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Chapter no 19

Hidden Pictures

The next morning I get to the big house and find Caroline and Ted dressed for work and sitting in the breakfast nook. Caroline is drinking tea and Ted is sipping black coffee and theyโ€™re staring at each other in stony silence. I realize theyโ€™re waiting for me.

โ€œCan you join us?โ€ Caroline asks. โ€œTed has something heโ€™d like to say.โ€

Ted looks like hell. Heโ€™s clearly hungover. The man belongs upstairs in bed. Or down on his knees in the bathroom, hunched over a toilet. โ€œI want to apologize for my behavior last night. It was completely unacceptable andโ€”โ€

โ€œTed, itโ€™s fine. Iโ€™ve already forgotten about it.โ€

Caroline shakes her head. โ€œNo, Mallory, weโ€™re not going to pretend this didnโ€™t happen. We need to fully acknowledge everything that occurred last night.โ€

Ted nods and dutifully continues, like heโ€™s reciting some kind of memorized public statement. โ€œMy actions were arrogant and disrespectful. Iโ€™m ashamed of my behavior, and Iโ€™m looking inward to understand why I chose to abuse my privilege.โ€

โ€œApology accepted,โ€ I tell them. โ€œYou donโ€™t need to say anything else. Iโ€™d feel better if we just moved on, okay?โ€

Ted looks to Caroline, and she shrugs. Fine.

โ€œThank you for understanding, Mallory. I promise it wonโ€™t happen again.โ€

He stands up and grabs his briefcase and then walks unsteadily toward the foyer. Moments later, I can hear the

front door slam, and the sound of his car starting in the driveway.

โ€œHeโ€™s afraid youโ€™re going to sue us,โ€ Caroline explains. โ€œCan you please tell me what happened? In your own words?โ€

โ€œCaroline, I promise you, it was nothing. Last night, I went to Adrianโ€™s house. His parents were having a party. I got home after midnight and Ted was in my cottage. He was drunk. He said you guys had a fight, and that he needed a quiet place to cool off.โ€

โ€œI thought he was downstairs. Sleeping on the sofa.โ€

โ€œAs soon as I came home, he said he was sorry and he left. That was it.โ€

โ€œDid he tell you about our fight?โ€

โ€œNo, he just said you were a good person. With a good heart. He said you would do anything for your family.โ€

โ€œAnd?โ€

โ€œAnd that was it. He wasnโ€™t making a lot of sense. He talked about some island? Where he spent a summer in college?โ€

โ€œโ€˜Working in the sun and sleeping under the stars,โ€™โ€ Caroline says, and I realize that sheโ€™s parodying her husband, gently mocking him. โ€œWhenever he gets drunk, he talks about Whidbey Island.โ€

โ€œI didnโ€™t mind. I gave him some water and some baby aspirin and I opened the door and he left. End of story.โ€

She studies my face like sheโ€™s searching for clues. โ€œIโ€™m embarrassed to ask this next question, but since technically youโ€™re my employee, I feel like I have to. Did he try anything?โ€

โ€œNo. Not at all.โ€

I mean, I guess I could mention that he took off his pants, and raided my underwear drawer, and did God-knows-what in my bed before I arrived. But what would be the point? Poor Caroline already looks miserable, and Ted has

apologized. I donโ€™t see the point in dragging this out. Iโ€™m certainly not going to quit over what happened.

โ€œCaroline, I swear to you, he didnโ€™t put a hand on me. Not even close.โ€

She releases a deep long sigh. โ€œTed turned fifty-three this summer. Iโ€™m sure youโ€™ve heard about men and their midlife crises. They start questioning all the choices theyโ€™ve made. And on top of that, his business is struggling. Itโ€™s taking a toll on his ego. He was hoping to hire some new people this fall, but itโ€™s looking doubtful.โ€

โ€œHow big is the company?โ€

She gives me a funny look. โ€œHeโ€™d like a staff of forty but right now itโ€™s just Ted. Itโ€™s a one-man operation.โ€

Just Ted? My sense was that he worked in a big Center City skyscraper full of secretaries and fancy computers and big glass windows overlooking Rittenhouse Square. โ€œHe told me he works with Cracker Barrel. And Yankee Candle. Big companies.โ€

โ€œHeโ€™s taken meetings with them,โ€ Caroline explains. โ€œHe goes around to different companies and offers to run their websites. Direct their e-commerce businesses. But itโ€™s hard to land these big clients when youโ€™re just one person.โ€

โ€œHeโ€™s mentioned coworkers. Guys named Mike and Ed.

