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Chapter 16

Great Big Beautiful Life

16

โ€œMY MOTHER,โ€ MARGARET says, โ€œwas a magnificent woman.โ€

โ€œEverything Iโ€™ve ever read about her agrees,โ€ I say quietly, matching Margaretโ€™s volume, trying not to jerk her from the memory fogging over her eyes. I want her to linger. Weโ€™ve finally reached the people who shaped her most, and I want to stay here.

โ€œMy father loved her,โ€ she says. โ€œDearly. Itโ€™s important that you know that.โ€

I nod, my pen going motionless in my hand.

โ€œBecause so much of the news was about their divorce,โ€ she says. โ€œAnd what they wrote about him was true. He loved her, but he didnโ€™t treat her like he loved her. At the time, I couldnโ€™t make sense of this, but now I understand it perfectly.โ€

โ€œCould you explain it to me then?โ€ I press.

โ€œHe didnโ€™t love himself,โ€ she says simply. โ€œI know how trite that sounds. Even hearing it come out of my mouth, a part of me is thinking, Margaret, get a grip. He was a weak, jealous man. But then I remember the early days, and it breaks apart that easy, clean-cut story. He adored her. He adored all of us. You know they spoke on the phone every single day until she died?โ€

โ€œIโ€™d heard that, yes,โ€ I say. โ€œBut I didnโ€™t know if it was true.โ€

โ€œThey were best friends,โ€ she says. โ€œThatโ€™s how it started, and thatโ€™s what they got back to. Eventually.โ€

โ€œWell, not how it started,โ€ I point out. โ€œYou did just tell me she tore him a new one the first time they met.โ€

Her lips part on a grin. โ€œThat was his favorite story to tell. Sheโ€™d chime in with, I thought he was a real prick.โ€

โ€œSo what changed then?โ€ I ask.

โ€œWell, she got her MGM contract, for one thing. And when word got out, he sent her a huge bouquet. Which she didnโ€™t care for. She hated seeing cut flowers, made her sad. I never see them without thinking of her, which makes the way I feel about them more complicated, I suppose. Sad, then a

little happy, then sad again.โ€

โ€œI get that,โ€ I say.

She gives me an odd look. โ€œDo you?โ€

โ€œI think so.โ€

She waits for me to go on, so I do: โ€œMy sister and I had this cartoon we always watched when we were kids. The Busy World of Richard Scarry. We basically only ever watched it while she was too sick to do anything else.

So every time I see anything to do with it, thatโ€™s what I think of. And maybe itโ€™s different, because sheโ€™s okay now, but the memories attached to itโ€ฆI donโ€™t know. Theyโ€™re complicated.โ€

โ€œEverythingโ€™s complicated. Everything. Once you start paying attention.

My father loved my mother, and he was a shitty husband. He was a horrible father for a couple of years there right before they split up, but he was a wonderful one for the rest of his life after that. And honestly, even saying those wordsโ€”shitty, horrible, wonderfulโ€”how can that come anywhere close to conveying everything I mean?โ€

โ€œYou donโ€™t have to whittle it down like that,โ€ I say. โ€œYou can take as long as you want, Margaret.โ€

โ€œBut people stop listening,โ€ she says. โ€œThey want the sound bite. They want the headline. Thatโ€™s what my family built, and now we donโ€™t get to stop it from coming for us.โ€

โ€œYouโ€™re a human,โ€ I say. โ€œThe machine can try to compress you into something two dimensional, digestible, but thatโ€™s not you. And weโ€™re not here to service the machine.โ€

โ€œDonโ€™t you get it?โ€ she says. โ€œIt wonโ€™t matter. If we do this book, I go back to being their paper doll. Theyโ€™ll splash the most salacious tidbits across the top of aโ€ฆwhat do you call it? A listicle! And the audience will pass their judgments on all these people, who are just characters to them, but are real to me. On Cosmo. On my mother and father. Onโ€ฆโ€ She trails off, choked up.

My chest cramps. I canโ€™t help it: Iโ€™m already crossing the boat, taking her hand as I sit. โ€œIโ€™m so sorry,โ€ I say. โ€œAnd I wonโ€™t pretend youโ€™re not right. The listicles will exist. The headlines will be salacious. But your story will be out there too. The whole thing. You just have to figure out if one is worth the other.โ€

She raises her eyes to me. โ€œSee?โ€ she says. โ€œNothingโ€™s ever simple.โ€

I squeeze her hands. โ€œWe can be done for today, if you need.โ€

โ€œNo.โ€ She pulls her fingers out from between mine. โ€œNot yet. I want to tell you about them. My parents.โ€

I feel myself smiling, feeling both proud of her for opening up and proud of myself for slowly starting to earn her trust. โ€œIโ€™d love to hear all of it. Butโ€ฆmaybe we should go somewhere less buggy?โ€

She chortles. โ€œNow, thatโ€™s good thinking.โ€ She starts the boatโ€™s fan back up and steers us back the way we came. Something about her posture seems lighter, her shoulders relaxed so that her neck looks long and stately.

