Abrantès, Duchess d’
absences, see calculated absences Adams, Cindy
Adams, John Quincy advertisements
Aesthetic Rakes Aga Khan III
aggressive attention Aging Babies Agnelli, Gianni Alberoni, Francesco
Albert, Prince of Monaco Alcibiades
Alexander I, Czar of Russia Aly Khan, Prince
American Tobacco Company
Amores, The (Ovid) Andreas Capellanus Andreas-Salomé, Lou anger
Anger, Kenneth Anne of Austria Anti-Seducers
aggressive attention of arguing by
brutes
bumblers complaining by crab as symbol of defensiveness in
as deliberate disenchantment disengagement from
doormats
examples of
excessive pride in greed in
impatience in
inattentiveness of insecurity of judgmentalism in moralizers
neediness in
perfectionistic dissatisfaction in reactors
self-absorption in
self-awareness lacked by self-consciousness of suffocators
tightwads types of
ulterior motives in ungenerosity of
uses of
vulgarians windbags
Antonyand Cleopatra (Shakespeare) anxiety and discontent, inducement of Cupid’s arrow as symbol of
deceptive appearances and exotic stranger as
lost ideals in missing qualities in personal criticism in by politicians
reversal of
strategic withdrawal in Aphrodite (Venus) Apollo
Ardent Rakes arguing
Aristophanes armed prophets Arthur, King
Art of Love, The (Ovid)
As You Like It (Shakespeare)
Athene
attention, aggressive attention, focused
of Charmers in mirroring
physical lures and Auguste, Prince of Prussia
authentic animals, charismatic
Bacall, Lauren Baker, Josephine
calculated surprise by French mirrored by banal conversation Bank, The
Barbey d’Aurevilly, Jules-Amédée Barney, Natalie
spiritual lures of Barrymore, John Bataille, Georges Bathsheba
Baudelaire, Charles Pierre
strategic withdrawal by Baudrillard, Jean
Beauties Beauty Ideal
Belleroche, Maud de Bernays, Edward Bjerre, Poul
Blue Angel, The (film) Blue Angel, The (Mann) Boccaccio, Giovanni bold moves
bracing effect of feminine humility vs.
indirect approach preceding infecting with emotions in opportune moment for
as pleasant surprise reversal of
signs of readiness for summer storm as symbol of theatricality of
vanity and Bonaparte, Lucien
Bonaparte, Napoleon, see Napoleon I, Emperor of France Bonaparte, Pauline
Book of Laughter and Forgetting, The (Kundera) Bourdon, David
Bouriscout, Bernard Brantôme, Seigneur de breakups
see also disenchantment Brent, Harrison
Bride of Abydos, The (Byron)
Brummel, George “Beau” brutes, anti-seductive
Buckingham, George Villiers, Duke of Bulliet. J.
bumblers, anti-seductive Buñuel, Luis
Buruma, Ian
Bussy-Rabutin, Count Butler, Samuel
Byron, George Gordon, Lord disarming weaknesses of
“honest” confessions of reputation of
taboos transgressed by “underlook” of
Caesar, Julius assassination of calculated absences
in pain mixed with pleasure in poeticizing oneself calculated effects
calculated surprises improvisation vs. mood changes as
personal character revealed by in re-seduction
reversal of
roller coaster as symbol of sudden encounters in Caligula, Emperor of Rome Camus, Albert
Canouville, Jules de
Capote, Truman Carter, Angela Carter, Jimmy
Casanova, Giovanni Giacomo anti-seducer encountered by calculated surprise of
direct approach of indirect approach of mirroring by
mixed signals and role playing of
seductive environment and time created by spiritual lures used by
temptation of
victims chosen by Castiglione, Baldassare Castro, Fidel
Catherine de Médicis, Queen of France
Catherine II “the Great,” Empress of Russia contrast provided by
Potemkin and Saltykov and Chalon, Jean Chambers, Jessie Chaplin, Charlie charisma
Charismatics
adventurousness of as armed prophets authentic animals counterreactions to dangers to
deliverers
demonic performers
drama saints
erotic fatigue and fervency of
gurus
lamp as symbol of magnetism of
miraculous prophets mysteriousness of Olympian actors piercing gaze of
prophetic gifts in purposefulness of saintliness of
saviors
seductive language of self-awareness of