He says they all eat lunch together.โ€

โ€œRight, theyโ€™re all in the same WeWork. One of those office-shares where people rent desks by the month. Because Ted needs to have a mailing address in the city. A big part of his business is making a good impression. Trying to appear more important than you really are. Heโ€™s been under a lot of stress this summerโ€”and last night, I think you saw the first cracks in the facade.โ€

Her voice breaks and I realize sheโ€™s worried not just for Ted but also for their marriage, for their entire family. And I truly have no idea what to say to her. Iโ€™m relieved to hear Teddyโ€™s footsteps coming down the stairs. Caroline sits up straight and dabs her eyes with a napkin.

Teddy enters the kitchen carrying an iPad. Heโ€™s swiping his finger across the surface and the screen responds with loud, cacophonous explosions.

โ€œHey there, Teddy Bear! Whatcha got?โ€

He doesnโ€™t look up from the screen. โ€œMommy gave it to me last night. It used to be Daddyโ€™s but now itโ€™s mine.โ€ He grabs a plastic tumbler and fills it with water from the sink. Without another word of explanation, he carries the cup and iPad into the den.

โ€œTeddyโ€™s taking a break from drawing,โ€ Caroline explains. โ€œIn light of all the confusion, we think he needs some new interests. And the App Store has a ton of educational resources. Math games, phonics, even foreign languages.โ€ She walks across the kitchen and opens a cabinet above the refrigerator, way beyond Teddyโ€™s reach. โ€œI gathered all his crayons and markers and put them up here. Teddyโ€™s so excited about the iPad, I donโ€™t think heโ€™s even noticed.โ€

I know the first rule of babysitting is never second-guessing the mother, but I canโ€™t help feeling like this is a mistake. Teddy took a real joy in drawing and I think itโ€™s wrong to deprive him of the privilege. Worse, I feel like itโ€™s happening because of me, because I wouldnโ€™t keep my mouth shut about Annie Barrett.

Caroline registers my disappointment. โ€œItโ€™s an experiment. Just for a couple days. Maybe it can help us understand whatโ€™s happening.โ€ She closes the door to the cabinet, as if the matter is settled. โ€œBut now tell me about this party at Adrianโ€™s house. Did you have a nice time?โ€

โ€œReally nice.โ€ And I guess Iโ€™m happy to change the subject, because Iโ€™ve been thinking about our dinner date since I got out of bed. โ€œWeโ€™re going out tonight. He wants to drive to Princeton. Some kind of tapas restaurant.โ€

โ€œOooh, those places are so romantic.โ€ โ€œHeโ€™s picking me up at five thirty.โ€

โ€œThen Iโ€™ll try to get home early. Give you some extra time to get ready.โ€ Then she checks the time. โ€œShoot, I better go.

Iโ€™m so excited for you, Mallory! Youโ€™re going to have so much fun tonight!โ€

 

 

After Caroline leaves, I find Teddy sitting in the den, mesmerized by a game of Angry Birds. Heโ€™s using his finger to stretch and release a giant slingshot; heโ€™s launching colorful birds at a series of wood and steel structures occupied by pigs. With each new attack, thereโ€™s a cacophony of screeches, explosions, bangs, blasts, and slide whistles. I sit across from Teddy and clap my hands together. โ€œSo, what are we doing this morning? A little stroll in the Enchanted Forest? Or how about a Bake-Off?โ€

He shrugs, swiping furiously. โ€œI donโ€™t care.โ€

One of the birds misses its target and Teddy furrows his brow, frustrated by the results. He hunches closer to the screen, almost like heโ€™s trying to disappear inside it.

โ€œCome on, Teddy. Put the game away.โ€ โ€œIโ€™m not done.โ€

โ€œMommy says itโ€™s for Quiet Time. She doesnโ€™t want you using it all morning.โ€

He turns away from me, shielding the tablet with his body. โ€œJust one more level.โ€

โ€œHow long is a level?โ€

It turns out that one more level takes a good half hour. After heโ€™s finished, Teddy pleads with me to charge the iPad, so heโ€™ll have enough batteries for later.

