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Chapter no 18

All In (The Naturals, #3)

โ€ŒIf Lia had done to Michael what sheโ€™d just done to me, he would have lashed back at her. If sheโ€™d done it to Sloane, Sloane would have been crushedโ€”but I wasnโ€™t. Sooner or later, my grief would catch up to me. But Lia had given me a reason to fight it for that much longer. She wasnโ€™tโ€Œ

wrong about Michael. She wasnโ€™t wrong about Sloane. Someone had to hold them together. Someone had to holdย usย together.

And I needed that person to be me.

My gut said Lia knew that.ย You could have been nicer about it,ย I thought

โ€”but if she had been, she wouldnโ€™t be Lia.

I stayed out on the balcony for another ten minutes after Lia sauntered off. When I finally made my way back inside, Michael, Lia, and Dean were gathered around the kitchen tableโ€”and so was Agent Briggs. He was dressed in plain-clothes, which told me the FBI was making an effort at keeping these visits on the down low. The fact that Briggsโ€™s version of plain clothesย stillย made him look like a cop was perfectly reflective of his personality: hyperfocused, ambitious.

Briggs played to win.

โ€œThereโ€™s been another murder.โ€ Briggs had apparently been waiting for my arrival to make that announcement. None of the four of us made an attempt at looking surprised. โ€œThat makes the Apex, the Wonderland, the Desert Rose, and the Majesty, all in a matter of four days. We may be

looking at someone who has a grudge against the casinos or the people who profit from them.โ€

Dean looked toward a file Briggs held in his hand. โ€œThe latest victim?โ€ Briggs tossed the folder down onto the kitchen table. I flipped it open.

Glassy blue eyes stared back at me, impossibly large in a heart-shaped face. โ€œIs thatโ€ฆโ€ Michael started to say.

โ€œCamille Holt,โ€ I finished, unable to pull my eyes away.

You like being underestimated, Camille,ย I thought dully, bringing my hand to touch the edge of the picture.ย Youโ€™re fascinated by the way the mind works, the way it breaks, the way people survive things no one should be able to survive.

Her skin was tinged a ghastly gray; the whites of her wide-set eyes were marked by blots of redโ€”capillaries that had burst as sheโ€™d struggled against her assailant.

You struggled. You fought.ย She was lying on her back on a white marble floor, strawberry blond hair spread out in a halo around her headโ€”but I knew in my gut that sheโ€™d fought, viciously, with an almost feral strength her assailant wouldnโ€™t have been expecting.

โ€œAsphyxiation,โ€ Dean commented. โ€œShe was strangled.โ€

โ€œMurder weapon?โ€ I asked. There was a difference between strangling someone with a wire and strangling them with a rope.

Briggs took out a snapshot of an evidence bag. Inside was a necklaceโ€” the thick metal chain Camille had worn looped twice around her neck the night before.

In my mind, I could see her, sitting at the bar, one leg dangling off the stool. I could see her turning toward us and walking toward the exit.

I could see Aaron Shaw watching her go.

โ€œYouโ€™ll want to talk to the casino ownerโ€™s son.โ€ Michaelโ€™s thoughts were perfectly in line with my own. โ€œAaron Shaw. His interest in Ms. Holt wasnโ€™t professional.โ€

โ€œWhat did you see?โ€ Briggs asked.

Michael shrugged. โ€œAttraction. Affection. A sharp edge of tension.โ€

What kind of tension?ย I didnโ€™t get the chance to follow up before Sloane popped into the kitchen and went to pour herself some coffee. Briggs eyed her warily. Sloaneโ€™s tendency toward high-speed babbling when caffeinated was a thing of legend.

โ€œI called you last night,โ€ Sloane told him reproachfully. โ€œI called and called, and you didnโ€™t answer. Ergo, I get coffee, and you donโ€™t get to complain.โ€

I thought about the chopsticks Sloane had stolen the night before.ย You needed Briggs to pick up your call. You needed to be recognized. You needed to be heard.

โ€œThere was another murder,โ€ Briggs told Sloane.

โ€œI know.โ€ Sloane stared at the coffee in her hands. โ€œTwo. Three. Three.

Three.โ€

โ€œWhat did you say?โ€ Briggs asked sharply.

โ€œThe number on the corpse. Itโ€™s 2333.โ€ Sloane finally came to sit at the table with the rest of us. โ€œIsnโ€™t it?โ€

Briggs pulled a new picture out of the file. Camilleโ€™s wrist:ย 2333ย had been carved into it. Literally. The bloody numbers were slightly jagged.ย From a henna tattoo to this.ย The numbers had always been a messageโ€”but this? This was violent. Personal.

โ€œWas she alive when the UNSUB did this?โ€ I asked.

Briggs shook his head. โ€œPostmortem. There was a compact in the victimโ€™s purse. We believe the UNSUB broke it and used one of the shards to carve the numbers in her wrist.โ€

I shifted from Camilleโ€™s perspective to her attackerโ€™s.ย Youโ€™re a planner.