It makes me happy, to think that even if this is hard for her, and sheโ€™s uncertain about what weโ€™re doing here, itโ€™s unburdening her in some way.

To be seen.

To be known again, after years of hiding.

โ€ข โ€ข โ€ข Iโ€™M SITTING CROSS-LEGGED on the living room rug, a hot mug of decaf at my knee, when the first text from an unknown number with a New York area code buzzes in.

Hello.

Nothing else. Just hello. I smile to myself. If Iโ€™d been offered a million dollars to guess what Hayden Andersonโ€™s first text to me would be, Iโ€™m reasonably sure Iโ€™d be a millionaire now.

Hello! I write back.

Who is this, he says.

I snort. Wow, okay. Six weeks of fiery passion and youโ€™ve already forgotten me????

Sorry. I have the wrong number, he says.

I take a sip of coffee, then swipe a throw pillow off the couch and flop back onto it. Isnโ€™t this Hayden?

He starts typing right away, but it takes forever for his reply to come through. Iโ€™m really sorry, but I have no idea who this is.

YOU texted ME, I remind him. Another long pause for typing. Iโ€™m just

kidding. Itโ€™s me.

I send a follow-up: Alice.

And then another.

Scott.

He writes back, From The Scratch?

From the tiny island youโ€™re currently on, I say.

Oh THAT Alice, he replies, playing along. Then adds, You really had me scared for a minute. I was looking back through my calendar for a six-week stretch of โ€œfiery passion.โ€

I laugh aloud, flip onto my stomach, and push my laptop out of sight. I was typing my notes out from the rest of todayโ€™s session, and riveting as it was, Iโ€™ll have all day tomorrow to finish that up. How far back did you go?

Six months, but I only stopped because

thatโ€™s when I got this phone. What are you

up to?

Not working, I say. What about you?

Also not working, he says.

A good night for it, I write back.

Would you want to do something? he says.

He sends me a pinned location for another twenty-four-hour diner, in Savannah. Only if you think you can stand not talking about Margaret for a few hours.

A few hours? How many courses are we having? I ask.

Didnโ€™t mean to be presumptuous, he says.

Iโ€™m kidding, Hayden, I say. Iโ€™ll be there in half an hour.

Great, he says.

โ€ข โ€ข โ€ข HE IS, OF course, at the back corner booth of the Atomic Cafรฉ, looking too sharp and clean for his colorfully shabby surroundings.

He rises to greet me as I approach, which feels like an exceptionally old-fashioned way of doing things, so I go in for a hug.

Immediately, I regret this, because he palpably startles at the gesture, but just as quickly, he relaxes, looping his arms around my back. โ€œGood to see you,โ€ he says, his voice a rumble through my bones. He smells like almond, like amaretto drizzled over sponge cake, sweet without being cloying.

โ€œYou smell like dessert,โ€ I tell him as we pull apart.

He visibly balks, frowning to himself, as he slides back onto his bench.

โ€œItโ€™s Dr. Bronnerโ€™s.โ€

โ€œWow,โ€ I say. โ€œUtilitarian yet delicious.โ€

His facial expression softens on a laugh. It occurs to me that somehow, he thought you smell like dessert was a complaint, and not, as I personally suspect, a subconscious and involuntary come-on. โ€œGot you coffee,โ€ he says, pushing one of the mugs on the table toward me.

Our knees bump. We rearrange so that weโ€™re sitting diagonally across from each other, rather than straight on. Weโ€™re not touching, but somehow I

can still feel him. He has a presence like that, a magnetic field he carries with him always, but mostly tries to play off as a force field, a barrier to entry rather than an invitation.

โ€œThanks.โ€ I take the coffee mug between my hands, the heat pleasantly juxtaposing the overzealous roar of the air-conditioning. I gesture toward his glass. โ€œIโ€™m concerned that your green tea is brown.โ€

โ€œMy green tea,โ€ he says, โ€œis sweet tea. Because the Atomic Cafรฉ doesnโ€™t โ€˜have it in that color.โ€™ At least thatโ€™s what the server said.โ€

โ€œDid she say it as a full sentence at least,โ€ I ask, โ€œor did she jump right into the middle?โ€

โ€œFull sentence,โ€ he says. โ€œThatโ€™s one point for them, but Rayโ€™s Diner is still winning.โ€

I take a sip of coffee, and I must make a face, because he says, โ€œOkay, thatโ€™s one more point deducted right there, clearly.โ€

I look around at the neon-turquoise and pink light that lines the windows on the outside of the building, and the matching booths inside, the little jukeboxes at every table and the atomic age wallpaper slightly curling away from the interior walls. โ€œItโ€™s got good ambience though,โ€ I say. โ€œWhy arenโ€™t we at Rayโ€™s?โ€

โ€œI like to try as many diners as I can when Iโ€™m in a new place,โ€ he says.

