35
I CANโT TELL them everything, but I tell them enough. That the job with Margaret imploded. That it took Haydenโs and my budding relationship with it.
That it made me doubt myself and the work.
โWe can lighten your load at The Scratch for a while,โ Bianca promises, โwhile you figure things out.โ
โI donโt want to put anyone in a bad spot,โ I say.
โAlice. Youโre in a bad spot,โ Cillian says.
โItโs fine,โ I say. โThis really isnโt that big of a deal, all things considered.โ
โWell, then stop considering โall thingsโ for a minute,โ Priya says. โThis doesnโt have to be the greatest tragedy to ever befall anyone. It doesnโt even have to be the worst thing thatโs ever happened to you.โ
โExactly,โ Bianca agrees. โYouโre hurting right now, thatโs what matters.โ
โIโm so glad youโre all here,โ I say again, and when Cillian opens his mouth, surely to say something snarky, I add, โespecially you, Cillian,โ and we all dissolve into laughter.
I show them around the property, let them take pictures with Marietta, the friendliest of our chickens.
Mom puts us to work for an hour in the afternoon, and afterward, we take turns using our houseโs one shower.
Cillian is craving pizza, so for the first time I can remember, ever, my mom agrees to order some. As weโre waiting for the delivery, she and I make a peach crumble and set it out to cool while we eat dinner. After Mom goes to bed, we play three-quarters of a game of Monopoly, then agree that we hate Monopoly too much to play for another second.
โWe should have a sleepover,โ Priya says.
โThatโs literally what this is, Pri,โ Bianca says.
โNo, I mean, we should all sleep in the living room together,โ Priya says.
โIโm too old to sleep on the floor,โ Cillian says through a yawn.
โBut I hate sleeping alone,โ Priya says.
โIโll sleep with you,โ Cillian offers, waggling his eyebrows.
โNever again,โ Priya says, because that actually is how their friendship began.
โI meant platonically,โ Cillian insists.
โItโs either that or one of you takes Audreyโs room and the other takes the couch,โ I say.
Priya pouts. โWhy canโt I sleep with you?โ
โBecause I already called it, within ten minutes of getting here,โ Bianca says.
โFine,โ Priya says. โCillian, youโre back in.โ
โWell, now Iโm not sure Iโm up for it,โ Cillian says, and they squabble for a minute while weโre all standing up and saying our good nights. In the end, he and Priya take Audreyโs room, and Bianca and I tuck ourselves into my bed.
โYou seem better,โ she murmurs sleepily as we settle in.
โYou guys lifted my spirits,โ I say.
She shakes her head. โNo. I mean, you seem somehow happier than you did before you left. More at peace or something.โ
Itโs strange, but sheโs right. I feel at once utterly heartbroken and also like a weight has been lifted off my shoulders.
I miss Hayden. I love him. But after sending that letter, Iโve done what I can.
Iโve done what I need to do to live a life without any more regrets.
โIโm thinking about writing a memoir,โ I whisper up to the dark ceiling.
Bianca turns over to face me. โReally?โ
I nod. โAbout my parents. About everything theyโve taught me.โ
โThatโs a beautiful idea,โ Bianca says.
โItโs not a Margaret Ives biography,โ I say. โThereโs no guarantee anyone will want it.โ
โYou canโt think about that yet,โ Bianca says. โRight now you just have to think about what you want to write about.โ
I want, I realize, to write about the same thing Iโve always wanted to
write about.
โI want to write about love,โ I say.
Bianca nods. โThen do that. Write about love.โ
โข โข โข AFTER ONE LAST group hug, I deposit my friends in an airport-bound cab.
Mom and I wave as they retreat, the sun setting brilliantly behind them.
I think, as I always do at sunrise and sunset, about the tiny mosaic in my bedroom.
The colors of Nicollet. The colors of hope.
Back inside, we set up the camera and recorder and get back to work.
