best counter
Search
Report & Feedback

Chapter no 23

The Hidden Oracle (The Trials of Apollo, #1)

โ€ŒScale of one to tenโ€Œ

How would you rate your demise? Thanks for your input

WAS I RECKLESSย to rush toward such volatile nature gods?

Please. Second-guessing myself is not in my nature. Itโ€™s a trait Iโ€™ve never needed.

True, my memories about theย palikoiย were a little hazy. As I recalled, the geyser gods in ancient Sicily used to give refuge to runaway slaves, so they must be kindly spirits. Perhaps they would also give refuge to lost demigods, or at least notice when five of them wandered through their territory, muttering incoherently. Besides, I was Apollo! The palikoi would be honored to meet a major Olympian such as myself! The fact that geysers often blew their tops, spewing columns of scalding hot water hundreds of feet in the air, wasnโ€™t going to stop me from making some new fansโ€ฆI meanย friends.

The clearing opened before us like an oven door. A wall of heat billowed through the trees and washed over my face. I could feel my pores opening to drink in the moisture, which would hopefully help my spotty complexion.

The scene before us had no business being in a Long Island winter.

Glistening vines wreathed the tree branches. Tropical flowers bloomed from the forest floor. A red parrot sat on a banana tree heavy with green bunches.

In the midst of the glade stood two geysersโ€”twin holes in the ground, ringed with a figure eight of gray mud pots. The craters bubbled and hissed, but they were not spewing at the moment. I decided to take that as a good omen.

Megโ€™s boots squished in the mud. โ€œIs it safe?โ€

โ€œDefinitely not,โ€ I said. โ€œWeโ€™ll need an offering. Perhaps your packet of seeds?โ€

Meg punched my arm. โ€œThose are magic. For life-and-death emergencies. What about your ukulele? Youโ€™re not going to play it anyway.โ€

โ€œA man of honorย neverย surrenders his ukulele.โ€ I perked up. โ€œBut wait. Youโ€™ve given me an idea. I will offer the geyser gods a poem! I can still do that. It doesnโ€™t count as music.โ€

Meg frowned. โ€œUh, I donโ€™t know ifโ€”โ€

โ€œDonโ€™t be envious, Meg. I will make up a poem for you later. This will surely please the geyser gods!โ€ I walked forward, spread my arms, and began to improvise:

h, geyser, my geyser,

us spew then, you and I,

on this midnight dreary, while we ponder ose woods are these?

r we have not gone gentle into this good night, t have wandered lonely as clouds.

seek to know for whom the bell tolls, I hope, springs eternal,

at the time has come to talk of many things!โ€

I donโ€™t wish to brag, but I thought it was rather good, even if I did

recycle a few bits from my earlier works. Unlike my music and archery, my godly skills with poetry seemed to be completely intact.

I glanced at Meg, hoping to see shining admiration on her face. It was high time the girl started to appreciate me. Instead, her mouth hung open, aghast.

โ€œWhat?โ€ I demanded. โ€œDid you fail poetry appreciation in school? That was first-rate stuff!โ€

Meg pointed toward the geysers. I realized she was not looking at me at

all.

โ€œWell,โ€ said a raspy voice, โ€œyou got my attention.โ€

One of the palikoi hovered over his geyser. His lower half was nothing

but steam. From the waist up, he was perhaps twice the size of a human, with muscular arms the color of caldera mud, chalk-white eyes, and hair like cappuccino foam, as if he had shampooed vigorously and left it sudsy. His

massive chest was stuffed into a baby-blue polo shirt with a logo of trees embroidered on the chest pocket.

โ€œO, Great Palikos!โ€ I said. โ€œWe beseech youโ€”โ€

โ€œWhat was that?โ€ the spirit interrupted. โ€œThat stuff you were saying?โ€ โ€œPoetry!โ€ I said. โ€œFor you!โ€

He tapped his mud-gray chin. โ€œNo. That wasnโ€™t poetry.โ€

I couldnโ€™t believe it. Didย no oneย appreciate the beauty of language anymore? โ€œMy good spirit,โ€ I said. โ€œPoetry doesnโ€™t have to rhyme, you know.โ€

โ€œIโ€™m not talking about rhyming. Iโ€™m talking about getting your message across. We do a lot of market research, and that wouldย notย fly for our campaign. Now, the Oscar Meyer Weiner songโ€”thatย is poetry. The ad is fifty years old and people are still singing it. Do you think you could give us some poetry like that?โ€

