โThe man has only just crumpled to the ground when a wall of white Peacekeeper uniforms blocks our view. Several of the soldiers have automatic weapons held lengthwise as they push us back toward the door.โ
โWeโre going!โ says Peeta, shoving the Peacekeeper whoโs pressing on me. โWe get it, all right? Come on, Katniss.โ His arm encircles me and guides me back into the Justice Building. The Peacekeepers follow a pace or two behind us. The moment weโre inside, the doors slam shut and we hear the Peacekeepersโ boots moving back toward the crowd.
Haymitch, Effie, Portia, and Cinna wait under a static-filled screen thatโs mounted on the wall, their faces tight with anxiety.
โWhat happened?โ Effie hurries over. โWe lost the feed just after Katnissโs beautiful speech, and then Haymitch said he thought he heard a gun fire, and I said it was ridiculous, but who knows? There are lunatics everywhere!โ
โNothing happened, Effie. An old truck backfired,โ says Peeta evenly.
Two more shots. The door doesnโt muffle their sound much. Who was that? Threshโs grandmother? One of Rueโs little sisters?
โBoth of you. With me,โ says Haymitch. Peeta and I follow him, leaving the others behind. The Peacekeepers who are stationed around the Justice Building take little interest in our movements now that we are safely inside. We ascend a magnificent curved marble staircase. At the top, thereโs a long hall with worn carpet on the floor. Double doors stand open, welcoming us into the first room we encounter. The ceiling must be twenty feet high. Designs of fruit and flowers are carved into the molding and small, fat children with wings look down at us from every angle. Vases of blossoms give off a cloying scent that makes my eyes itch. Our evening clothes hang on racks against the wall. This room has been prepared for our use, but weโre barely there long enough to drop off our gifts. Then Haymitch yanks the microphones from our chests, stuffs them beneath a couch cushion, and waves us on.
As far as I know, Haymitch has only been here once, when he was on his
Victory Tour decades ago. But he must have a remarkable memory or reliable instincts, because he leads us up through a maze of twisting staircases and increasingly narrow halls. At times he has to stop and force a door. By the protesting squeak of the hinges you can tell itโs been a long time since it was opened. Eventually we climb a ladder to a trapdoor. When Haymitch pushes it aside, we find ourselves in the dome of the Justice Building. Itโs a huge place filled with broken furniture, piles of books and ledgers, and rusty weapons. The coat of dust blanketing everything is so thick itโs clear it hasnโt been disturbed for years. Light struggles to filter in through four grimy square windows set in the sides of the dome. Haymitch kicks the trapdoor shut and turns on us.
โWhat happened?โ he asks.
Peeta relates all that occurred in the square. The whistle, the salute, our hesitation on the verandah, the murder of the old man. โWhatโs going on, Haymitch?โ
โIt will be better coming from you,โ Haymitch says to me.
I donโt agree. I think it will be a hundred times worse coming from me. But I tell Peeta everything as calmly as I can. About President Snow, the unrest in the districts. I donโt even omit the kiss with Gale. I lay out how we are all in jeopardy, how the whole country is in jeopardy because of my trick with the berries. โI was supposed to fix things on this tour. Make everyone who had doubted believe I acted out of love. Calm things down. But obviously, all Iโve done today is get three people killed, and now everyone in the square will be punished.โ I feel so sick that I have to sit down on a couch, despite the exposed springs and stuffing.
โThen I made things worse, too. By giving the money,โ says Peeta. Suddenly he strikes out at a lamp that sits precariously on a crate and knocks it across the room, where it shatters against the floor. โThis has to stop. Right now. This โ this โ game you two play, where you tell each other secrets but keep them from me like Iโm too inconsequential or stupid or weak to handle them.โ
โItโs not like that, Peeta โโ I begin.
โItโs exactly like that!โ he yells at me. โI have people I care about, too, Katniss! Family and friends back in District Twelve who will be just as dead as yours if we donโt pull this thing off. So, after all we went through in the arena, donโt I even rate the truth from you?โ
โYouโre always so reliably good, Peeta,โ says Haymitch. โSo smart about how you present yourself before the cameras. I didnโt want to disrupt that.โ
โWell, you overestimated me. Because I really screwed up today. What do you think is going to happen to Rueโs and Threshโs families? Do you think theyโll get their share of our winnings? Do you think I gave them a bright future? Because I think theyโll be lucky if they survive the day!โ Peeta sends
something else flying, a statue. Iโve never seen him like this.
โHeโs right, Haymitch,โ I say. โWe were wrong not to tell him. Even back in the Capitol.โ
โEven in the arena, you two had some sort of system worked out, didnโt you?โ asks Peeta. His voice is quieter now. โSomething I wasnโt part of.โ
โNo. Not officially. I just could tell what Haymitch wanted me to do by what he sent, or didnโt send,โ I say.
โWell, I never had that opportunity. Because he never sent me anything until you showed up,โ says Peeta.