A month goes by. I garden with my mother during the day, the recorder running as we talk. We listen to music while we cook at night, all of Dadโs old favorites. Afterward we look through photo albums and watch old home movies.
I treasure every word she gives me. Not just the ones about my father, but the ones about her too. She was right when she said it wasnโt too late to know him, but the thing Iโm realizing is, itโs not too late to know her either.
Sometimes, on very rare occasions when we wrap up work early in the day, weโll sit outside on the grass, drinking beer and darning socks while the sun melts into the horizon, painting everything with its glory.
Sunset, I learn, is my motherโs favorite time of day. It relaxes her more than a hot shower or a glass of wine or anything else, to watch another day come to a close, everything in its right place.
We video call with Audrey when sheโs able, and she tells us about her work and asks us about ours.
My mother isnโt a different person. Iโm not either. But she asks me to send her a few of my favorite stories Iโve written, and sometimes, when sheโs reading them at night on the couch opposite from me, she even laughs.
She pushes her wire-frame glasses on top of her head and looks at me and says something like โYouโre so much like him,โ something that makes me feel not just seen but loved, liked.
Theo texts me a couple of times, but when I give as little in our exchanges as he does, they quickly peter out. Itโs not a breakup, because it wasnโt a relationship, and Iโm okay with that.
I try not to think too much about Hayden, but heโs everywhere. In one month, he invaded every facet of my reality. Like the Cosmo Sinclair song.
Hayden, Hayden, all the time.
Iโm still doing work for The Scratch, but mostly short-form pieces, with phone interviews and email exchanges. Once, I go to Atlanta for a weekend to interview a chef, but mostly I spend that whole first month at my motherโs side, her shadow once more but still my own person.
Five weeks after my friends left, I talk her into ordering pizza again.
โIt was pretty good,โ she allows, then negotiates, โno more than once per month though.โ
We shake on it, and then I call the order in.
Sheโs in the shower when it arrives, and Iโm putting the finishing touches on a fresh salad. โComing!โ I shout in the general direction of the door, then rinse my oniony fingers and pat them against my legs as I jog toward the door.
I swing it open and the sunset blinds me for just a second, before the inky blot in front of me resolves into a person.
A tall, devastatingly handsome, walking, talking glower of a person.
โHayden,โ I gasp, feeling vaguely like Iโve run at a dead sprint into a wall.
He stares at me, face hard and impassive as ever. โWhat is this?โ he asks sharply, and holds up a piece of paper.
Nothing fancy. Notebook paper with blue ink scrawled across it, front and back. My handwriting.
For a split second, I go ice cold with the fear that I mailed the letter to the wrong person. Him instead of Margaret.
Then I realize the flaw in that theory. I donโt even have Haydenโs
address.
โDoes it look familiar?โ he asks me.
I try to speak. No sound comes out.
When he realizes Iโm not going to answer, his eyes drop to the front of it. He clears his throat and reads tersely, โ โDear Margaret, you asked me once if you could trust Hayden. I told you that you could, but that wasnโt the whole truth.โ โ
โI know what it says,โ I weakly manage, but he goes on.
โ โYes, he has some walls up, the same as you do. And just like you, he has his reasons. Heโs careful about who he lets in, but when he does, he loves them wholly. Heโs blunt, and heโs honest, but heโs never cruel or unkind. He can be hard to read, but he doesnโt play games.
โ โHe doesnโt sleep well. He knows where every twenty-four-hour diner is within forty minutes of Little Crescent, and probably where all of them are back in his own neighborhood too. Heโs careful about his healthโhe doesnโt have a complete family medical history to rely on, so he tries not to take risks.
โ โHeโs funny, very funny, but because heโs so dry about it, it might take you a while to realize that.
โ โHe never wears shorts. Heโs afraid of snakes but not so scared he wouldnโt protect you from one if it came to it.