We spend the morning trampling around the Enchanted Forest. I try to make up a new adventure story for Prince Teddy and Princess Mallory, but all Teddy wants to discuss is Angry Birds strategy. Yellow birds are best for attacking wood structures. Black birds can destroy concrete walls. White birds accelerate after dropping their egg bombs. Itโ€™s not really a conversation; heโ€™s just reciting a string of facts and data, like heโ€™s trying to organize the rules in his mind.

I spy a glint of silver in a bed of leaves and I kneel down to investigate. Itโ€™s the bottom half of an arrow; the top part with the feathers is missing and all that remains is the aluminum shaft and a pyramid-shaped tip.

โ€œThis is a magic missile,โ€ I tell Teddy. โ€œItโ€™s used for slaying goblins.โ€

โ€œThatโ€™s cool,โ€ Teddy says. โ€œAlso, the green bird is a boomerang bird. He gets double-damage when he attacks. So I like to play him first.โ€

I suggest that we hike to the Giant Beanstalk and add the arrow to our arsenal of weapons. Teddy agrees, but his participation feels half-hearted. Itโ€™s like heโ€™s just biding his time, running down the clock until morning is over and we can go back to the house.

 

 

I offer to make Teddy anything he wants for lunch but he says he doesnโ€™t care so I just make grilled cheese. As he wolfs down the sandwich, I remind him that he doesnโ€™t have to use the iPad during Quiet Time. I suggest it might be fun to play LEGOs or Lincoln Logs or farm animals. And he glances at me like Iโ€™m trying to swindle him, like Iโ€™m trying to cheat him out of a privilege he has rightfully earned.

โ€œThanks, but Iโ€™ll do my game,โ€ he says.

He carries the tablet up to his bedroom and after a few minutes I climb the stairs to the second floor and press my ear to his bedroom door. There are no whispered words, no half-conversations. Just occasional laughter from Teddy, and the sounds of stretching slingshots, squawking birds, and imploding buildings. He sounds giddy with delight, but something in his happiness makes me sad. Overnight, like flipping a switch, I feel as if something magical has been lost.

I go downstairs, take out my phone, and call the number of the Rest Haven Retirement Community. I tell the

receptionist that Iโ€™m looking to speak with one of the residents, Dolores Jean Campbell. The phone rings several times before a default voice mail greeting kicks on.

โ€œUm, hi, my name is Mallory Quinn? We donโ€™t know each other, but I think maybe you can help me?โ€

I realize I have no idea how to explain my question, that I should have practiced what to say before the call, but now itโ€™s too late and I just need to blunder ahead.

โ€œI wondered if your mother was someone named Annie Barrett. From Spring Brook, New Jersey. Because if she is, I would really love to talk with you. Can you please call me back?โ€

I leave my number and end the call feeling like Iโ€™ve already hit a dead end. Iโ€™m convinced Iโ€™ll never hear from her.

I clean up the lunch dishes and then go around the kitchen with a soapy sponge, cleaning the counters and trying to make myself useful. More than ever, Iโ€™m feeling vulnerable in my job. Itโ€™s like every day brings some new reason for Caroline to replace me. So I busy myself with tasks outside my job description. I sweep and mop up the floors, and wipe down the inside of the microwave. I open the toaster oven and empty the little tray of crumbs. I reach under the sink and fill the liquid soap dispensers, then stand on a chair and wipe the dust off the ceiling fan.

All these little chores make me feel better, but Iโ€™m not sure Caroline will notice. I decide I need a bigger and more ambitious project, something she could never miss. I move into the den and lie down on the sofa and Iโ€™m considering all my different options when Iโ€™m struck by the perfect idea: I will bring Teddy to the supermarket, we will buy a bunch of food, and weโ€™ll prepare a surprise dinner for his parents. Iโ€™ll have the whole meal warming in the oven so itโ€™s ready to eat as soon as they get home. Iโ€™ll even set the table so they wonโ€™t have to lift a finger. They can just enter the house, sit

down with some delicious food, and be grateful that Iโ€™m part of their family.