successors of on television theatricality of types of
uninhibitedness of vulnerability of
Charles I, King of England Charles II, King of England Charmers
antagonism harmonized by art of
dangers to
deceptive appearances and derivation of term
ease and comfort created by examples of
focused attention of indulgent attitude of
mirror as symbol of mirroring by
pleasure provided by politicians as
self-possession in adversity shown by sexuality and
subtlety of timing of
understanding attitude of as useful to others
Chateaubriand, Francois René, Vicomte de ego ideal regression of
Chekhov, Michael Chevalier, Maurice Chiang Kai-shek
Childe Harold (Byron)
China chivalry
Choisy, Abbé de Chrétien de Troyes Christian, Linda
Churchill, Pamela, see Harriman, Pamela Churchill Churchill, Winston
Clarissa (Richardson) Claudin, Gustave
Claudius I, Emperor of Rome Cleopatra
anti-seduction as defense against clothing of
descriptions of insecurity fostered by isolation created by mixed signals sent by mood changes of
poeticizing of sensual appeals of theatricality of
victims chosen by voice of
Clift, Montgomery clinging behavior Clinton, Bill clothing
attention to details of of Dandies
of Sirens Cohn, Norman
Cold Coquette, The (Byron)
Colette complaining
confessions, “honest” con men
Conquerors Conrad, Earl Constant, Benjamin contrasts
Cooper, Gary Coquettes Cold
confusion engendered by dangers to
excitement engendered by hatred engendered by
Hot and Cold jealousy incited by keys to
narcissism of politicians as
selective withdrawal by self-sufficiency of
shadow as symbol of space created by timing of
Coriolanus (Shakespeare) courtesans
courtly love Crébillon Crébillon fils criticism, personal cruelty
of Dandies of Rakes
in transgressing taboos Crushed Stars
Cures for Love (Ovid)
Dandies
aesthetic qualities in ambiguity of bisexual appeal of
confusion engendered by cruelty in
dangerousness of dangers to
excitement engendered by Feminine
impudence of keys to
Masculine
mental transvestitism of nonconformity of
orchid as symbol of physical image of
politicians as social seduction by visual style of
Dandy, The (Baudelaire)
Dangerous Liaisons (Laclos) dangerousness
of Dandies of Rakes of Sirens
D’Annunzio, Gabriele death risked by flattery by
march on Fiume led by
public spectacles given by Darvas
d’Aunet, Léonie David, King Davis, Ossie Dean, James death, risking of
Decameron, The (Boccaccio) defensiveness
de Gaulle, Charles
seductive oratory of
“Delight in Disorder” (Herrick) deliverers, charismatic
demonic performers, charismatic Demonic Rakes
Denon, Vivant destiny, sense of details, attention to banquet as symbol of
of clothing gifts in
mesmerizing effect of reversal of
sensuous effect of slower pace in
of spectacles
Devil Is a Woman, The
Dewa
Diderot, Denis Dietrich, Marlene DiMaggio, Joe Dio Cassius
Dionysus Diotima
Disappointed Dreamers disenchantment
clean quick breaks in clinging behavior and deliberate disillusionment in
embers as symbol of familiarity in
inertia in
pleasant separations in see also re-seduction Disraeli, Benjamin attention to details by humor in persuasion by mirroring by
poeticizing by victim played by
dissatisfaction, perfectionistic Don Juan, legend of
Don Juan (Byron) doormats, anti-seductive doubts
Drama Queens
drama saints, charismatic
Dream of the Red Chamber, The (Tsao Hsueh Chin) Drouet, Juliette
Dryden, John
Dulce y Sabrosa (Picón) dullness, deliberate Dumas, Alexander Duncan, Isadora
Duse, Eleanor
Eastern Love Easy Street
Eddington, Nora
Edward VII, King of England ego ideal regression
Einstein, Albert Eisenhower, Dwight D. Eisenstein, Sergei
Either/Or (Kierkegaard) Elizabeth, Empress of Russia Elizabeth I, Queen of England Ellington, Duke
empathy
environment, seductive Casanova’s creation of crowded conditions in
Japan’s ukiyo (“floating world”) as mystical effects in
theatricality of
visual stimuli in Warhol’s Factory as envy
Epton, Nina Eros
erotic fatigue Escher, M. C.