โ€œCompare them and find the best.โ€

โ€œAh. Of course.โ€

โ€œOf course?โ€ he says.

I shrug. โ€œThe journalist in you.โ€

โ€œThe Midwesterner in me,โ€ he counters. โ€œAlways looking for the best deal.โ€

I hold up the wide rectangular menu. โ€œSix ninety-nine for a steak, eggs, and toast. You canโ€™t beat that.โ€

โ€œI mean, you could, but youโ€™d probably end up hospitalized,โ€ he says.

The server comes by and takes our order. I go with the two-egg breakfast, and Hayden does the egg white omelet.

โ€œIโ€™m actually surprised you eat at places like this,โ€ I say.

His brows pinch together. โ€œWhy?โ€

โ€œBecause even the doorknobs here are buttered,โ€ I reply, โ€œand you seem

to be an exceptionally healthy eater.โ€

โ€œBad habit,โ€ he says.

โ€œGood habit, if my doctor is to be believed,โ€ I argue.

โ€œI just mean, I was raised that way,โ€ he says. โ€œObsessively so. My mom used to be really health anxious, and she was that way with my brother and me when we were little. Justโ€ฆreally cautious.โ€

โ€œOh.โ€ Now itโ€™s my chance to frown. โ€œIโ€™m sorry. I wasnโ€™t trying to be critical. I just noticedโ€”โ€

โ€œNo, I know,โ€ he says. โ€œItโ€™s fine. Promise.โ€

After a beat, I say, โ€œSo I should probably stop leaving you big-ass croissants.โ€

He smiles at me. Itโ€™s kind of a rusty expression, but it still makes my heart flutter victoriously. โ€œNo,โ€ he assures me. โ€œJust so long as youโ€™re not offended if I give some of them to Margaret.โ€

I faux gasp. โ€œUh-oh, Hayden. Looks like someone has to put a quarter in the M-word jar.โ€

He rolls his eyes. โ€œIโ€™m not talking about work,โ€ he says. โ€œI just acknowledged her existence. Thatโ€™s not breaking any rules.โ€

โ€œMaybe none of yours,โ€ I say.

A smirk pulls at his wide mouth. โ€œOkay, fine.โ€ He digs around in his jeans pocket and puts a handful of coins on the table.

โ€œNot going to ask why you actually have quarters on hand,โ€ I say, sliding two toward me. โ€œJust going to assume you and whoever you currently work for are spending a lot of time at arcades.โ€

โ€œThatโ€™s your prerogative,โ€ he says.

I slip the quarters into the tabletop jukebox and flip until I find a winner.

No one else in the place seems to be queuing up songs, because as soon as the fifties rockabilly number playing over the speakers ends, โ€œSay You Will (Be Mine)โ€ by Cosmo Sinclair starts playing.

โ€œOh, come on,โ€ he says on a huff of laughter. โ€œHow is this not breaking a rule?โ€

โ€œWhat are you talking about?โ€ I say. โ€œThis song is a classic.โ€

โ€œAnd you know who he wrote this for?โ€ he asks.

I grin and slide my forearms across the table until they meet his. โ€œNo, who?โ€

He studies me as he works out his next play. I donโ€™t back down either, holding his gaze fast.

The challenge building between us is starting to tip over into something else, a heat in his eyes, a pull in the center of my chest.

โ€œHere you folks go.โ€ The server plops our plates down beside us. Really plops them. Like probably gets them no closer than three inches from the tabletop before letting go. We jolt apart and take a beat to study our respective plates before tucking in.

โ€œWhat do you think?โ€ I ask him after a couple of bites.

โ€œShouldโ€™ve gone with the six-dollar steak,โ€ he says.

I choke on a laugh, lean forward, and drop my voice. โ€œYeah, Iโ€™d say this round goes to Rayโ€™s.โ€

He picks up his cup of sweet tea. โ€œTo Ray.โ€

I straighten up and tap my mug against it. โ€œTo Ray,โ€ I say, โ€œand to whoever inspired this song, because itโ€™s absolutely undeniable.โ€

โ€œTo her too,โ€ he says with a nod.

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