‌Day Zero, just after 01:00‌
Somebody must have called 999, because the street is suddenly lit up with bright blue orbs. ‘What …’ Jen says to Todd. Jen’s ‘What …’ conveys it all: Who, why, what the fuck?
Kelly releases his son, his face pale in shock, but he says nothing, as is often her husband’s way.
Todd doesn’t look at her or at his father. ‘Mum,’ he says eventually.
Don’t children always seek out their mother first? She reaches for him, but she can’t leave the body. She can’t release the pressure on the wounds. That might make it worse for everyone. ‘Mum,’ he says again. His voice is fractured, like dry ground that divides clean in two. He bites his lip and
looks away, down the street.
‘Todd,’ she says. The man’s blood is lapping over her hands like thick bathwater.
‘I had to,’ he says to her, finally looking her way.
Jen’s jaw slackens in shock. Kelly’s head drops to his chest. The sleeves of his dressing gown are covered in the blood from Todd’s hands. ‘Mate,’ Kelly says, so softly Jen isn’t sure he definitely spoke. ‘Todd.’
‘I had to,’ Todd says again, more emphatically. He breathes out a contrail of steam into the freezing air. ‘There was no choice,’ he says again, but this time with teenage finality. The blue of the police car pulses closer. Kelly is staring at Todd. His lips – white with lack of blood – mime something, a silent profanity, maybe.
She stares at him, her son, this violent perpetrator, who likes computers and statistics and – still – a pair of Christmas pyjamas each year, folded and placed at the end of his bed.
Kelly turns in a useless circle on the driveway, his hands in his hair. He hasn’t looked at the man once. His eyes are only on Todd.
Jen tries to stem the wounds that pulsate underneath her hands. She can’t leave the – the victim. The police are here, but no paramedics yet.
Todd is still trembling, with the cold or the shock, she’s not sure. ‘Who is he?’ Jen asks him. She has so many more questions, but Todd shrugs, not answering. Jen wants to reach to him, to squeeze the answers out of him, but they don’t come.
‘They’re going to arrest you,’ Kelly says in a low voice. A policeman is running towards them. ‘Look – don’t say anything, all right? We’ll –’
‘Who is he?’ Jen says. It comes out too loudly, a shout in the night. She wills the police to slow down, please slow down, just give us a bit of time.
Todd turns his gaze back to her. ‘I …’ he says, and for once, he doesn’t have a wordy explanation, no intellectual posturing. Just nothing, a trailed-
off sentence, puffed into the damp air that hangs between them in their final moments before this becomes something bigger than their family.
The officer arrives next to them: tall, black stab vest, white shirt, radio held in his left hand. ‘Echo from Tango two four five – at scene now. Ambo coming.’ Todd looks over his shoulder at the officer, once, twice, then back at his mother. This is the moment. This is the moment he explains, before they encroach completely with their handcuffs and their power.
Jen’s face is frozen, her hands hot with blood. She is just waiting, afraid to move, to lose eye contact. Todd is the one who breaks it. He bites his lip, then stares at his feet. And that’s it.
Another policeman moves Jen away from the stranger’s body, and she stands on her driveway in her trainers and pyjamas, hands wet and sticky,
just looking at her son, and then at her husband, in his dressing gown, trying to negotiate with the justice system. She should be the one taking charge.
She’s the lawyer, after all. But she is speechless. Totally bewildered. As lost as if she has just been deposited at the North Pole.
‘Can you confirm your name?’ the first policeman says to Todd. Other officers get out of other cars, like ants from a nest.
Jen and Kelly step forward in one motion, but Todd does something, then, just a tiny gesture. He moves his hand out to the side to stop them.
‘Todd Brotherhood,’ he says dully.
‘Can you tell me what happened?’ the officer asks.
‘Hang on,’ Jen says, springing to life. ‘You can’t interview him by the side of the road.’
‘Let us all come to the station,’ Kelly says urgently. ‘And –’
‘Well, I stabbed him,’ Todd interrupts, gesturing to the man on the ground. He puts his hands back in his pockets and steps towards the policeman. ‘So I’m guessing you’d better arrest me.’
