I feel strange, all day.
I feel off, somehow. Kenji is thrilled to be getting off base, excited about testing my strength in new places, and everyone else is jealous that we get to leave. So I should be happy. I should be eager.
But I feel strange.
My head is in a weird place, and I think itโs because I havenโt been able to shake Warnerโs story from my mind. I canโt stop trying to imagine him as he was. As a small, terrified child.
No one knows where heโs headed today. No one knows the depth of it. And he does nothing to betray how heโs really feeling. Heโs been as calm as ever, controlled and careful in his words, his actions.
Kenji and I are meeting him again in just a moment.
Weโre slipping through the door in the gun wall, and Iโm finally able to see firsthand how Warner sneaked them inside. Weโre crossing through a shooting range.
There are gun stations and little cubicles with targets set hundreds of feet away, and right now, the entire place is deserted. This must be another one of Warnerโs practice rooms.
Thereโs a door at the end of the walkway, and Kenji pushes it open. He doesnโt need to touch me at all anymore in order to keep me invisible, and itโs so much more convenient this way. We can move freely as long as Iโm within fifty feet of him, which gives us the flexibility we need to be able to work outside today.
Weโre now on the other side of the door. Standing in an enormous storage facility.
The space is at least five hundred feet across, and maybe twice as high. Iโve never seen more boxes in my entire life. I have no idea what they contain, and no time to wonder.
Kenji is pulling me through the maze.
We sidestep boxes of all different sizes, careful not to trip over electrical cords and the machinery used to move the heavier items. There are rows and rows and more rows divided into even more rows that house everything in very organized sections. I notice there are labels on every shelf and in all the aisles, but I canโt get close enough to read them.
When we finally make it to the end of the storage room, there are two huge, fifty-foot doors that lead to the exit. This is clearly a loading zone for trucks and tanks. Kenji grabs my arm and keeps me close as we pass several guards stationed by the exit. We dart through the trucks parked all around the loading zone, until we finally get to the meeting point where weโre supposed to find Warner.
I wish Kenji couldโve been around to make me invisible when I first tried to get on and off base. It wouldโve been so nice to just walk out like a human being, instead of being carted through the halls, jolting and teetering and clinging to the legs of a wheeling tray table.
Warner is leaning against a tank.
Both doors are open, and heโs looking around like he might be overseeing the work being done with the loading units. He nods to several soldiers as they pass.
We clamber into the passenger side unnoticed.
And just as Iโm about to whisper a notification to Warner, he walks around to the passenger side, says, โWatch your legs, love,โ and shuts the door.
And then he climbs into the other side. Starts driving. Weโre still invisible.
โHow did you know we were in here?โ Kenji asks immediately. โCan you, like, see invisible people, too?โ
โNo,โ Warner says to him, eyes focused in front of him. โI can feel your presence. Hers, most of all.โ
โReally?โ Kenji says. โThatโs some weird shit. What do I feel like?
Peanut butter?โ
Warner is unamused.
Kenji clears his throat. โJ, I think you should switch spots with me.โ โWhy?โ
โI think your boyfriend is touching my leg.โ โYou flatter yourself,โ Warner says.
โSwitch spots with me, J. Heโs making me feel all goosebumpy and shit, like maybe heโs about to knife me.โ
โFine.โ I sigh. I try clambering over him, but itโs difficult, considering I can see neither my own body nor his.
โOwโdammitโyou almost kicked me in the faceโโ โSorry!โ I say, trying to scramble over his knees.
โJust move,โ he says. โGod, how much do you weighโโ
He shifts, all at once, slipping out from under me, and gives me a small shove to move me over.
I fall face-first into Warnerโs lap.
I hear Warnerโs brief, sharp intake of breath, and I scramble upright, blushing so hard, and Iโm suddenly so relieved no one can see me right now.
I want to punch Kenji in the nose. No one talks much after that.
As we get closer to unregulated territory, the scenery starts to change. The simple, signless, semipaved roads give way to the streets of our old world. The houses are painted in shades that promised to be colorful once upon a time, and the roads are lined with sidewalks that mightโve carried children safely home from school. The houses are all falling apart now.
Everything is broken, dilapidated. The windows boarded up. The lawns overgrown and iced over. The winter bite looks fresh in the air, and it casts a gloom over the scene in a way that says this all might be different in another season. Who knows.
Warner stops the tank.
He climbs out and walks over to our door, just in case anyone is still out here, and makes it seem as though heโs opening it for a specific reason. To check the interior. To examine a problem.
It doesnโt matter.
Kenji jumps out first, and Warner seems to be able to tell that heโs gone.
I reach for Warnerโs hand, because I know he canโt see me. His fingers immediately tighten around mine. His eyes are focused on the floor.
โItโs going to be okay,โ I tell him. โOkay?โ โYes,โ he says. โIโm sure youโre right.โ
I hesitate. โWill you be back soon?โ
โYes,โ he whispers. โIโll return for you in exactly two hours. Will that be sufficient time?โ
โYes.โ
โGood. Iโll meet you back here, then. In this exact location.โ โOkay.โ
He says nothing for a second. Then, โOkay.โ I squeeze his hand.
He smiles at the ground.
I stand up and he shifts to the side, allowing me room to get by. I touch him as I move past, just briefly. Just as a reminder. That Iโm here for him.
He flinches, startled, and steps back.
And then he climbs into the tank, and leaves.