Monday morning, I know something is up when I first step into Williamson. Folks are quiet as hell. Well, whispering really, in little huddles in the halls and the atrium like theyโre discussing plays during a basketball game.
Hailey and Maya find me before I find them. โDid you get the text?โ Hailey asks.
Thatโs the first thing she says. No hey or anything. I still donโt have my phone, so Iโm like, โWhat text?โ
She shows me hers. Thereโs a big group text with about a hundred names on it. Haileyโs older brother, Remy, sent out the first message.
Protesting today @ 1st period.
Then curly-haired, dimpled Luke replied:
Hell yeah. Free day. Iโm game.
And Remy came back with:
Thatโs the point, dumbass.
Itโs like somebody hit a pause button on my heart. โTheyโre protesting for Khalil?โ
โYeah,โ Hailey says, all giddy and shit. โPerfect timing too. I so did not study for that English exam. This is, like, the first time Remy actually came up with a good idea to get out of class. I mean, itโs kinda messed up that weโre protesting aย drug dealerโsย death, butโโ
All my Williamson rules go out the door, and Starr from Garden Heights shows up. โWhat the fuck that got to do with it?โ
Their mouths open into perfectly shapedย Oโs. โLike, I mean . . . if he was a drug dealer,โ Hailey says, โthat explains why . . .โ
โHe got killed even though he wasnโt doing shit? So itโs cool he got killed? But I thought you were protesting it?โ
โWe are! God, lighten up, Starr,โ she says. โI thought youโd be all over this, considering your obsession on Tumblr lately.โ
โYou know what?โ I say, one second fromย reallyย going off. โLeave me alone. Have fun in your little protest.โ
I wanna fight every person I pass, Floyd Mayweather style. Theyโre so damn excited about getting a day off. Khalilโs in a grave. He canโt get a day off from that shit. I live it every single day too.
In class I toss my backpack on the floor and throw myself into my seat. When Hailey and Maya come in, I give them a stank-eye and silently dare them to say shit to me.
Iโm breaking all of my Williamson Starr rules with zero fucks to give.
Chris gets there before the bell rings, headphones draped around his neck. He comes down my aisle and squeezes my nose, going, โHonk, honk,โ because for some reason itโs hilarious to him. Usually I laugh and swat at him, but today . . . Yeah, Iโm not in the mood. I just swat. Kinda hard too.
He goes, โOw,โ and gives his hand a quick shake. โWhatโs wrong with you?โ
I donโt respond. If I open my mouth, Iโll explode.
He crouches beside my desk and shakes my thigh. โStarr? You okay?โ
Our teacher, balding, stumpy Mr. Warren, clears his throat. โMr.
Bryant, my class is not theย Love Connection. Please have a seat.โ
Chris slides into the desk next to mine. โWhatโs wrong with her?โ he whispers to Hailey.
She plays dumb and says, โDunno.โ
Mr. Warren tells us to take out our MacBooks and begins the lesson on British literature. Not even five minutes in, someone says, โJustice for Khalil.โ
โJustice for Khalil,โ the others chant. โJustice for Khalil.โ
Mr. Warren tells them to stop, but they get louder and pound their fists on the desks.
I wanna puke and scream and cry.
My classmates stampede toward the door. Mayaโs the last one out. She glances back at me then at Hailey who motions her to come on. Maya follows her out.
I think Iโm done following Hailey.
In the hall, chants for Khalil go off like sirens. Unlike Hailey, some of them may not care that he was a drug dealer. They might be almost as upset as I am. But since I knowย whyย Remy started this protest, I stay in my seat.
Chris does too for some reason. His desk scrapes the floor as it scoots closer to mine until they touch. He brushes my tears with his thumb.
โYou knew him, didnโt you?โ he says. I nod.
โOh,โ says Mr. Warren. โI am so sorry, Starr. You donโt have toโyou can call your parents, you know?โ
I wipe my face. The last thing I want is Momma making a fuss because I canโt handle all this. Worse, I donโt wanna be unable to handle it. โCan you continue with the lesson, sir?โ I ask. โThe distraction would be nice.โ
He smiles sadly and does as I ask.
For the rest of the day, sometimes Chris and I are the only ones in our classes. Sometimes one or two other people join us. People go out of their way to tell me they think Khalilโs death is bullshit, but that Remyโs reason for protesting is bullshit too. I mean, this sophomore girl comes up to me in the hall and explains that she supports the cause but decided to go back to class after she heard why they were really protesting.