But before I can actually act on this idea, before I can sit up and start a shopping list, I fall asleep.

Iโ€™m not sure how it happens. Iโ€™m not particularly tired. I only meant to rest my eyes for a minute. But the next thing I know, Iโ€™m dreaming about a place from my childhood, a tiny family-owned amusement park called Storybook Land. It was built in the 1950s to celebrate all the classic fairy tales and Mother Goose nursery rhymes. Kids could climb a giant beanstalk or visit the three little pigs or wave through a window to the Old Woman Who Lived in a Shoe, a creaky animatronic puppet with a dead-eyed stare.

In my dream, Iโ€™m walking Teddy past the carousel and heโ€™s incredibly excited and he pleads with me to hold all his pencils and crayons so he can start going on rides. He empties an entire box into my hands, more than I can possibly carry, and the pencils fall all around my feet. I try to stuff them into my pockets because thereโ€™s no way I can carry all of them. And by the time Iโ€™ve collected everything, Teddy is gone. Iโ€™ve lost him in the crowd. My dream has turned into a nightmare.

I start running through the park, shoving past the other parents, shouting Teddyโ€™s name and searching all over. Storybook Land is full of five-year-old children and from the back they all look identical, any one of them could be Teddy, I canโ€™t find him anywhere. I pull some parents aside and beg them to help me, please please help me, and theyโ€™re appalled. โ€œBut this isย yourย responsibility,โ€ they tell me. โ€œWhy would we help?โ€

I have no choice but to call the Maxwells. I donโ€™t want to tell them whatโ€™s happened, but itโ€™s an emergency. I take out my cell phone and Iโ€™m calling Carolineโ€™s number when suddenly I see him! All the way across the park, sitting on the steps of Little Red Riding Hoodโ€™s cottage. I elbow my way through throngs of people, trying to move as fast as I

can. But by the time I reach the cottage itโ€™s not Teddy anymore. Itโ€™s my sister, Beth! Sheโ€™s wearing a yellow T-shirt and faded jeans and checkered black-and-white Vans.

I run over and hug her and lift her off the ground. I canโ€™t believe sheโ€™s here, sheโ€™s alive! I squeeze her so tight she starts laughing, and sunlight glints off her orthodontic braces. โ€œI thought you were dead! I thought I killed you!โ€

โ€œDonโ€™t be a dork,โ€ she says, and my dream is so realistic I can actually smell her. She smells like coconut and pineapple, like the piรฑa colada bath bombs that she and her girlfriends used to buy at Lush, the overpriced soap shop at the King of Prussia Mall.

She explains the accident was just a big misunderstanding and all this time Iโ€™ve been blaming myself for nothing.

โ€œAre you sure youโ€™re okay?โ€

โ€œYes, Mal, for the one millionth time I am totally okay.

Now can we ride the Balloon Bounce?โ€

โ€œYes, Beth, yes! Anything! Anything you want!โ€

But then Teddy is back, heโ€™s pulling on my arm, heโ€™s gently shaking me awake. I open my eyes and Iโ€™m lying on the sofa in the den and Teddy is holding out the iPad.

โ€œIt went dead again.โ€

Iโ€™m certain heโ€™s mistaken. I just charged the iPad over lunch and the battery went to 100 percent. But as I sit up, I realize the light in the den is significantly darker; the sun has stopped streaming through the north-facing windows. The clock over the mantel says itโ€™s 5:17 but that canโ€™t be right, thatโ€™s impossible.

I reach for my phone and confirm itโ€™s actually 5:23. Iโ€™ve been asleep four hours.

And the Maxwells will be home any minute.

โ€œTeddy, what happened? Why didnโ€™t you wake me up?โ€

โ€œI got to level thirty,โ€ he says proudly. โ€œI unlocked eight new feather cards!โ€

My hands are filthy. My fingers and palms are smeared with dark black soot, like Iโ€™ve been digging outside in the garden. Thereโ€™s a worn-down nub of pencil in my lapโ€”and more pencils and markers and crayons scattered on the floor, all the art supplies that Caroline stashed away in the kitchen.