โ โHeโs generous and thoughtful, and every second you spend not getting to know him is a second wasted. I donโt know what your daughter will say if you ask again for a chance to know her. And I canโt know for
sure what Hayden would say either. But I know he takes life seriously. I know heโs not the kind of person to put off uncomfortable conversations now and regret not having them later.
โ โHe is, I think, the most wonderful person Iโve ever met, and in the interest of full disclosure, I have a personal stake in whether you tell him the truth or not, because I love him with every fiber of my being, and as someone once told me, when you love someone, you do anything to give them what they need. You unmake the world and build a new one.
โ โIโve already lost him, but maybe you donโt have to. Either way, he deserves the chance to say yes or no. He deserves to be asked. Your friend (I think, I hope), Alice Scott.โ โ
He stares down at the page for several seconds, and I stand there, trembling with nerves and raw emotion. Finally, his eyes lift to mine, his
face etched with tension.
โHow did you get that?โ I force out.
โShe sent it to me,โ he says. โAlong with her own letter. Explaining what happened.โ
My eyes burn. My cheeks burn. My skin burns, even as my insides feel
chilled.
โIs it true?โ he says finally.
โWhat?โ I whisper.
โIs it true?โ he says.
โIโm sorry I couldnโt tell you,โ I get out. โI wanted to tell youโโ
โIsโโhe steps in closer, the letter falling to his sideโโit true?โ
โAbout Margaretโs connection to you?โ I ask.
His chin moves to the left one inch. โThat you love me?โ
The tears break. โOf course itโs true. How could it not be? I loved you almost instantly, before I really even knew you. Before I understood it. I trusted you, and I loved you, and I still do.โ
โGood,โ he says, taking another small step toward the open door.
โBecause I love you too. I love you so much, and I donโt want to be without you ever again. Iโll move to Los Angeles, Iโll find a new job, whatever.โ
โHaydenโโ
โDonโt try to talk me out of it, Alice,โ he says. โEvery time we try to protect each other, all it does is cost us more time together, and Iโm not willing to lose any more. I want to be with you. Nothing else is going to matter to me more than that. Not at the end of my life. Not even now.
Nothing will matter more than who I spent my time with, and I want it to be you. I need it to be you.โ
Iโve done more crying in the last two months than in the two years prior, and Iโm determined to hold these tears back, to be cool, calm, and steady until the end of this conversation.
โOkay?โ he says, ducking his head to hold my eyes.
โI love that plan,โ I whisper. โAnd Iโm so grateful and honored. But thereโs a problem.โ
His brow rumples, an expression that hits my heart like one of Cupidโs arrows. โWhat?โ
โIโm not going back to Los Angeles,โ I say. โIโm staying in Georgia for now. Maybe forever, I donโt know. Iโm working on something new, and even when itโs over, I think Iโm going to want to be close to my mom, while sheโs still healthy. I love you so much, but I canโt miss out on more time with her. I did that with my dad, and I need this, and Iโm sorry, because if it was anything elseโIโd give up anything else, but I donโt think I can give up on this, and I know I canโt expect you to wait for me, but I wish thatโโ
He takes my face in his hands while Iโm still rambling. โAlice.โ
โIโd love it if you interrupted me right now,โ I whisper, heart heavy in my chest.
He smiles. โI hear Atlantaโs a great place to be a music journalist.โ
Just like that, my resolution not to cry snaps. Tears fall hard and fast, sliding down my nose, dripping onto my chin. โReally?โ I ask wetly.
โReally,โ he says.
โAre you sure, becauseโโ
This time he does interrupt me, our mouths colliding, my hands in his hair, his flat and firm against my back, molding me to him, drinking me in.
I hold on to him as tight as I possibly can, the sunset scorchingly bright, all that hope gathered in one place.
We pull apart just enough to rest our foreheads together, his hand moving softly, lovingly up and down my back.
โWhen I let myself dream,โ he murmurs against my ear, โor it all comes crashing downโitโs Alice, Alice on my mind. Alice all the time.โ