They act like Iโm the official representative of the black race and they owe me an explanation. I think I understand though. If I sit out a protest, Iโm making a statement, but if they sit out a protest, they look racist.
At lunch, Chris and I head to our table near the vending machines. Jess with her perfect pixie cut is the only one there, eating cheese fries and reading her phone.
โHey?โ I ask more than say. Iโm surprised sheโs here.
โSโup?โ She nods. โHave a seat. As you can see, thereโs plenty of room.โ
I sit beside her, and Chris sits on the other side of me. Jess and I have played basketball together for three years, and sheโs put her head on my shoulder for two of them, but Iโm ashamed to admit I donโt know much about her. I do know sheโs a senior, her parents are attorneys, and she works at a bookstore. I didnโt know that sheโd skip the protest.
I guess Iโm staring at her hard, because she says, โI donโt use dead people to get out of class.โ
If I wasnโt straight I would totally date her for saying that. This time I rest my head on her shoulder.
She pats my hair and says, โWhite people do stupid shit sometimes.โ Jess is white.
Seven and Layla join us with their trays. Seven holds his fist out to me. I bump it.
โSev-en,โ Jess says, and they fist-bump too. I had no idea they were cool like that. โI take it weโre protesting the โGet Out of Classโ protest?โ
โYep,โ Seven says. โProtesting the โGet Out of Classโ protest.โ
Seven and I get Sekani after school, and he wonโt shut up about the news cameras he saw from his classroom window, because heโs Sekani and he came into this world looking for a camera. I have too many selfies of him on my phone giving the โlight skin face,โ his eyes squinted and eyebrows raised.
โAre yโall gonna be on the news?โ he asks. โNah,โ says Seven. โDonโt need to be.โ
We could go home, lock the door, and fight over the TV like we always do, or we could help Daddy at the store. We go to the store.
Daddy stands in the doorway, watching a reporter and camera operator set up in front of Mr. Lewisโs shop. Of course, when Sekani sees the camera, he says, โOoh, I wanna be on TV!โ
โShut up,โ I say. โNo you donโt.โ
โYes, I do. You donโt know what I want!โ
The car stops, and Sekani pushes my seat forward, sending my chin into the dashboard as he jumps out. โDaddy, I wanna be on TV!โ
I rub my chin. His hyper butt is gonna kill me one day.
Daddy holds Sekani by the shoulders. โCalm down, man. You not gonโ be on TV.โ
โWhatโs going on?โ Seven asks when we get out.
โSome cops got jumped around the corner,โ Daddy says, one arm around Sekaniโs chest to keep him still.
โJumped?โ I say.
โYeah. They pulled them out their patrol car and stomped them. Gray Boys.โ
The code name for King Lords. Damn.
โI heard what happened at yโall school,โ Daddy says. โEverything cool?โ
โYeah.โ I give the easy answer. โWeโre good.โ
Mr. Lewis adjusts his clothes and runs a hand over his Afro. The reporter says something, and he lets out a belly-jiggling laugh.
โWhat this fool โbout to say?โ Daddy wonders.
โWe go live in five,โ says the camera operator, and all I can think is,
Please donโt put Mr. Lewis on live TV. โFour, three, two, one.โ
โThatโs right, Joe,โ the reporter says. โIโm here with Mr. Cedric Lewis Jr., who witnessed the incident involving the officers today. Can you tell us what you saw, Mr. Lewis?โ
โHe ainโt witness nothing,โ Daddy tells us. โWas in his shop the whole time. I told him what happened!โ
โI sholl can,โ Mr. Lewis says. โThem boys pulled those officers out their car. They werenโt doing nothing either. Just sitting there and got beat like dogs. Ridiculous! You hear me? Re-damn-diculous!โ
Somebodyโs gonna turn Mr. Lewis into a meme. Heโs making a fool out of himself and doesnโt even know it.
โDo you think that it was retaliation for the Khalil Harris case?โ the reporter asks.