If this was what youโ€™d intended all along, you would have brought something with you to do the job.

That left me with two questions: first, whatย hadย the plan been, and second, why had the UNSUB deviated from it?

What went wrong?ย I asked the killer silently.ย Did she thwart your plan somehow? Was she harder to manipulate than the others?ย I thought about the fact that Camille had been present at the crime scenes for two of the victims.ย Did you know her?

โ€œThis is personal.โ€ Deanโ€™s thoughts were exactly in line with my own. โ€œThe other targets might have been selected for convenience. But not this one.โ€

โ€œThat was Agent Sterlingโ€™s take as well,โ€ Briggs said. He turned back to Sloane. โ€œYou decoded the numbers?โ€

Sloane grabbed a pen out of Agent Briggsโ€™s pocket, flipped the folder closed, and started scrawling numbers on the outside of the folder, talking as she wrote. โ€œThe Fibonacci sequence is a series of integers where each

number is derived by adding the two that come before it. Most people believe it was discovered by Fibonacci, but the earliest appearances of the sequence are in Sanskrit writings that predate Fibonacci by hundreds of years.โ€

Sloane set the pen down. There were fifteen numbers on the page:

0 1 1 2 3 5 8 13 21 34 55 89 144 233 377

โ€œI didnโ€™t see it at first,โ€ she continued. โ€œThe pattern picks up mid- integer.โ€

โ€œPretend for a moment,โ€ Lia told her, โ€œthat weโ€™re all very, very slow.โ€ โ€œIโ€™m not very good at pretending,โ€ Sloane told her seriously. โ€œBut I

think I can do that.โ€

Michael choked back a snort.

Sloane picked the pen back up and put it down under the number thirteen. โ€œIt starts here,โ€ she said, underlining four numbers, then inserting a slash before repeating the process.

0 1 1 2 3 5 8 13 21 3/4 55 8/9 144/ย 233 377

2333.ย The image of Camilleโ€™s wrist rose to the surface of my mind, like a drowned man bobbing to the surface of a lake.ย You break the glass. You press the jagged edge to her flesh, carving in the numbers.

โ€œWhy this sequence?โ€ I said. โ€œAnd why make it this hard to see? Why not start at the beginning, with 0112?โ€

โ€œBecause,โ€ Dean said slowly, โ€œthis knowledge has to be earned.โ€

Briggs glanced at us, one after the other. โ€œAgent Sterling and I will be spending the afternoon talking to potential witnesses. If you have any names to add to that listโ€”besides Aaron Shawโ€”now would be the time to speak up.โ€

At the mention of Aaronโ€™s name, Sloaneโ€™s hands curved tightly around her cup of coffee. Michael cocked his head to the side and stared at her. An instant later, he caught me watching him and raised an eyebrow at me in an unspoken challenge.

You know somethingโ€™s up with Sloane,ย I thought,ย and you know that I know what it is.

โ€œI assume youโ€™ve gathered that Camille was out with Tory Howard last night?โ€ Dean asked Briggs.

Briggs gave a brief nod. โ€œWe talked with Tory briefly yesterday. Weโ€™ll go back for seconds today, then work our way through the rest of our list.โ€ โ€œI donโ€™t suppose youโ€™d like to take me with you when you go to talk to

this fine collection of potentially homicidal individuals?โ€ Lia batted her eyes at Agent Briggs.

Briggs withdrew four earpieces from his pocket and laid them down on the table. They were joined, a moment later, by a tablet from his briefcase. โ€œVideo and audio feeds,โ€ he told us. โ€œAgent Sterling and I are wired. Within a four-mile radius, youโ€™ll see what we see. Youโ€™ll hear what we hear. If you pick up on something you think we might have missed, you can text or call. Otherwise, I want you studying up on our interrogation techniques.โ€

Lia, Michael, Dean, and I reached for earpieces in unison. Sloane turned to Briggs. โ€œWhat about me?โ€ she asked quietly. There were four earpieces and five of us.

โ€œFour casinos in four days,โ€ Briggs said. โ€œI need youโ€โ€”he put enough emphasis on those words to tell me heโ€™d picked up on the vulnerability in Sloaneโ€™s toneโ€”โ€œto figure out where this killer is going to strike next.โ€

YOU

The roulette wheel spins. The players watch with bated breath. You watch the players. Like ants in an ant farm, theyโ€™re predictable.

Some bet on black. Some bet on red.

Some are hesitant. Some believe chance favors the bold.

You could tell them the exact odds of winning. You could tell them that chance favors no man. Red or black, it doesnโ€™t matter.

The house always wins.

You expel a breath, long and slow. Let them have their fun. Let them believe that Lady Luck might smile down on them. Let them keep their games of chance.

Your gameโ€”the one they donโ€™t even know theyโ€™re playingโ€”is a game of skill.

1/1.

1/2.

1/3.

1/4.

You know what comes next. You know the order. You know the rules.

This is bigger than ants in an ant farm could ever imagine.

No one can stop you. You are Death.

You are the house. And the house always wins.

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