Essex, Robert Devereux, Earl of Euripides
Europa.
Exodus, Book of Exotic Fetishists
“Exotic Perfume” (Baudelaire)
Eyes of Youth
Fallaci, Oriana falling in love familiarity
in disenchantment poeticizing oneself vs. fear
in pain mixed with pleasure Feminine Dandies
Ferenczi, Sandor festivals
Fetishistic Stars Fiume, march on flattery
Flaubert, Gustave Floating Genders “floating world” (ukiyo)
Flowers of Evil, The (Baudelaire) Flynn, Errol
physical lures of Tantrism practiced by
Four Horsemen of the Apocalypse, The
Fraser, Flora French Revolution Freud, Sigmund
Andreas-Salomé and on bisexuality
on childhood as golden age disciples of
on narcissism on sexual taboos
on spoiled children on suggestion
on transference on the uncanny Friedrich, Konrad
Fröhlich, Rosa (fict.) Fu Chai, King
Fujiwara no Korechika Fülöp-Miller, René
Gallese, Duke and Duchess of
Game of Hearts, The:Harriette Wilson’s Memoirs (Wilson) Gandhi, Mohandas K.
isolation created by Garbo, Greta Garden of Eden Gautier, Théophile Genesis, Book of Genji, Prince (fict.) George, Don
Gérard, François-Pascal
Gilbert and Sullivan
Gilda
Gillot, Henrik Gilot, Françoise Girard, René Gladstone, William
Gleichen-Russwurm, Alexander von Goethe, Johann Wolfgang
golden age, childhood as Gottfried von Strassburg Grammont, Count de Grant, Cary
Graves, Robert Greco, Juliette greed
anti-seductive
Greek Myths, The (Graves)
Greenfield, Liah guilt, sense of
in transgression of taboos Guinevere, Queen
gurus, charismatic Gwyn, Nell
Hamilton, Lady Emma Hamilton, Sir William hard sell
Harriman, Averell Harriman, Pamela Churchill Hauptmann, Gerhart Hawthorne, Nathaniel Hayworth, Rita
heat, projected
heated glances Helen of Troy Hellmann, John Hera
Hermaphroditus Hermes (Mercury) Herrick, Robert
Hibbert, Eloise Talcott
Hindu Art of Love, The (Windsor, ed.)
Homer
“honest” confessions honest courtesans
Hot and Cold Coquettes Hsi Shi
Hugo, Victor Huxley, Aldous hypnosis
Ibarruri, Dolores Gómez (La Pasionaria) Ibn Hazm
Ideal Lovers Beauty
in courtly love dangers to
effort required of keys to
Madonna/whore as
missing qualities provided by noble qualities evoked by patient attentiveness of
politicians as
portrait painter as symbol of reputation of
Romantic
self-sacrifice of
subtle indications observed by ideals, lost
Idol Worshipers
Idylle Saphique (Pougy) Ihara Saikaku
Iliad, The (Homer) illusions, creation of
appearance of normality in changing the past in
dreams realized through of gender
reversal of
role playing in
Shangri-La as symbol of uncanny effects in
wish fulfillment in impatience, anti-seductive improvisation
in proving oneself imps
inattentiveness indifference indirect approach
bland appearance in bold moves after
deliberate dullness in disguising one’s feelings in friendship in
illusion of control in neutral distance in reversal of
sexual tension and
spider’s web as symbol of third parties in
see also soft sell
infantile regression innocents
“In Praise of Makeup” (Baudelaire) insecurities
of Anti-Seducers of countries flattery aimed at insinuation, art of dropping hints in
gestures and looks in imagination and passing comments in pleasure provided by in politics
retraction with apology in reversal of
seed as symbol of
slight physical contact in slips of the tongue in
vagueness in
“Invitation to the Voyage” (Baudelaire) irrationality
isolation, creation of
deceptive appearances and exotic effect in
from family and friends hint of danger in
on islands
“only you” effect in from past attachments Pied Piper as symbol of
by politicians
by religious sects reversal of
Jackson, Andrew Jagger, Mick
James I, King of England
reverse parental regression and Japan
child-rearing practices in
ukiyo (“floating world”) of
see also Tale of Genji, The (Murasaki) jealousy
in pain mixed with pleasure triangles and
Jeffers, Robinson Joan of Arc Johnson, Lyndon B.