โI sholl do! Which is stupid. These thugs been terrorizing Garden Heights for years, how they gonโ get mad now? What, โcause they didnโt kill him themselves? The president and allโa them searching for terrorists, but Iโll name one right now they can come get.โ
โDonโt do it, Mr. Lewis,โ Daddy prays. โDonโt do it.โ
Of course, he does. โHis name King, and he live right here in Garden Heights. Probably the biggest drug dealer in the city. He over that King Lords gang. Come get him if you wanna get somebody. Wasnโt nobody but his boys who did that to them cops anyway. We sick of this! Somebody march โbout that!โ
Daddy covers Sekaniโs ears. Every cuss word that follows equals a dollar in Sekaniโs jar if he hears it. โShit,โ Daddy hisses. โShit, shit, shit. This mothaโโ
โHe snitched,โ says Seven. โOn live TV,โ I add.
Daddy keeps saying, โShit, shit, shit.โ
โDo you think that the curfew the mayor announced today will prevent incidents like this?โ the reporter asks Mr. Lewis.
I look at Daddy. โWhat curfew?โ
He takes his hands off Sekaniโs ears. โEvery business in Garden Heights gotta close by nine. And nobody can be in the streets after ten. Lights out, like in prison.โ
โSo youโll be home tonight, Daddy?โ Sekani asks.
Daddy smiles and pulls him closer. โYeah, man. After you do your homework, I can show you a thang or two on Madden.โ
The reporter wraps up her interview. Daddy waits until she and the camera operator leave and then goes over to Mr. Lewis. โYou crazy?โ he asks.
โWhat? โCause I told the truth?โ Mr. Lewis says.
โMan, you canโt be going on live TV, snitching like that. You a dead man walking, you know that, right?โ
โI ainโt scared of that nigga!โ Mr. Lewis says real loud, for everybody to hear. โYou scared of him?โ
โNah, but I know how the game work.โ โIโm too old for games! You oughta be too!โ โMr. Lewis, listenโโ
โNah, you listen here, boy. I fought a war, came back, and fought one here. See this?โ He lifts up his pants leg, revealing a plaid sock over a prosthetic. โLost it in the war. This right here.โ He lifts his shirt to his underarm. Thereโs a thin pink scar stretching from his back to his swollen belly. โGot it after some white boys cut me โcause I drank from their fountain.โ He lets his shirt fall down. โI done faced a whole lot worse than some so-called King. Ainโt nothing he can do but kill me, and if thatโs how I gotta go for speaking the truth, thatโs how I gotta go.โ
โYou donโt get it,โ Daddy says.
โYeah I do. Hell, I get you. Walking around here, claiming you ainโt a gangster no more, claiming you trying to change stuff, but still following allโa that โdonโt snitchโ mess. And you teaching them kids the same thing, ainโt you? King still controlling your dumb ass, and you too stupid to realize it.โ
โStupid? How you gonโ call me stupid when you the one snitching on live TV!โ
A familiarย whoop-whoopย sound alarms us. Oh God.
The patrol car with flashing lights cruises down the street. It stops next to Daddy and Mr. Lewis.
Two officers get out. One black, one white. Their hands linger too close to the guns at their waists.
No, no, no.
โWe got a problem here?โ the black one asks, looking squarely at Daddy. Heโs bald just like Daddy, but older, taller, bigger.
โNo, sir, officer,โ Daddy says. His hands that were once in his jeans pockets are visible at his sides.
โYou sure about that?โ the younger white one asks. โIt didnโt seem that way to us.โ
โWe were just talking, officers,โ Mr. Lewis says, much softer than he was minutes ago. His hands are at his sides too. His parents mustโve had the talk with him when he was twelve.
โTo me it looks like this young man was harassing you, sir,โ the black one says, still looking at Daddy. He hasnโt looked at Mr. Lewis yet. I wonder if itโs because Mr. Lewis isnโt wearing an NWA T-shirt. Or
because there arenโt tattoos all on his arms. Or because heโs not wearing somewhat baggy jeans and a backwards cap.
โYou got some ID on you?โ the black cop asks Daddy. โSir, I was about to go back to my storeโโ
โI said do you have some ID on you?โ
My hands shake. Breakfast, lunch, and everything else churns in my stomach, ready to come back up my throat. Theyโre gonna take Daddy from me.
โWhatโs going on?โ
I turn around. Tim, Mr. Reubenโs nephew, walks over to us. People have stopped on the sidewalk across the street.
โIโm gonna reach for my ID,โ Daddy says. โItโs in my back pocket.
Aโight?โ
โDaddyโโ I say.
Daddy keeps his eyes on the officer. โYโall, go in the store, aโight?
Itโs okay.โ
We donโt move though.
Daddyโs hand slowly goes to his back pocket, and I look from his hands to theirs, watching to see if theyโre gonna make a move for their guns.
