
โAnd if they laid you under a ban for adhering to me?โ
โI, probably, should know nothing about their ban; and if I did, I should care nothing about it.โ
โThen, you could dare censure for my sake?โ
โI could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do.โ
โGo back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me.โ
โYes, sir.โ
I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs.
At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester’s voice, and heard him say, โThis way, Mason; this is your room.โ
He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.