Teddy looks around the den in wide-eyed wonder. โ€œMommyโ€™s going to be so mad.โ€

I look where heโ€™s looking and the walls are covered with sketchesโ€”many, many sketches, dense and detailed and spanning from floor to ceiling.

โ€œTeddy, why did you do this?โ€ โ€œMe?ย Iย didnโ€™t do anything!โ€

And of course he didnโ€™t. He couldnโ€™t! Heโ€™s not tall enough! Heโ€™s not the one with charcoal and graphite smeared all over his hands. I walk across the room to take a closer look. These are Anyaโ€™s drawings, thereโ€™s no doubt in my mind. Theyโ€™re all over the walls, drawn in the blank spots between windows and thermostats and light switches.

 

 

 

 

 

 

 

 

 

 

 

 

โ€œMallory? Are you okay?โ€

Heโ€™s tugging on my shirttail, and I am not okay. I am definitelyย notย okay.

โ€œTeddy, listen to me. We need to fix this before Mommy and Daddy get home. Do you have any erasers in your bedroom? Big fat pink rubber erasers?โ€

He looks at all the pencils and crayons and markers on the floor. โ€œThis is everything I have. But Iโ€™m not supposed to use these anymore. Not until we get to the bottom of things.โ€

Itโ€™s too late, anyway. I can hear a car pulling into the driveway. I look outside and see not just Ted and Caroline but Adrian, too. Heโ€™s parking his landscaping truck in front of the house. Right now Iโ€™m supposed to be putting on one of Carolineโ€™s summer dresses, getting ready for my big dinner date in Princeton.

โ€œGo upstairs, Teddy.โ€ โ€œWhy?โ€

โ€œBecause I donโ€™t want you to be here.โ€ โ€œWhy?โ€

โ€œPlease just go upstairs? Please?โ€ Thereโ€™s a USB cable on the coffee table and I pass it to him. โ€œGo charge the iPad in your bedroom.โ€

โ€œOkay, cool.โ€

Teddy takes the iPad and the cable and runs out of the den, like he thinks heโ€™s getting away with something. I can hear his little feet running upstairs to his room.

And then the sound of the front door opening, the soft swish of the door sweep whisking over the tiled floor. I can hear Caroline talking to Adrian, welcoming him into their home. โ€œWhere are you going for dinner?โ€

โ€œA really good tapas place,โ€ he says. โ€œThey make a killer patatas bravas.โ€

โ€œMmmm, what are those?โ€ Ted asks.

โ€œMr. Maxwell, theyโ€™re the best French fries youโ€™ve ever tasted, I guarantee it.โ€

I know I need to intercept them and somehow prepare them for what Iโ€™ve done. I head into the kitchen and Caroline is asking Adrian if heโ€™d like something to drink. The cabinet above the refrigerator is still hanging open, its contents have been looted, but Caroline hasnโ€™t noticed yet.

And Adrian is so handsome itโ€™s almost heartbreaking. He looks like heโ€™s just stepped out of the shower. His hair is a little damp, and heโ€™s smartly dressed in dark jeans and a crisp white button-down shirt. No one sees me enter the kitchen until I announce my presence.

โ€œSomething happened.โ€

Caroline stares at me. โ€œMallory?โ€ โ€œWhatโ€™s on your hands?โ€ Ted asks.

Adrian hurries to my side. โ€œAre you okay?โ€ And I know heโ€™s my only hope.

Heโ€™s the only one whoย mightย believe me.

โ€œThis is going to sound crazy but I swear Iโ€™m telling the truth. After Teddy went upstairs for Quiet Time, I started feeling tired. I lay down on the sofa to rest. I figured I would close my eyes, just for a few minutes. And then somehowโ€”I donโ€™t know howโ€”Anyaโ€™s spirit took possession of my body.โ€

Caroline stares at me. โ€œWhat?โ€

โ€œI know. I know it sounds crazy. But while I was sleeping, she made me get out all the pencils and markers and crayons.โ€ I point to the empty cabinet above the refrigerator. โ€œAnd since you took all the paper, she made me draw on your walls. She couldnโ€™t get inside Teddy so she put herself in me.โ€

Adrian puts an arm around my waist. โ€œHey, itโ€™s okay.