I havenโt thought much about this. How it must have looked from Peetaโs perspective when I appeared in the arena having received burn medicine and bread when he, who was at deathโs door, had gotten nothing. Like Haymitch was keeping me alive at his expense.
โLook, boy โโ Haymitch begins.
โDonโt bother, Haymitch. I know you had to choose one of us. And Iโd have wanted it to be her. But this is something different. People are dead out there. More will follow unless weโre very good. We all know Iโm better than Katniss in front of the cameras. No one needs to coach me on what to say. But I have to know what Iโm walking into,โ says Peeta.
โFrom now on, youโll be fully informed,โ Haymitch promises.
โI better be,โ says Peeta. He doesnโt even bother to look at me before he leaves.
The dust he disrupted billows up and looks for new places to land. My hair, my eyes, my shiny gold pin.
โDid you choose me, Haymitch?โ I ask. โYeah,โ he says.
โWhy? You like him better,โ I say.
โThatโs true. But remember, until they changed the rules, I could only hope to get one of you out of there alive,โ he says. โI thought since he was determined to protect you, well, between the three of us, we might be able to bring you home.โ
โOhโ is all I can think to say.
โYouโll see, the choices youโll have to make. If we survive this,โ says Haymitch. โYouโll learn.โ
Well, Iโve learned one thing today. This place is not a larger version of District 12. Our fence is unguarded and rarely charged. Our Peacekeepers are unwelcome but less brutal. Our hardships evoke more fatigue than fury. Here in 11, they suffer more acutely and feel more desperation. President Snow is right. A spark could be enough to set them ablaze.
Everything is happening too fast for me to process it. The warning, the shootings, the recognition that I may have set something of great consequence in motion. The whole thing is so improbable. And it would be one thing if I
had planned to stir things up, but given the circumstances . . . how on earth did I cause so much trouble?
โCome on. Weโve got a dinner to attend,โ says Haymitch.
I stand in the shower as long as they let me before I have to come out to be readied. The prep team seems oblivious to the events of the day. Theyโre all excited about the dinner. In the districts theyโre important enough to attend, whereas back in the Capitol they almost never score invitations to prestigious parties. While they try to predict what dishes will be served, I keep seeing the old manโs head being blown off. I donโt even pay attention to what anyone is doing to me until Iโm about to leave and I see myself in the mirror. A pale pink strapless dress brushes my shoes. My hair is pinned back from my face and falling down my back in a shower of ringlets.
Cinna comes up behind me and arranges a shimmering silver wrap around my shoulders. He catches my eye in the mirror. โLike it?โ
โItโs beautiful. As always,โ I say.
โLetโs see how it looks with a smile,โ he says gently. Itโs his reminder that in a minute, there will be cameras again. I manage to raise the corners of my lips. โThere we go.โ
When we all assemble to go down to the dinner, I can see Effie is out of sorts. Surely, Haymitch hasnโt told her about what happened in the square. I wouldnโt be surprised if Cinna and Portia know, but there seems to be an unspoken agreement to leave Effie out of the bad-news loop. It doesnโt take long to hear about the problem, though.
Effie runs through the eveningโs schedule, then tosses it aside. โAnd then, thank goodness, we can all get on that train and get out of here,โ she says.
โIs something wrong, Effie?โ asks Cinna.
โI donโt like the way weโve been treated. Being stuffed into trucks and barred from the platform. And then, about an hour ago, I decided to look around the Justice Building. Iโm something of an expert in architectural design, you know,โ she says.
โOh, yes, Iโve heard that,โ says Portia before the pause gets too long.
โSo, I was just having a peek around because district ruins are going to be all the rage this year, when two Peacemakers showed up and ordered me back to our quarters. One of them actually poked me with her gun!โ says Effie.
I canโt help thinking this is the direct result of Haymitch, Peeta, and me disappearing earlier in the day. Itโs a little reassuring, actually, to think that Haymitch might have been right. That no one would have been monitoring the dusty dome where we talked. Although I bet they are now.
Effie looks so distressed that I spontaneously give her a hug. โThatโs awful, Effie. Maybe we shouldnโt go to the dinner at all. At least until theyโve apologized.โ I know sheโll never agree to this, but she brightens considerably at the suggestion, at the validation of her complaint.
โNo, Iโll manage. Itโs part of my job to weather the ups and downs. And we canโt let you two miss your dinner,โ she says. โBut thank you for the offer, Katniss.โ
Effie arranges us in formation for our entrance. First the prep teams, then her, the stylists, Haymitch. Peeta and I, of course, bring up the rear.
Somewhere below, musicians begin to play. As the first wave of our little procession begins down the steps, Peeta and I join hands.
โHaymitch says I was wrong to yell at you. You were only operating under his instructions,โ says Peeta. โAnd it isnโt as if I havenโt kept things from you in the past.โ
I remember the shock of hearing Peeta confess his love for me in front of all of Panem. Haymitch had known about that and not told me. โI think I broke a few things myself after that interview.โ
โJust an urn,โ he says.