I glanced at Meg to be sure I was not imagining this conversation. โ€œListen here,โ€ I told the geyser god, โ€œIโ€™ve been the lord of poetry for four

thousand years. I ought to know good poetryโ€”โ€

The palikos waved his hands. โ€œLetโ€™s start over. Iโ€™ll run through our spiel, and maybe you can advise me. Hi, Iโ€™m Pete. Welcome to the Woods at Camp Half-Blood! Would you be willing to take a short customer satisfaction survey after this encounter? Your feedback is important.โ€

โ€œUmโ€”โ€

โ€œGreat. Thanks.โ€

Pete fished around in his vaporous region where his pockets would be.

He produced a glossy brochure and began to read. โ€œThe Woods are your one- stop destination forโ€ฆHmm, it saysย fun. I thought we changed that toย exhilaration. See, youโ€™ve got to choose your words with care. If Paulie were hereโ€ฆโ€ Pete sighed. โ€œWell, heโ€™s better with the showmanship. Anyway,

welcome to the Woods at Camp Half-Blood!โ€ โ€œYou already said that,โ€ I noted.

โ€œOh, right.โ€ Pete produced a red pen and began to edit.

โ€œHey.โ€ Meg shouldered past me. She had been speechless with awe for about twelve seconds, which mustโ€™ve been a new record. โ€œMr. Steamy Mud, have you seen any lost demigods?โ€

โ€œMr. Steamy Mud!โ€ Pete slapped his brochure. โ€œThatย is effective branding! And great point about lost demigods. We canโ€™t have our guests wandering around aimlessly. We should be handing out maps at the entrance

to the woods. So many wonderful things to see in here, and no one even knows about them. Iโ€™ll talk to Paulie when he gets back.โ€

Meg took off her fogged-up glasses. โ€œWhoโ€™s Paulie?โ€

Pete gestured at the second geyser. โ€œMy partner. Maybe we could add a map to this brochure ifโ€”โ€

โ€œSoย haveย you seen any lost demigods?โ€ I asked.

โ€œWhat?โ€ Pete tried to mark his brochure, but the steam had made it so soggy, his red pen went right through the paper. โ€œOh, no. Not recently. But we should have better signage. For instance, did you even know these

geysers were here?โ€ โ€œNo,โ€ I admitted.

โ€œWell, there you go! Double geysersโ€”the only ones on Long Island!โ€” and no one even knows about us. No outreach. No word-of-mouth. This is why we convinced the board of directors to hire us!โ€

Meg and I looked at each other. I could tell that for once we were on the same wavelength: utter confusion.

โ€œSorry,โ€ I said. โ€œAre you telling me the forest has a board of directors?โ€ โ€œWell, of course,โ€ Pete said. โ€œThe dryads, the other nature spirits, the

sentient monstersโ€ฆI mean,ย somebodyย has to think about property values and services and public relations. It wasnโ€™t easy getting the board to hire us for marketing, either. If we mess up this jobโ€ฆoh, man.โ€

Meg squished her shoes in the mud. โ€œCan we go? I donโ€™t understand what this guyโ€™s talking about.โ€

โ€œAnd thatโ€™s the problem!โ€ Pete moaned. โ€œHow do we write clear ad copy that conveys the right image of the Woods? For instance, palikoi like Paulie and me used to be famous! Major tourist destinations! People would come to us to make binding oaths. Runaway slaves would seek us out for shelter.

Weโ€™d get sacrifices, offerings, prayersโ€ฆit was great. Now, nothing.โ€ I heaved a sigh. โ€œI know how you feel.โ€

โ€œGuys,โ€ Meg said, โ€œweโ€™re looking for missing demigods.โ€

โ€œRight,โ€ I agreed. โ€œO, Greatโ€ฆPete, do you have any idea where our lost friends might have gone? Perhaps you know of some secret locations within the woods?โ€

Peteโ€™s chalk-white eyes brightened. โ€œDid you know the children of Hephaestus have a hidden workshop to the north called Bunker Nine?โ€

โ€œI did, actually,โ€ I said.

โ€œOh.โ€ A puff of steam escaped Peteโ€™s left nostril. โ€œWell, did you know

the Labyrinth has rebuilt itself? There is an entrance right here in the woods

โ€”โ€

โ€œWe know,โ€ Meg said. Pete looked crestfallen.