Joseph II, Holy Roman Emperor Josephine, Empress of France
languorousness of
selective disclosure by selective withdrawal by tears as tactic of
Journal of OurLifein the Highlands (Queen Victoria) judgmentalism
in Anti-Seducers
JuliusCaesar (Shakespeare) Jullian, Philippe
Jung, Carl
Jungian archetypes Jurgens, Ernest
Kaus, Gina Keaton, Buster Kennedy, John F.
adventurousness of disarming weaknesses of insinuation used by isolation as technique of lost ideals and
missing qualities offered by mixed signals sent by poeticizing of
Key, Wilson Bryan Kierkegaard, Søren King, Martin Luther, Jr. Kissinger, Henry A.
knights
Kolowrat, Count Sascha Kou Chien, King Kriegel, Maurice Krishnamurti, Jiddu Kuang Hsu, Emperor Kundera, Milan
La Bruyère, Jean de Laclos, Pierre Choderlos de Ladd, Alan
Lake, Veronica Lamb, Lady Caroline
Lamotte-Valois, Comtesse de Lancelot, Sir
Lang, Fritz language, seductive affirmation in
ambiguity and vagueness in arguing vs.
boldness in
changes of perspective in of Charismatics
clouds as symbol of diabolic vs. symbolic emotion vs. reason in flattery in
flowery language vs. normal language vs. oratory
producing an effect with promises in
of Rakes repetition in reversal of
self-absorption vs. silence vs.
in soft sell
strong emotions roused by
see also writing
Lauzun, Antonin Péguilin, Duke de Lawner, Lynne
Lawrence. H.
Leadbeater, Charles
Le Gallienne, Richard Lemaître, Jules Lenin. I.
Leonardo da Vinci Lesbos, island of Lewis, Arthur H. Lincoln, Abraham Lonely Leaders
lost ideals
Louis XIV, King of France Louis XV, King of France
Louis XVIII, King of France Louÿs, Pierre
Love Happy lovers’ quarrels Low, Ivy Lucian
Lursay, Madame de (fict.)
Machiavelli, Niccolò
Madame Bovary (Flaubert)
Madonna/whore makeup
Making a Living Malcolm X Malet, Elizabeth Malraux, André Mandel, Oscar Mandrell, James Mann, Heinrich
Mansfield, Katherine
Mao, Madame (Jiang Qing) Mao Zedong
Margaret of Navarre, Queen Marguerite de Valois
Marianne (Marivaux)
Marie Antoinette, Queen of France Marivaux, Pierre
Mark Antony Marx, Groucho
Mary, Queen of Scots
Masculine Dandies masochism
mass seduction, see Charismatics; politicians; soft sell Maurois, André
Maxwell, Elsa Mayer, J. P.
Memoirs from Beyond the Grave (Chateaubriand)
Menken, Adah Isaacs mental superiority, sense of Merteuil, Marquise de (fict.) Mesmer, Franz
Messalina
Metamorphoses (Ovid) Metternich, Prince Klemens von Michels, Roberto
Middle Ages courtly love in
religious mystics of troubadours of
Middleton-Murry, John Midgette, Allen
Midsummer Night’s Dream, A (Shakespeare) Milbanke, Annabella
Miller, Arthur
Ming Huang, Emperor
miraculous prophets, charismatic mirroring
by Charmers focused attention in of gender roles
hunter’s mirror as symbol of imitation in
indulgence in of lost ideals
narcissism and by outsiders reversal of
of spiritual values in writing
missing qualities
and choice of victim Ideal Lovers and mixed signals artificial vs. natural
cold vs. hot; see also Coquettes depth suggested by
in first impressions gender roles and good vs. bad
