16
โMY MOTHER,โ MARGARET says, โwas a magnificent woman.โ
โEverything Iโve ever read about her agrees,โ I say quietly, matching Margaretโs volume, trying not to jerk her from the memory fogging over her eyes. I want her to linger. Weโve finally reached the people who shaped her most, and I want to stay here.
โMy father loved her,โ she says. โDearly. Itโs important that you know that.โ
I nod, my pen going motionless in my hand.
โBecause so much of the news was about their divorce,โ she says. โAnd what they wrote about him was true. He loved her, but he didnโt treat her like he loved her. At the time, I couldnโt make sense of this, but now I understand it perfectly.โ
โCould you explain it to me then?โ I press.
โHe didnโt love himself,โ she says simply. โI know how trite that sounds. Even hearing it come out of my mouth, a part of me is thinking, Margaret, get a grip. He was a weak, jealous man. But then I remember the early days, and it breaks apart that easy, clean-cut story. He adored her. He adored all of us. You know they spoke on the phone every single day until she died?โ
โIโd heard that, yes,โ I say. โBut I didnโt know if it was true.โ
โThey were best friends,โ she says. โThatโs how it started, and thatโs what they got back to. Eventually.โ
โWell, not how it started,โ I point out. โYou did just tell me she tore him a new one the first time they met.โ
Her lips part on a grin. โThat was his favorite story to tell. Sheโd chime in with, I thought he was a real prick.โ
โSo what changed then?โ I ask.
โWell, she got her MGM contract, for one thing. And when word got out, he sent her a huge bouquet. Which she didnโt care for. She hated seeing cut flowers, made her sad. I never see them without thinking of her, which makes the way I feel about them more complicated, I suppose. Sad, then a
little happy, then sad again.โ
โI get that,โ I say.
She gives me an odd look. โDo you?โ
โI think so.โ
She waits for me to go on, so I do: โMy sister and I had this cartoon we always watched when we were kids. The Busy World of Richard Scarry. We basically only ever watched it while she was too sick to do anything else.
So every time I see anything to do with it, thatโs what I think of. And maybe itโs different, because sheโs okay now, but the memories attached to itโฆI donโt know. Theyโre complicated.โ
โEverythingโs complicated. Everything. Once you start paying attention.
My father loved my mother, and he was a shitty husband. He was a horrible father for a couple of years there right before they split up, but he was a wonderful one for the rest of his life after that. And honestly, even saying those wordsโshitty, horrible, wonderfulโhow can that come anywhere close to conveying everything I mean?โ
โYou donโt have to whittle it down like that,โ I say. โYou can take as long as you want, Margaret.โ
โBut people stop listening,โ she says. โThey want the sound bite. They want the headline. Thatโs what my family built, and now we donโt get to stop it from coming for us.โ
โYouโre a human,โ I say. โThe machine can try to compress you into something two dimensional, digestible, but thatโs not you. And weโre not here to service the machine.โ
โDonโt you get it?โ she says. โIt wonโt matter. If we do this book, I go back to being their paper doll. Theyโll splash the most salacious tidbits across the top of aโฆwhat do you call it? A listicle! And the audience will pass their judgments on all these people, who are just characters to them, but are real to me. On Cosmo. On my mother and father. Onโฆโ She trails off, choked up.
My chest cramps. I canโt help it: Iโm already crossing the boat, taking her hand as I sit. โIโm so sorry,โ I say. โAnd I wonโt pretend youโre not right. The listicles will exist. The headlines will be salacious. But your story will be out there too. The whole thing. You just have to figure out if one is worth the other.โ
She raises her eyes to me. โSee?โ she says. โNothingโs ever simple.โ
I squeeze her hands. โWe can be done for today, if you need.โ
โNo.โ She pulls her fingers out from between mine. โNot yet. I want to tell you about them. My parents.โ
I feel myself smiling, feeling both proud of her for opening up and proud of myself for slowly starting to earn her trust. โIโd love to hear all of it. Butโฆmaybe we should go somewhere less buggy?โ
She chortles. โNow, thatโs good thinking.โ She starts the boatโs fan back up and steers us back the way we came. Something about her posture seems lighter, her shoulders relaxed so that her neck looks long and stately.