โAnd your hands. Thereโs no point to it anymore, though, is there? Not being straight with each other?โ I say.
โNo point,โ says Peeta. We stand at the top of the stairs, giving Haymitch a fifteen-step lead as Effie directed. โWas that really the only time you kissed Gale?โ
Iโm so startled I answer. โYes.โ With all that has happened today, has that question actually been preying on him?
โThatโs fifteen. Letโs do it,โ he says.
A light hits us, and I put on the most dazzling smile I can.
We descend the steps and are sucked into what becomes an indistinguishable round of dinners, ceremonies, and train rides. Each day itโs the same. Wake up. Get dressed. Ride through cheering crowds. Listen to a speech in our honor. Give a thank-you speech in return, but only the one the Capitol gave us, never any personal additions now. Sometimes a brief tour: a glimpse of the sea in one district, towering forests in another, ugly factories, fields of wheat, stinking refineries. Dress in evening clothes. Attend dinner. Train.
During ceremonies, we are solemn and respectful but always linked together, by our hands, our arms. At dinners, we are borderline delirious in our love for each other. We kiss, we dance, we get caught trying to sneak away to be alone. On the train, we are quietly miserable as we try to assess what effect we might be having.
Even without our personal speeches to trigger dissent โ needless to say the ones we gave in District 11 were edited out before the event was broadcast
โ you can feel something in the air, the rolling boil of a pot about to run over. Not everywhere. Some crowds have the weary-cattle feel that I know District 12 usually projects at the victorsโ ceremonies. But in others โ particularly 8, 4, and 3 โ there is genuine elation in the faces of the people at
the sight of us, and under the elation, fury. When they chant my name, it is more of a cry for vengeance than a cheer. When the Peacekeepers move in to quiet an unruly crowd, it presses back instead of retreating. And I know that thereโs nothing I could ever do to change this. No show of love, however believable, will turn this tide. If my holding out those berries was an act of temporary insanity, then these people will embrace insanity, too.
Cinna begins to take in my clothes around the waist. The prep team frets over the circles under my eyes. Effie starts giving me pills to sleep, but they donโt work. Not well enough. I drift off only to be roused by nightmares that have increased in number and intensity. Peeta, who spends much of the night roaming the train, hears me screaming as I struggle to break out of the haze of drugs that merely prolong the horrible dreams. He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep. After that, I refuse the pills. But every night I let him into my bed. We manage the darkness as we did in the arena, wrapped in each otherโs arms, guarding against dangers that can descend at any moment. Nothing else happens, but our arrangement quickly becomes a subject of gossip on the train.
When Effie brings it up to me, I think,ย Good. Maybe it will get back to President Snow.ย I tell her weโll make an effort to be more discreet, but we donโt.
The back-to-back appearances in 2 and 1 are their own special kind of awful. Cato and Clove, the tributes from District 2, might have both made it home if Peeta and I hadnโt. I personally killed the girl, Glimmer, and the boy from District 1. As I try to avoid looking at his family, I learn that his name was Marvel. How did I never know that? I suppose that before the Games I didnโt pay attention, and afterward I didnโt want to know.
By the time we reach the Capitol, we are desperate. We make endless appearances to adoring crowds. There is no danger of an uprising here among the privileged, among those whose names are never placed in the reaping balls, whose children never die for the supposed crimes committed generations ago. We donโt need to convince anybody in the Capitol of our love but hold to the slim hope that we can still reach some of those we failed to convince in the districts. Whatever we do seems too little, too late.
Back in our old quarters in the Training Center, Iโm the one who suggests the public marriage proposal. Peeta agrees to do it but then disappears to his room for a long time. Haymitch tells me to leave him alone.
โI thought he wanted it, anyway,โ I say.
โNot like this,โ Haymitch says. โHe wanted it to be real.โ
I go back to my room and lie under the covers, trying not to think of Gale and thinking of nothing else.
That night, on the stage before the Training Center, we bubble our way
through a list of questions. Caesar Flickerman, in his twinkling midnight blue suit, his hair, eyelids, and lips still dyed powder blue, flawlessly guides us through the interview. When he asks us about the future, Peeta gets down on one knee, pours out his heart, and begs me to marry him. I, of course, accept. Caesar is beside himself, the Capitol audience is hysterical, shots of crowds around Panem show a country besotted with happiness.
President Snow himself makes a surprise visit to congratulate us. He clasps Peetaโs hand and gives him an approving slap on the shoulder. He embraces me, enfolding me in the smell of blood and roses, and plants a puffy kiss on my cheek. When he pulls back, his fingers digging into my arms, his face smiling into mine, I dare to raise my eyebrows. They ask what my lips canโt.ย Did I do it? Was it enough? Was giving everything over to you, keeping up the game, promising to marry Peeta enough?
In answer, he gives an almost imperceptible shake of his head.