imagination engaged by inner vs. outward qualities in paradox in
in politics reputation and reversal of
theater curtain as symbol of Mohammed Riza Pahlavi, Shah of Iran Molière
Molina, Tirso de moment, the abandonntent to leading into
Mona Lisa (da Vinci) Mondale, Walter Monneyron, Frédéric Monroe, Marilyn
Monsieur Beaucaire
Montez, Lola
Montpensier, Anne Marie Louise d’Orleans, Duchess de
mood changes moralizers, anti-seductive Morin, Edgar
Morosini, Countess Moscovici, Serge Moses
Much Ado About Nothing (Shakespeare) Murasaki Shikibu
Musil, Robert Musset, Alfred de Mussolini, Benito Mut, Professor (fict.) Mythic Stars
Napoleon I, Emperor of France calculated surprise by
as Charismatic
Coquette played by French re-seduced by insinuation used by
Josephine and
missing qualities offered by Talleyrand and
temptations created by
Napoleon III (Louis-Napoleon), Emperor of France narcissism
of Coquettes mirroring and Narcissus
natural phenomena Naturals
dangers to
disarming weakness of examples of
fantasy world created by imps
independence in innocents
lamb as symbol of naivete of
as potentially irritating psychological traits of receptiveness of spoiled children as sympathy elicited by
undefensive lovers wonder children youth and
neediness
Nelson, Viscount Horatio Nero, Emperor of Rome New Prudes
New York Times
Nicholas, Grand Duke
Nicholas II, Czar of Russia Nietzsche, Friedrich
Andreas-Salomé and Ninon de l’Enclos Niou, Prince (fict.) Nisan
Nixon, Richard M.
“No Tomorrow” (Denon) Novices
Octavia Octavius
Odyssey, The (Homer) oedipal regression
Olympian actors, charismatic Onassis, Aristotle
On Love (Stendhal) opinion, influencing oratory, seductive Orléans, Duchess d’ Orléans, Duke d’ Orlov, Gregory Orsay, Count d’
Ortega y Gasset, José Otero, Caroline “La Belle” heat projected by Overstreet, H. A.
Ovid
Pahlavi, Mohammed Riza, Shah of Iran pain, mixing pleasure with
anxiety induced by bracing effect of
breakups in calculated absences in
emotional highs and lows in fear in
guilt in
harshness and kindness in jealousy in
masochistic yearnings for precipice as symbol of reversal of
timing of Pampered Royals Paris
Judgment of
Pasionaria, La (Dolores Gómez Ibarruri)
Patience (Gilbert and Sullivan)
Pawnbroker,The Pearl, Cora Pearson, Hesketh Perón, Evita poeticizing of Perón, Juan persuasion
argument vs. humor in emotion vs. reason in
Peter I “the Great,” Czar of Russia Peter III, Czar of Russia
Petronius
Philip III, King of Spain physical lures
devil-may-care attitude and disordered look in
flattery and
focused attention and heated glances in
as leading into the moment lowering inhibitions by mental activity lulled by physical excitation aroused by projected heat in
raft as symbol of reversal of sensual appeal of
shared physical activity in
slight physical contacts in Picasso, Pablo
art as lure of poeticizing of
Picón, Jacinto Octavio
Pillow Book of Sei Shonagon, The Plato
Plutarch poeticizing oneself bit of doubt in
calculated absences in familiarity vs.
