โI have to leave in seven minutes.โ
Warner and I are both fully dressed, talking to each other like perfect acquaintances; like last night never happened. Delalieu brought us breakfast and we ate quietly in separate rooms. No talk of him or me or us or what mightโve been or what might be.
There is no us.
Thereโs the absence of Adam, and thereโs fighting against The Reestablishment. Thatโs it.
I get it now.
โIโd bring you with me,โ heโs saying, โbut I think itโll be hard to disguise you on this trip. If you want, you can wait in the training roomsโ Iโll bring the group of them straight there. You can say hello as soon as they arrive.โ He finally looks at me. โIs that okay?โ
I nod.
โVery good,โ he says. โIโll show you how to get there.โ
He leads me back into his office, and into one of the far corners by the couch. Thereโs an exit in here I didnโt see last night. Warner hits a button on the wall. The doors slide open.
Itโs an elevator.
We walk in and he hits the button for the ground floor. The doors close and we start moving.
I glance up at him. โI never knew you had an elevator in your room.โ โI needed private access to my training facilities.โ
โYou keep saying that,โ I tell him. โTraining facilities. Whatโs a training facility?โ
The elevator stops. The doors slide open.
He holds them open for me. โThis.โ
Iโve never seen so many machines in my life.
Running machines and leg machines and machines that work your arms, your shoulders, your abdominals. There are even machines that look like bikes. I donโt know what any of them are called. I know one of these things is a bench press. I also know what dumbbells look like, and there are racks and racks of those, in all different sizes. Weights, I think. Free weights. There are also bars attached to the ceiling in some places, but I canโt imagine what those are for. There are tons of things around this room, actually, that look entirely foreign to me.
And each wall is used for something different.
One wall seems to be made of stone. Or rock. There are little grooves in it that are accented by what look like pieces of plastic in different colors. Another wall is covered in guns. Hundreds of guns resting on pegs that keep them in place. Theyโre pristine. Gleaming as if theyโve just been cleaned. Thereโs a door in that same wall; I wonder where it goes. The third wall is covered in the same black, spongelike material that covers the floors. It looks like it might be soft and springy. And the final wall is the one weโve just walked through. It houses the elevator, and one other door, and nothing else.
The dimensions are enormous. This space is at least two or three times the size of Warnerโs bedroom, his closet, and his office put together. It doesnโt seem possible that all of this is for one person.
โThis is amazing,โ I say, turning to face him. โYou use all of this?โ
He nods. โIโm usually in here at least two or three times a day,โ he says. โI got off track when I was injured,โ he says, โbut in general, yes.โ He steps forward, touches the spongy black wall. โThis has been my life for as long as Iโve known it. Training,โ he says. โIโve been training forever. And this is where weโre going to start with you, too.โ
โMe?โ
He nods.
โBut I donโt need to train,โ I tell him. โNot like this.โ He tries to meet my eyes and canโt.
โI have to go,โ he says. โIf you get bored in here, take the elevator back up. This elevator can only access two levels, so you canโt get lost.โ He buttons his blazer. โIโll return as soon as I can.โ
โOkay.โ
I expect him to leave, but he doesnโt. โYouโll still be here,โ he finally says, โwhen I return.โ
Itโs not exactly a question. I nod anyway.
โIt doesnโt seem possible,โ he says, so quietly, โthat youโre not trying to run away.โ
I say nothing.
He exhales a hard breath. Pivots on one heel. And leaves.