It makes me happy, to think that even if this is hard for her, and sheโs uncertain about what weโre doing here, itโs unburdening her in some way.
To be seen.
To be known again, after years of hiding.
โข โข โข IโM SITTING CROSS-LEGGED on the living room rug, a hot mug of decaf at my knee, when the first text from an unknown number with a New York area code buzzes in.
Hello.
Nothing else. Just hello. I smile to myself. If Iโd been offered a million dollars to guess what Hayden Andersonโs first text to me would be, Iโm reasonably sure Iโd be a millionaire now.
Hello! I write back.
Who is this, he says.
I snort. Wow, okay. Six weeks of fiery passion and youโve already forgotten me????
Sorry. I have the wrong number, he says.
I take a sip of coffee, then swipe a throw pillow off the couch and flop back onto it. Isnโt this Hayden?
He starts typing right away, but it takes forever for his reply to come through. Iโm really sorry, but I have no idea who this is.
YOU texted ME, I remind him. Another long pause for typing. Iโm just
kidding. Itโs me.
I send a follow-up: Alice.
And then another.
Scott.
He writes back, From The Scratch?
From the tiny island youโre currently on, I say.
Oh THAT Alice, he replies, playing along. Then adds, You really had me scared for a minute. I was looking back through my calendar for a six-week stretch of โfiery passion.โ
I laugh aloud, flip onto my stomach, and push my laptop out of sight. I was typing my notes out from the rest of todayโs session, and riveting as it was, Iโll have all day tomorrow to finish that up. How far back did you go?
Six months, but I only stopped because
thatโs when I got this phone. What are you
up to?
Not working, I say. What about you?
Also not working, he says.
A good night for it, I write back.
Would you want to do something? he says.
He sends me a pinned location for another twenty-four-hour diner, in Savannah. Only if you think you can stand not talking about Margaret for a few hours.
A few hours? How many courses are we having? I ask.
Didnโt mean to be presumptuous, he says.
Iโm kidding, Hayden, I say. Iโll be there in half an hour.
Great, he says.
โข โข โข HE IS, OF course, at the back corner booth of the Atomic Cafรฉ, looking too sharp and clean for his colorfully shabby surroundings.
He rises to greet me as I approach, which feels like an exceptionally old-fashioned way of doing things, so I go in for a hug.
Immediately, I regret this, because he palpably startles at the gesture, but just as quickly, he relaxes, looping his arms around my back. โGood to see you,โ he says, his voice a rumble through my bones. He smells like almond, like amaretto drizzled over sponge cake, sweet without being cloying.
โYou smell like dessert,โ I tell him as we pull apart.
He visibly balks, frowning to himself, as he slides back onto his bench.
โItโs Dr. Bronnerโs.โ
โWow,โ I say. โUtilitarian yet delicious.โ
His facial expression softens on a laugh. It occurs to me that somehow, he thought you smell like dessert was a complaint, and not, as I personally suspect, a subconscious and involuntary come-on. โGot you coffee,โ he says, pushing one of the mugs on the table toward me.
Our knees bump. We rearrange so that weโre sitting diagonally across from each other, rather than straight on. Weโre not touching, but somehow I
can still feel him. He has a presence like that, a magnetic field he carries with him always, but mostly tries to play off as a force field, a barrier to entry rather than an invitation.