halo as symbol of idealizing one’s targets in objects in
reversal of
self-image and shared experiences in politicians
anxiety and discontent induced by as Charmers
as Coquettes as Dandies
disarming weaknesses of as Ideal Lovers insinuation used by isolation created by mixed signals sent by
re-seduction by soft sell by
triangles created by victims chosen by war heroes as
see also Charismatics; oratory, seductive
Pompadour, Jeanne Poisson, Madame de pop art
Portsmouth, Louise Keroualle, Duchess of
post-seduction, see disenchantment; re-seduction Potemkin, Prince Gregory
Pougy, Liane de Presley, Elvis pride, excessive
Private Life of the Marshal Duke of Richelieu, The
Professors prostitutes
Proust, Marcel proving oneself apparent suicide in doubts allayed by improvisation in passing tests in
persistence in rescue in
resistance and reversal of risking death in self-sacrifice in
tournament as symbol of unhesitating action in
by war heroes prudery
Ptolemy XIV, Pharaoh Pygmalion
Pygmalion complex
Quicksand (Tanazaki)
rakehells Rakes
as abandoned to moment Aesthetic
Ardent
convention defied by cruelty of
dangerousness of dangers to
Demonic derivation of term erotic vs. political extremism of
as female fantasy figure fire as symbol of
keys to
masculine envy engendered by mirroring by
obstacles overcome by pleasure offered by reformation of Reformed, as victims reputation of
seductive language of voices of
Rank, Otto
Rasputin, Grigori Efimovich physical lures of
spiritual lures of reactors, anti-seductive Reagan, Ronald
soft sell of Recamier, Madame Rée, Paul
Reformed Rakes or Sirens regression, erotic
bed as symbol of ego ideal
infantile oedipal rebellion in reversal of
reverse parental therapist role in transference in
unconditional love in Reichenbach, Harry Reik, Theodor reliability
Remarque, Erich Maria
Remembrance of Things Past (Proust)
Renaissance reputation
in creation of triangles of Ideal Lovers
mixed signals and of Rakes
Rescuers
re-seduction
calculated surprises in embers as symbol of fight against inertia in intermittent drama in
maintaining lightness in maintaining mystery in political
reversal of timing of
resistance
and proving oneself to temptations
reverse parental regression Richardson, Samuel Richelieu, Duke de
Richthofen, Baroness Frieda von Rilke, Rainer Maria
Ring of the Dove, The: A Treatise on the Art and Practice of Arab Love (Ibn Hazm)
Robespierre, Maximilien de Rochester, Earl of
Rohan, Cardinal de Romantic Ideal Romanticism
Roosevelt, Franklin Delano seductive oratory of Rothschild, Baron Elie de Roués
Sabatier, Apollonie
Sacher-Masoch, Leopold von Sackville-West, Vita
sadness, air of
Saint-Amand, Imbert de
Sainte-Beuve, Charles Augustin Saint-Germain, Count
Salomé, Lou von, see Andreas-Salomé, Lou Saltykov, Sergei
Sand, George Sappho
Satan, androgyny of
Satyricon (Petronius)
saviors, charismatic Savonarola, Girolamo Schopenhauer, Arthur Sedgwick, Edie
seducers amorality of appearance of
consistency of falling in love with male
other-directedness of
as providers of pleasure resistance to
seductive language of sexual element utilized by strategic planning of
subtle methods of surrender to will of theatricality of warrior’s outlook of
Seducer’s Diary, The (Kierkegaard) seduction, derivation of term Seduction (Baudrillard)
Sei Shonagon
selective disclosure self-absorption
of And-Seducers
seductive language vs. self-awareness
self-consciousness self-distance
self-esteem self-image self-loathing
self-sabotage self-sacrifice
self-sufficiency Seneca Sennett, Mack Sensualists
Sex Sirens Shahrazad
Shakespeare, William Shaw, George Bernard Sheik, The
Shelley, Percy Bysshe Shi Pei Pu
Shoulder Arms Shu-Chiung Sibony, Daniel Sieburg, Friedrich Silenus
Simone Sirens
adornment of appearance of
dangerousness of dangers to differentiation of keys to
as male fantasy figure men enslaved by mood changes of
movement and demeanor of in Odyssey
pleasure offered by Reformed, as victims Sex
Spectacular theatricality of voices of
water as symbol of Slater, Leonard
Socrates soft sell
components of examples of hard sell vs. origin of Solanas, Valerie
Sons and Lovers (Lawrence)
Spanish Civil War spectacles Spectacular Sirens spirituality
aura of mirroring of spiritual lures
air of discontent in artistic
cultic rituals as ennoblement by in environment
lightness induced by occult fads in
pagan religion in reversal of
sense of destiny in sexual undertones of
stars in the sky as symbol of
timeless relationship suggested by
timing and
worshipful feelings engendered by spoiled children
spontaneity, sense of Staël, Madame de Stahl, Lesley
Stalin, Joseph Starkie, Walter Stars
cinematic creation of dangers to
distinctive style of dreamlike quality of ethereality of
face of
Fetishistic
glimpsed private life of identification with
idol as symbol of inner distance of keys to
Mythic
as objects
obsessive attention to publicity and
self-distance of television and Stendhal Stewart, Jimmy
“Story of the Butterfly, The” suffocators, anti-seductive Sukarno, Kusnasosro
Sukarno; An Autobiography as Told to Cindy Adams (Adams) Sun-tzu
Su Shou
suspense, creation of, see calculated surprises suspicion
sympathy
Symposium, The (Plato)
taboos, transgression of cruelty in
forest as symbol of going to extremes in incest in
lost self recaptured by prohibited desires in reduced outlets for reversal of
secret sins in
sense of guilt in shared complicity in social limits in
value systems in Tabouis, G. R.