Youโ€™re safe now. Weโ€™re going to figure this out.โ€

Caroline shoves past me, storming into the den, and we all follow. She draws in her breath sharply, staring at the walls in disbelief.

โ€œWhereโ€™s Teddy?โ€

โ€œIn his room. Heโ€™s fine.โ€

Caroline looks to her husband. He hurries upstairs.

I try to walk Caroline through the afternoon. โ€œHe went into his bedroom at one oโ€™clock. For Quiet Time. I let him take the iPad, just like you said. He didnโ€™t come downstairs until ten minutes ago. Right when you got home.โ€

โ€œFour hours?โ€ she asks.

I show Adrian my right hand, all covered with graphite and charcoal and blisters. โ€œIโ€™m left-handed, just like Teddy. I couldnโ€™t have done this on my own. These are just like the pictures in my cottage.โ€

โ€œYes, exactly! The style is identical!โ€ He takes out his smartphone and walks around the room, capturing photographs of the various scenes. โ€œThe first thing we should do is compare them to the other pictures. See how they fit in the sequence.โ€

โ€œNo,โ€ Caroline says. โ€œThe first thing weโ€™re doing is a tox screen. Right now. Or Iโ€™m calling the police.โ€

Adrian stares at her. โ€œTox screen?โ€

โ€œI canโ€™t believe I left you alone with our son. I canโ€™t believe I trusted you! What the hell was I thinking?โ€

โ€œIโ€™m not using,โ€ I tell her. I try to speak softly, as if itโ€™s somehow possible to have the conversation in a sidebar. As if Adrian wasnโ€™t standing right there listening. โ€œI swear to you, Caroline, Iโ€™m clean.โ€

โ€œThen youโ€™ll have no problem with the test. When you started working here, you agreed to random testing every week. You volunteered. On days of our choosing.โ€ She takes my wrist and studies my arm for marks. โ€œI guess we should have started a lot sooner.โ€

Ted returns from the second floor, and with a single look he assures Caroline that Teddy is fine. Meanwhile Adrian is trying to persuade Caroline that sheโ€™s got the situation all wrong.

โ€œMrs. Maxwell, I donโ€™t know what youโ€™re talking about, but Malloryโ€™s not on drugs. Do you really think sheโ€™d have an athletic scholarship if she was doing heroin? Penn State would kick her off the team in a heartbeat.โ€

An awkward silence settles into the room, and I realize Caroline is giving me a chance to explain myself. I can feel my tears welling up because this isnโ€™t how it was supposed to happen. โ€œOkay, wait,โ€ I tell him. โ€œBecause, the thing is, I havenโ€™t been completely honest with you.โ€

Adrian still has his arms around me, but his grip goes loose. โ€œWhat does that mean?โ€

โ€œI was going to tell you the truth tonight.โ€ โ€œWhat are you talking about?โ€

And I still canโ€™t do it.

I still have no idea where to begin.

โ€œMallory doesnโ€™t go to Penn State,โ€ Ted explains. โ€œSheโ€™s spent the last eighteen months in rehab. In a halfway house. She was abusing prescription painkillers and heroin.โ€

โ€œPlus other drugs she doesnโ€™t even remember,โ€ Caroline adds. โ€œThe brain needs time to heal, Mallory.โ€

Now Adrian isnโ€™t holding me at all. Now Iโ€™m just hanging on to his body like a big sad pathetic monster, like a parasite. He shakes me off so he can see my face.

โ€œIs this for real?โ€ he asks.

โ€œIโ€™m not using,โ€ I tell him. โ€œI swear to you, Adrian, I am twenty months sober next Tuesday.โ€

And he takes a step back like Iโ€™ve struck him. Caroline rests a gentle hand on his shoulder. โ€œThis must be hard for you to hear. We just assumed Mallory had been honest with you about her history. We thought she told you the truth.โ€

โ€œNo, not at all.โ€

โ€œAdrian, I work with a lot of addicts at the VA hospital. Theyโ€™re good people, and our main goal is moving them back into society. But sometimes the timing isnโ€™t right. Sometimes, we launch people before theyโ€™re ready.โ€

I look up at Caroline, furious. โ€œThat is NOT whatโ€™s happening here! I am not on drugs. And I am not a fucking illustrator! I swear to you, Caroline. Something is wrong with this house. The ghost of Annie Barrett is haunting your son, and now sheโ€™s haunting me, and this is her message.โ€ I

point all around the room, at all of the walls. โ€œThis is her story!โ€

And I know I must look crazy and sound crazy because Adrian studies me in a kind of bewilderment. He looks like heโ€™s seeing me for the first time.