โThanks.โ I take the coffee mug between my hands, the heat pleasantly juxtaposing the overzealous roar of the air-conditioning. I gesture toward his glass. โIโm concerned that your green tea is brown.โ
โMy green tea,โ he says, โis sweet tea. Because the Atomic Cafรฉ doesnโt โhave it in that color.โ At least thatโs what the server said.โ
โDid she say it as a full sentence at least,โ I ask, โor did she jump right into the middle?โ
โFull sentence,โ he says. โThatโs one point for them, but Rayโs Diner is still winning.โ
I take a sip of coffee, and I must make a face, because he says, โOkay, thatโs one more point deducted right there, clearly.โ
I look around at the neon-turquoise and pink light that lines the windows on the outside of the building, and the matching booths inside, the little jukeboxes at every table and the atomic age wallpaper slightly curling away from the interior walls. โItโs got good ambience though,โ I say. โWhy arenโt we at Rayโs?โ
โI like to try as many diners as I can when Iโm in a new place,โ he says.
โCompare them and find the best.โ
โAh. Of course.โ
โOf course?โ he says.
I shrug. โThe journalist in you.โ
โThe Midwesterner in me,โ he counters. โAlways looking for the best deal.โ
I hold up the wide rectangular menu. โSix ninety-nine for a steak, eggs, and toast. You canโt beat that.โ
โI mean, you could, but youโd probably end up hospitalized,โ he says.
The server comes by and takes our order. I go with the two-egg breakfast, and Hayden does the egg white omelet.
โIโm actually surprised you eat at places like this,โ I say.
His brows pinch together. โWhy?โ
โBecause even the doorknobs here are buttered,โ I reply, โand you seem
to be an exceptionally healthy eater.โ
โBad habit,โ he says.
โGood habit, if my doctor is to be believed,โ I argue.
โI just mean, I was raised that way,โ he says. โObsessively so. My mom used to be really health anxious, and she was that way with my brother and me when we were little. Justโฆreally cautious.โ
โOh.โ Now itโs my chance to frown. โIโm sorry. I wasnโt trying to be critical. I just noticedโโ
โNo, I know,โ he says. โItโs fine. Promise.โ
After a beat, I say, โSo I should probably stop leaving you big-ass croissants.โ
He smiles at me. Itโs kind of a rusty expression, but it still makes my heart flutter victoriously. โNo,โ he assures me. โJust so long as youโre not offended if I give some of them to Margaret.โ
I faux gasp. โUh-oh, Hayden. Looks like someone has to put a quarter in the M-word jar.โ
He rolls his eyes. โIโm not talking about work,โ he says. โI just acknowledged her existence. Thatโs not breaking any rules.โ
โMaybe none of yours,โ I say.
A smirk pulls at his wide mouth. โOkay, fine.โ He digs around in his jeans pocket and puts a handful of coins on the table.
โNot going to ask why you actually have quarters on hand,โ I say, sliding two toward me. โJust going to assume you and whoever you currently work for are spending a lot of time at arcades.โ
โThatโs your prerogative,โ he says.
I slip the quarters into the tabletop jukebox and flip until I find a winner.
No one else in the place seems to be queuing up songs, because as soon as the fifties rockabilly number playing over the speakers ends, โSay You Will (Be Mine)โ by Cosmo Sinclair starts playing.
โOh, come on,โ he says on a huff of laughter. โHow is this not breaking a rule?โ
โWhat are you talking about?โ I say. โThis song is a classic.โ
โAnd you know who he wrote this for?โ he asks.
I grin and slide my forearms across the table until they meet his. โNo, who?โ
He studies me as he works out his next play. I donโt back down either, holding his gaze fast.
The challenge building between us is starting to tip over into something else, a heat in his eyes, a pull in the center of my chest.
โHere you folks go.โ The server plops our plates down beside us. Really plops them. Like probably gets them no closer than three inches from the tabletop before letting go. We jolt apart and take a beat to study our respective plates before tucking in.
โWhat do you think?โ I ask him after a couple of bites.
โShouldโve gone with the six-dollar steak,โ he says.
I choke on a laugh, lean forward, and drop my voice. โYeah, Iโd say this round goes to Rayโs.โ
He picks up his cup of sweet tea. โTo Ray.โ
I straighten up and tap my mug against it. โTo Ray,โ I say, โand to whoever inspired this song, because itโs absolutely undeniable.โ
โTo her too,โ he says with a nod.





