โJEAN-FELIX?โ
No one was at the reception desk, and no one came when I called. I hesitated for a moment, then went into the gallery.
I walked along the corridor to where theย Alcestisย was hanging. Once again, I looked at the painting. Once again, I tried to read it, and again I failed. Something about the picture defied interpretationโor else it had some kind of meaning that I had yet to comprehend. But what?
Thenโa sharp intake of breath as I noticed something. Behind Alicia, in the darkness, if you squinted and looked hard at the painting, the darkest parts of the shadows came togetherโlike a hologram that goes from two dimensions to three when you look at it from a certain angleโand a shape burst forth from the shadows โฆ the figure of a man.ย A manโhiding in the dark. Watching. Spying on Alicia.
โWhat do you want?โ
The voice made me jump. I turned around.
Jean-Felix didnโt look particularly pleased to see me. โWhat are you doing here?โ
I was about to point out the figure of the man in the painting and ask Jean-Felix about it, but I something told me it might be a bad idea.
Instead I smiled. โI just had a couple more questions. Is now a good time?โ
โNot really. Iโve told you everything I know. Surely there canโt be anything else?โ
โActually, some new information has come up.โ โAnd what is that?โ
โWell, for one thing, I didnโt know Alicia was planning on leaving your gallery.โ
There was a secondโs pause before Jean-Felix answered. His voice sounded tight, like a rubber band about to snap.
โWhat are you talking about?โ โIs it true?โ
โWhat business is it of yours?โ
โAlicia is my patient. Itโs my intention to get her talking againโbut I see now it might be in your interest if she remains silent.โ
โWhat the hell is that supposed to mean?โ
โWell, as long as no one knows of her wish to leave, you can hold on to her artwork indefinitely.โ
โWhat exactly are you accusing me of?โ
โIโm not accusing you at all. Merely stating a fact.โ
Jean-Felix laughed. โWeโll see about that. Iโll be contacting my lawyer
โand making a formal complaint to the hospital.โ โI donโt think you will.โ
โAnd why is that?โ
โWell, you see, I havenโt told you how I heard Alicia was planning to leave.โ
โWhoever told you was lying.โ โIt was Alicia.โ
โWhat?โ Jean-Felix looked stunned. โYou mean โฆ she spoke?โ โIn a way. She gave me her diary to read.โ
โHerโdiary?โ He blinked a few times, as if he was having trouble processing the information. โI didnโt know Alicia kept a diary.โ
โWell, she did. She describes your last few meetings in some detail.โ
I didnโt say anything else. I didnโt need to. There was a heavy pause.
Jean-Felix was silent.
โIโll be in touch,โ I said. I smiled and walked out.
As I emerged onto the Soho street, I felt a little guilty for ruffling Jean-Felixโs feathers like that. But it had been intentionalโI wanted to see what effect the provocation would have, how heโd react, what he would do.
Now I had to wait and see.
* * *
As I walked through Soho, I phoned Aliciaโs cousin, Paul Rose, to let him know I was coming. I didnโt want to turn up at the house unannounced and risk a similar reception to last time. The bruise on my head still hadnโt fully healed.
I cradled the phone between my ear and my shoulder as I lit a cigarette. I barely had time to inhale before the phone was answered, on the first ring. I hoped it would be Paul, not Lydia. I was in luck.
โHello?โ
โPaul. Itโs Theo Faber.โ
โOh. Hello, mate. Sorry Iโm whispering. Mumโs having her nap, and I donโt want to disturb her. Howโs your head?โ
โMuch better, thanks.โ
โGood, good. How can I help?โ
โWell, Iโve received some new information about Alicia. I wanted to talk to you about it.โ
โWhat kind of information?โ
I told him that Alicia had given me her diary to read.
โHer diary? I didnโt know she kept one. What does it say?โ
โIt might be easier to talk in person. Are you free today at all?โ
Paul hesitated. โIt might be better if you donโt come to the house.
Mother isnโt โฆ well, she wasnโt too happy about your last visit.โ โYes, I gathered that.โ
โThereโs a pub at the end of the road, by the roundabout. The White Bearโโ
โYes, I remember it. That sounds fine. What time?โ โAround five? I should be able to get away then for a bit.โ
I heard Lydia shouting in the background. Evidently she had woken up. โI have to go. Iโll see you later.โ Paul hung up.
* * *
A few hours later, I was on my way back to Cambridge. On the train, I made another phone callโto Max Berenson. I hesitated before calling.
Heโd already complained to Diomedes once, so he wouldnโt be pleased to hear from me again. But I knew I had no choice.
Tanya answered. Her cold sounded better, but I could hear the tension in her voice when she realized who I was. โI donโt thinkโI mean, Max is busy. Heโs in meetings all day.โ
โIโll call back.โ
โIโm not sure thatโs a good idea. Iโโ
I could hear Max in the background saying something, and Tanyaโs reply: โIโm not saying that, Max.โ
Max grabbed the phone and spoke to me directly: โI just told Tanya to tell you to fuck off.โ
โAh.โ
โYouโve got a nerve calling here again. I already complained once to Professor Diomedes.โ
โYes, Iโm aware of that. Nonetheless some new information has come to light, and it concerns you directlyโso I felt I had no choice but to get in touch.โ
โWhat information?โ
โItโs a journal Alicia kept in the weeks leading up to the murder.โ There was silence at the other end of the line. I hesitated.
โAlicia writes about you in some detail, Max. She said you had romantic feelings for her. I was wondering ifโโ
There was a click as he hung up. So far so good. Max had taken the bait
โand now I had to wait to see how heโd react.
I realized I was a little afraid of Max Berenson, just as Tanya was afraid of him. I remembered her whispered advice to me, to talk to Paul, to ask him somethingโwhat? Something about the night after the accident that killed Aliciaโs mother. I remembered the look on Tanyaโs face when Max had appeared, how she fell silent and presented him with a smile. No, I thought, Max Berenson was not to be underestimated.
That would be a dangerous mistake.