โ€œBut perhaps,โ€ I said, โ€œthatโ€™s because your marketing campaign is working.โ€

โ€œDo you think so?โ€ Peteโ€™s foamy hair began to swirl. โ€œYes. Yes, that may be true! Did you happen to see our spotlights, too? Those were my idea.โ€

โ€œSpotlights?โ€ Meg asked.

Twin beams of red light blasted from the geysers and swept across the sky. Lit from beneath, Pete looked like the worldโ€™s scariest teller of ghost stories.

โ€œUnfortunately, they attracted the wrong kind of attention.โ€ Pete sighed. โ€œPaulie doesnโ€™t let me use them often. He suggested advertising on a blimp instead, or perhaps a giant inflatable King Kongโ€”โ€

โ€œThatโ€™s cool,โ€ Meg interrupted. โ€œBut can you tell us anything about a secret grove with whispering trees?โ€

I had to admit, Meg was good at getting us back on topic. As a poet, I did not cultivate directness. But as an archer, I could appreciate the value of a straight shot.

โ€œOh.โ€ Pete floated lower in his cloud of steam, the spotlight turning him the color of cherry soda. โ€œIโ€™m not supposed to talk about the grove.โ€

My once-godly ears tingled. I resisted the urge to scream,ย AHA!ย โ€œWhy canโ€™t you talk about the grove, Pete?โ€

The spirit fiddled with his soggy brochure. โ€œPaulie said it would scare away tourists. โ€˜Talk about the dragons,โ€™ he told me. โ€˜Talk about the wolves and serpents and ancient killing machines. But donโ€™t mention the grove.โ€™โ€

โ€œAncient killing machines?โ€ Meg asked.

โ€œYeah,โ€ Pete said halfheartedly. โ€œWeโ€™re marketing them as fun family entertainment. But the groveโ€ฆPaulie said that was our worst problem. The neighborhood isnโ€™t evenย zonedย for an Oracle. Paulie went there to see if

maybe we could relocate it, butโ€”โ€

โ€œHe didnโ€™t come back,โ€ I guessed.

Pete nodded miserably. โ€œHow am I supposed to run the marketing campaign all by myself? Sure, I can use robo-calls for the phone surveys, but

a lot of networking has to be done face-to-face, and Paulie was always better with that stuff.โ€ Peteโ€™s voice broke into a sad hiss. โ€œI miss him.โ€

โ€œMaybe we could find him,โ€ Meg suggested, โ€œand bring him back.โ€

Pete shook his head. โ€œPaulie made me promise not to follow him and not to tell anybody else where the grove is. Heโ€™s pretty good at resisting those weird voices, but you guys wouldnโ€™t stand a chance.โ€

I was tempted to agree. Finding ancient killing machines sounded much more reasonable. Then I pictured Kayla and Austin wandering through the ancient grove, slowly going mad. They needed me, which meant I needed their location.

โ€œSorry, Pete.โ€ I gave him my most critical stareโ€”the one I used to crush aspiring singers during Broadway auditions. โ€œIโ€™m just not buying it.โ€

Mud bubbled around Peteโ€™s caldera. โ€œWh-what do you mean?โ€

โ€œI donโ€™t think this grove exists,โ€ I said. โ€œAnd if it does, I donโ€™t think you know its location.โ€

Peteโ€™s geyser rumbled. Steam swirled in his spotlight beam. โ€œIโ€”Iย do

know! Of course it exists!โ€

โ€œOh, really? Then why arenโ€™t there billboards about it all over the place? And a dedicated Web site? Why havenโ€™t I seen a groveofdodona hashtag on social media?โ€

Pete glowered. โ€œI suggested all that! Paulie shot me down!โ€

โ€œSo do some outreach!โ€ I demanded. โ€œSell us on your product! Show us where this grove is!โ€

โ€œI canโ€™t. The only entranceโ€ฆโ€ He glanced over my shoulder and his face went slack. โ€œAh, spew.โ€ His spotlights shut off.

I turned. Meg made a squelching sound even louder than her shoes in the mud.

It took a moment for my vision to adjust, but at the edge of the clearing stood three black ants the size of Sherman tanks.

โ€œPete,โ€ I said, trying to remain calm, โ€œwhen you said your spotlights attracted the wrong kind of attentionโ€”โ€

โ€œI meant the myrmekes,โ€ he said. โ€œI hope this wonโ€™t affect your online review of the Woods at Camp Half-Blood.โ€

You'll Also Like