‘Todd,’ Jen says. ‘Stop talking.’ Tears are clogging her throat. This cannot be happening. She needs a stiff drink, to go back in time, to be sick. Her whole body begins to tremble out here in the absurd, confusing cold.
‘Todd Brotherhood, you do not have to say anything,’ the policeman says, ‘but it may harm your defence if you do not mention when questioned
…’ Todd puts his wrists together willingly, like he is in a fucking movie, and he’s cuffed, just like that, with a metallic click. His shoulders are up. He’s cold. His expression is neutral, resigned, even. Jen cannot, cannot, cannot stop staring at him.
‘You can’t do that!’ Kelly says. ‘Is this a –’
‘Wait,’ Jen says, panicked, to the policeman. ‘We’ll come? He’s just a teen …’
‘I’m eighteen,’ Todd says.
‘In there,’ the policeman says to Todd, pointing at the car, ignoring Jen. Into the radio, he says, ‘Echo from Tango two four five – dry cell prepped, please.’
‘We’ll follow you, then,’ she says desperately. ‘I’m a lawyer,’ she adds needlessly, though she hasn’t a clue about criminal law. Still, even now, in crisis, the maternal instinct burns as bright and as obvious as the pumpkin in the window. They just need to find out why he did it, get him off, then get him help. That is what they need to do. That is what they will do.
‘We’ll come,’ she says. ‘We’ll meet you at the station.’
The policeman finally meets her gaze. He looks like a model. Cut-outs beneath his cheekbones. God, it’s such a cliché, but don’t all coppers look so young these days? ‘Crosby station,’ he says to her, then gets back into the car without another word, taking her son with him. The other officer
stays with the victim, over there. Jen can hardly bear to think about him. She glances, just once. The blood, the expression on the policeman’s face
… she is sure the man is dead.
She turns to Kelly, and she will never forget the look her stoic husband gives her just then. She meets his navy eyes. The world seems to stop
turning just for a second and, in the quiet and the stillness, Jen thinks: Kelly looks how it is to be heartbroken.
The police station has a white sign out the front advertising itself to the public. MERSEYSIDE POLICE – CROSBY. Behind it sits a squat sixties building, surrounded by a low brick wall. Tides of October leaves have been washed up against it.
Jen pulls up outside, just on the double yellows, and stops the engine. Their son’s stabbed somebody – what does a parking ticket matter? Kelly gets out before the car is even stationary. He reaches – unconsciously, she thinks – behind him for her hand. She grasps it like it’s a raft at sea.
He pushes one of the double glass doors open and they hurry in across a tired grey linoleum foyer. It smells old-fashioned inside. Like schools, like hospitals, like care homes. Institutions that require uniforms and crap food, the kind of places Kelly hates. ‘I will never,’ he’d said early on in their relationship, ‘join the rat race.’
‘I’ll talk to them,’ Kelly says shortly to Jen. He is trembling. But it doesn’t seem to be from fear, rather from anger. He is furious.
‘It’s fine – I can lawyer up and do the initial –’
‘Where’s the super?’ Kelly barks to a bald officer manning reception who has a signet ring on his little finger. Kelly’s body language is different. Legs spread widely, shoulders puffed up. Even Jen has only rarely seen him drop his guard like this.
In a bored tone, the officer tells them to wait to be seen.
‘You’ve got five minutes,’ Kelly says, pointing to the clock before throwing himself into a chair across the foyer.
Jen sits down next to him and takes his hand. His wedding ring is loose on his finger. He must be cold. They sit there, Kelly crossing and uncrossing his long legs, huffing, Jen saying nothing. An officer arrives in reception, speaking quietly into his phone. ‘It’s the same crime as two days ago – a section 18 wounding with intent. That victim was Nicola Williams, perpetrator AWOL.’ His voice is so low, Jen has to strain to hear.
She sits, just listening. Section 18 wounding with intent is a stabbing.
They must be talking about Todd. And a similar crime from two days ago.
Eventually, the arresting officer emerges, the tall one with the cheekbones.