Tale of Genji, The (Murasaki)
Tales from the Thousand and One Nights Talleyrand-Périgord, Prince Charles de Tanazaki, Junichiro
Tantalus Tantrism Tarde, Gustave Tausk, Victor
tayus
tears television
temptations, creation of
apple in Garden of Eden as symbol of barriers established in
challenges in
deceptive appearances and forbidden fruit in
future gains in opportunity in reversal of
selective disclosure in weakness as target in
That Obscure Object of Desire
theatricality
of bold movers of Charismatics of environment of Sirens
spectacles in Theosophical Society third parties
in indirect approach
see also jealousy; triangles, creation of
Thus Spake Zarathustra (Nietzsche) Tiberius, Emperor of Rome tightwads, anti-seductive
time, altered sense of Casanova’s creation of timidity
timing:
of Charmers of Coquettes
dramatic moments in
of pain mixed with pleasure of re-seducdon
speed and youth in
spiritual lures and Tito, Josef
Todellas, Don Juan de (fict.)
Tragedy of King Richard III,The (Shakespeare) transference
triangles, creation of
aura of desirability from contrasts in
jealousy engendered by by politicians reputation in
reversal of
rivalry stimulated by trophy as symbol of vanity and
Tristan and Isolde troubadours
Trouncer, Margaret Truman, Harry S. Tsao Hsueh Chin
Tsu Hsi, Empress Dowager Tullia d’Aragona Tuperselai
ukiyo (“floating world”) ulterior motives unattainability, apparent “Uncanny, The” (Freud) unconditional love
undefensive lovers
Valentino, Rudolph patient attentiveness of
Valmont, Vicomte de (fict.)
Valois, Mademoiselle de Vanderbilt, William vanity
victims
Aging Babies Beauties
Conquerors Crushed Stars
Disappointed Dreamers Drama Queens
Exotic Fetishists Floating Genders Idol Worshipers Lonely Leaders New Prudes
Novices Pampered Royals Professors
Reformed Rakes or Sirens Rescuers
Roués
Sensualists victims, choice of
big game as symbol of
deceptive appearances and evaluating responses in exciting tension in imagination and
leisure time in manly men as missing qualities and new types as
one’s own type as personal reactions in
in politics repressed types as reversal of
unhappiness and vulnerability in victim strategy
Victoria, Queen of England Vietnam War
Villarceaux, Marquis de
Virgin of Stamboul,The Viscontini, Countess Metilda Vivien, Renée
voices
of Sirens Voltaire von Sternberg, Josef
vulgarians, anti-seductive
Wadler, Joyce Wagner, Richard war heroes Warhol, Andy
calculated surprise by Factory as environment of triangles created by Washington, George Wayne, John
WaywardHead and Head, The (Crébillon fils) weaknesses, disarming
blemish as symbol of gender differences in genuine
“honest” confessions of of Naturals
occasional glimpses of pathetic vs.
in playing the victim of politicians reversal of
shyness as
suspicion reduced by sympathy evoked by tears as
of troubadours Weber, Max
Webster, Lady Frances Wedekind, Franz Weekley, Ernest Welles, Orson
Wellington, Arthur Wellesley, Duke of Welter, Blanca Rosa, see Christian, Linda Whitmer, Peter
Wilde, Oscar Williams, Tennessee Wilson, Harriette
windbags, anti-seductive withdrawal, strategic
aggressive pursuit motivated by anxiety induced by
doubts created by
infantile experiences re-created by
interest in another person as; see also triangles, creation of letter-writing in
pomegranate as symbol of reversal of
role reversal engendered by selective, by Coquettes
sexless neutrality in
subtlety in
see also calculated absences
Woman and Puppet (Louÿs) wonder children
Woolf, Virginia World War I World War II writing
guidelines for mirroring in
in strategic withdrawal Yang Kuei-Fei
Zeus (Jupiter) Zhou Enlai