โ€œBut is the rest of it true?โ€ he asks. โ€œYou lived in a halfway house? You usedย heroin?โ€

Iโ€™m too ashamed to answer, but he can read the truth on my face. Adrian turns and leaves the den and I go to follow him but Caroline blocks my way. โ€œLet him go, Mallory. Donโ€™t make this any harder for him.โ€

I turn toward the window and watch Adrian cross the flagstone walkway and his face is all twisted up with hurt. Halfway down the driveway he breaks into a kind of trot, like he canโ€™t wait to get the hell away from me. He gets inside a black pickup truck and peels away from the curb.

And when I look back at Caroline, sheโ€™s holding a plastic cup. โ€œCome on. Letโ€™s get this over with.โ€

She walks me to the powder room. I go inside and reach to close the door, but she stops me, shaking her head. As if sheโ€™s worried Iโ€™m going to somehow manipulate my sample, like I carry around vials of clean urine just in case. Caroline does me the courtesy of turning her head while I drop my shorts and squat over the toilet. Having been tested many hundreds of times, I am well practiced in collecting clean samples. I can fill a four-ounce cup without spilling a drop. I set the cup on the edge of the sink, then pull up my shorts and wash my hands. The water runs black, filling the basin with grainy residue. I use a bar of soap to scrape at my fingers and palms, but the graphite clings to my skin like ink, like stains that will never come out.

โ€œIโ€™ll wait for you in the den,โ€ Caroline says. โ€œWe wonโ€™t start until you get there.โ€

All my handwashing leaves a filthy gray ring on the immaculate white pedestal sink. Yet another thing to feel

guilty about. I try to clean it up with some toilet paper, then I dry my hands on my shorts.

When I reach the den, Caroline and Ted are seated on the sofa and theyโ€™ve got my sample on the coffee table, resting atop a paper towel. Caroline shows me a dip card thatโ€™s still wrapped in cellophane, to prove it hasnโ€™t been tampered with. Then she unwraps the card, exposes the five test strips, and lowers them into the cup.

โ€œLook, I understand why youโ€™re doing this, but itโ€™s not going to come up positive. I swear to you. Iโ€™ve been sober for twenty months.โ€

โ€œAnd we want to believe you,โ€ Caroline says, and then she glances at the drawings all over the walls. โ€œBut we need to understand what happened here today.โ€

โ€œI already told you what happened. Anya took possession of my body. She used me like a puppet. I didnโ€™t draw any of these pictures! She did!โ€

โ€œIf weโ€™re going to talk about this,โ€ Caroline says, โ€œwe need to stay calm. We canโ€™t shout at each other.โ€

I take a breath. โ€œAll right. Okay.โ€

โ€œNow before you came to work here, we had a long talk with Russell about your history. He told us about your strugglesโ€”the false memories, the lapsesโ€”โ€

โ€œThis is different. I donโ€™t have those problems anymore.โ€ โ€œYou know just a couple days ago, Teddy lost his box of

drawing pencils. He came to me crying. He was upset because he couldnโ€™t find them anywhere. And soon after that, all these pictures start magically appearing in your cottage. Doesnโ€™t that seem like an extraordinary coincidence?โ€

I look down at the cup. Itโ€™s only been a minute. Itโ€™s still way too early for results.