Jen glances at the clock behind the desk. It’s either three thirty or four thirty; she can’t tell if it’s still British Summer Time here. The uncertainty is disorienting.
“Your son will stay with us tonight – we’ll interview him soon,” an officer says.
“Where? Back there?” Kelly asks. “Let me in.”
“You won’t be able to see him,” the officer replies. “You’re witnesses.”
Jen feels a surge of irritation. It’s this kind of situation that makes people despise the justice system.
“Is that how it is?” Kelly retorts sharply, eyeing the officer, who raises his hands in a gesture of surrender.
“Sorry?” the officer says, almost casually.
“What, so we’re enemies now?” Kelly snaps.
“Kelly!” Jen interjects.
“No one’s anyone’s enemy,” the officer says calmly. “You can speak to your son in the morning.”
“Where’s the superintendent?” Kelly demands.
“You can speak to your son in the morning,” the officer repeats.
Kelly leaves a tense, threatening silence hanging in the air. Jen has seen only a few people on the receiving end of Kelly’s wrath, but she doesn’t envy the policeman. Kelly’s temper has a long fuse, but when it blows, it’s explosive.
“I’ll call someone,” Kelly mutters, pulling out her phone and scrolling shakily through her contacts. She knows a lot of criminal lawyers, but the first rule of law is never to dabble in something you’re not specialized in. The second is never to represent your own family.
“He’s said he doesn’t want a lawyer,” the officer says.
“He needs a solicitor – you shouldn’t…” Kelly begins.
The officer raises his palms again, trying to keep the peace, but Jen can sense Kelly’s temper building.
“I’ll just call one, and then he can—” Kelly starts.
“All right, let me back there,” Kelly demands, gesturing towards the white door that leads to the rest of the station.
“That can’t be authorized,” the officer says firmly.
“Fuck you,” Kelly snaps. Jen stares at her in shock.
The officer doesn’t respond, just looks at Kelly with stony silence.
“So what now?” Jen asks, horrified that Kelly just told a cop to go fuck himself. A public order offense isn’t going to help their situation.
“As I’ve said, he’ll stay with us overnight,” the officer tells her plainly, ignoring Kelly. “I suggest you come back tomorrow.” His eyes flick to Kelly. “You can’t force your son to take a solicitor. We’ve tried.”
“But he’s just a kid,” Jen says, though she knows legally, he isn’t. “He’s just a kid,” she repeats softly, mostly to herself, thinking of his Christmas pajamas and the time he wanted her to sit up with him when he had a stomach bug. They spent the night in the en suite, chatting about nothing, while she gently wiped his mouth with a damp cloth.
“They don’t care about that or anything,” Kelly says bitterly.
“We’ll come back in the morning – with a solicitor,” Jen says, trying to calm the situation.
“Feel free. We need to send a team with you to the house now,” the officer says. Jen nods silently. Forensics. Their house being searched. The whole ordeal.
Jen and Kelly leave the police station. Jen rubs her forehead as they walk to the car and get in. She turns on the heat, blasting it as they sit there.
“Are we really just going to go home?” Jen asks. “Sit there while they search?”
Kelly’s shoulders are tense. He stares at her, black hair disheveled, eyes sad and deep, like a poet’s.
“I have no fucking idea.”
Jen gazes out at a bush shimmering with autumnal dew in the middle of the night. After a few seconds, she puts the car in reverse and drives because she doesn’t know what else to do.
The pumpkin on their windowsill greets them as they park. She must have left the candle burning. Forensics is already there, in their white suits, standing on the driveway like ghosts by the police tape fluttering in the October wind. The puddle of blood has begun to dry at the edges.
They’re allowed inside their own house, and they sit downstairs, watching the uniformed teams outside, some on their hands and knees, conducting fingertip searches of the crime scene. They say nothing, just hold hands in silence. Kelly keeps his coat on.
Eventually, after the scene-of-crime officers have gone and the police have searched and taken Todd’s belongings, Jen shifts on the sofa, lying down, and stares up at the ceiling. That’s when the tears come—hot, fast, and relentless. Tears for the future, and tears for yesterday, for what she didn’t see coming.