โ€œCaroline, I can barely draw a straight line. I took one art class in high school. I got a C plus. Thereโ€™s no way I drew these pictures, Iโ€™m not that good.โ€

โ€œMy patients always say the same thing: โ€˜I canโ€™t draw to save my life!โ€™ But then they try art therapy and the results are extraordinary. They draw the most amazing images to work through their trauma. To process truths theyโ€™re not ready to face.โ€

โ€œThatโ€™s not what this is.โ€

โ€œLook at the woman in your pictures. Sheโ€™s young, sheโ€™s tall. She has an athletic build. Sheโ€™s actuallyย running, Mallory. Does she remind you of anyone?โ€

I see where sheโ€™s going but sheโ€™s wrong. โ€œThatโ€™s not a self-portrait.โ€

โ€œItโ€™s a symbolic representation. A visual metaphor. Youโ€™ve lost your younger sister. Youโ€™re upset, youโ€™re panicking, youโ€™re desperate to bring her backโ€”but itโ€™s too late. Sheโ€™s fallen into a valley of death.โ€ She moves around the den, directing my attention from one picture to the next. โ€œAnd then an angel comes to help herโ€”nothing too subtle about that metaphor, right? The angel is leading Beth toward the light and you canโ€™t stop them. Beth has crossed over, sheโ€™s never coming back. You know this, Mallory. Itโ€™s all here on the wall. This isnโ€™t Anyaโ€™s story. Itโ€™sย yourย story. Itโ€™sย Bethโ€™sย story.โ€

I shake my head. I donโ€™t want to drag Beth into this. I donโ€™t even want Caroline saying her name.

โ€œWe know what happened,โ€ she continues. โ€œRussell told us your story and itโ€™s awful, Mallory. I am so sorry it happened. I know youโ€™re carrying a lot of guilt, a lot of grief. But if you donโ€™t address these feelingsโ€”if you just keep tamping them downโ€”โ€ She gestures around the room to my artwork. โ€œTheyโ€™re like steam under pressure, Mallory. Theyโ€™re going to look for cracks and find a way to escape.โ€

โ€œWhat about all the other pictures? The woman being strangled?โ€

โ€œAn abstract concept made literal,โ€ Caroline says. โ€œMaybe grief, or addiction. The stranglehold that drugs put on your body.โ€

โ€œAnd the woman getting dragged through the forest?โ€ โ€œPerhaps thereโ€™s someone who pulled you out of danger?

A sponsor or mentor? Like Russell?โ€ โ€œThen why is he burying me?โ€

โ€œHeโ€™s not burying you, Mallory. Heโ€™sย freeingย you. Excavating you from a mountain of heroin and bringing you back to society. And look at you now!โ€

Caroline turns the dip card so I can see the results. All five tabsโ€”the indicators for THC, opioids, cocaine, amphetamines, and methโ€”theyโ€™ve all come up negative.

โ€œTwenty months sober,โ€ Ted says. โ€œThatโ€™s amazing.โ€ โ€œWeโ€™re really proud of you,โ€ Caroline says. โ€œBut itโ€™s clear

you have a lot more work to do, isnโ€™t that right?โ€ And I donโ€™t know what to say.

I agree there are some very puzzling parallels between Anyaโ€™s drawings and my own personal history.

And yes, I have struggled with lapses and false memories and all the other psychological fallout of drug addiction.

But I have twelve more drawings back at my cottage that stink of death and thereโ€™s only one person responsible.

โ€œAnya drew these. Not me.โ€

โ€œAnya is an imaginary friend. Teddy knows sheโ€™s made up. He understands she doesnโ€™t really exist.โ€

โ€œTeddy is scared and confused and heโ€™s repeating everything youโ€™re teaching him. I know you guys went to great schools and you think you have the whole world figured out. But youโ€™re wrong about these pictures, youโ€™re wrong about this house, and youโ€™re wrong about Teddy. There is some seriously weird shit happening right under your nose and youโ€™re living in denial!โ€

By this point Iโ€™m yelling, I canโ€™t help myself, but Ted and Caroline are unshaken. I realize that theyโ€™ve stopped listening to me, that theyโ€™re ready to move on.

โ€œI think we should just agree to disagree,โ€ Caroline tells me. โ€œMaybe sheโ€™s a ghost or maybe sheโ€™s just guilt. It doesnโ€™t matter, Mallory. The key takeaway is that you left

our son unattended for four hours, and I donโ€™t trust you to watch him anymore.โ€

Ted agrees that โ€œa change needs to happenโ€ and Caroline says itโ€™s good to think of this moment as a crossroads, an opportunity to improve things for everyone.

And they both sound so positive, so supportive and encouraging, it takes me a moment to realize Iโ€™m being fired.

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