Daddy removes his wallet, the leather one I bought him for Fatherโs Day with his initials embossed on it. He shows it to them.
โSee? My ID is in here.โ
His voice has never sounded so small.
The black officer takes the wallet and opens it. โOh,โ he says.
โMaverick Carter.โ
He exchanges a look with his partner. Both of them look at me.
My heart stops.
Theyโve realized Iโm the witness.
There must be a file that lists my parentsโ names on it. Or the detectives blabbed, and now everyone at the station knows our names. Or they couldโve gotten it from Uncle Carlos somehow. I donโt know how it happened, but it happened. And if something happens to Daddy . . .
The black officer looks at him. โGet on the ground, hands behind your back.โ
โButโโ
โOn the ground, face-down!โ he yells. โNow!โ
Daddy looks at us. His expression apologizes for the fact that we have to see this.
He gets down on one knee and lowers himself to the ground, face- down. His hands go behind his back, and his fingers interlock.
Whereโs that camera operator now? Why canโt this be on the news? โNow, wait a minute, Officer,โ Mr. Lewis says. โMe and him were
just talking.โ
โSir, go inside,โ the white cop tells him. โBut he didnโt do anything!โ Seven says. โBoy, go inside!โ the black cop says. โNo! Thatโs my father, andโโ
โSeven!โ Daddy yells.
Even though heโs lying on the concrete, thereโs enough authority in his voice to make Seven shut up.
The black officer checks Daddy while his partner glances around at all of the onlookers. Thereโs quite a few of us now. Ms. Yvette and a couple of her clients stand in her doorway, towels around the clientsโ shoulders. A car has stopped in the street.
โEveryone, go about your own business,โ the white one says. โNo, sir,โ says Tim. โThis is our business.โ
The black cop keeps his knee on Daddyโs back as he searches him. He pats him down once, twice, three times, just like One-Fifteen did Khalil. Nothing.
โLarry,โ the white cop says.
The black one, who must be Larry, looks up at him, then at all the people who have gathered around.
Larry takes his knee off Daddyโs back and stands. โGet up,โ he says. Slowly, Daddy gets to his feet.
Larry glances at me. Bile pools in my mouth. He turns to Daddy and says, โIโm keeping an eye on you, boy. Remember that.โ
Daddyโs jaw looks rock hard.
The cops drive off. The car that had stopped in the street leaves, and all of the onlookers go on about their business. One person hollers out, โItโs all right, Maverick.โ
Daddy looks at the sky and blinks the way I do when I donโt wanna cry. He clenches and unclenches his hands.
Mr. Lewis touches his back. โCโmon, son.โ
He guides Daddy our way, but they pass us and go into the store. Tim follows them.
โWhy did they do Daddy like that?โ Sekani asks softly. He looks at me and Seven with tears in his eyes.
Seven wraps an arm around him. โI donโt know, man.โ
I know.
I go in the store.
DeVante leans against a broom near the cash register, wearing one of those ugly green aprons Daddy tries to make me and Seven wear when we work in the store.
Thereโs a pang in my chest. Khalil wore one too.
DeVanteโs talking to Kenya as she holds a basket full of groceries. When the bell on the door clangs behind me, both of them look my way.
โYo, what happened?โ DeVante asks. โWas that the cops outside?โ says Kenya.
From here I see Mr. Lewis and Tim standing in the doorway of Daddyโs office. He must be in there.
โYeah,โ I answer Kenya, heading toward the back. Kenya and DeVante follow me, asking about fifty million questions that I donโt have time to answer.
Papers are scattered all on the office floor. Daddyโs hunched over his desk, his back moving up and down with each heavy breath.
He pounds the desk. โFuck!โ
Daddy once told me thereโs a rage passed down to every black man from his ancestors, born the moment they couldnโt stop the slave masters from hurting their families. Daddy also said thereโs nothing more dangerous than when that rage is activated.
โLet it out, son,โ Mr. Lewis tells him.
โFuck them pigs, man,โ Tim says. โThey only did that shit โcause they know โbout Starr.โ
Wait. What?
Daddy glances over his shoulder. His eyes are puffy and wet, like heโs been crying. โThe hell you talking โbout, Tim?โ
โOne of the homeboys saw you, Lisa, and your baby girl getting out an ambulance at the crime scene that night,โ Tim says. โWord spread around the neighborhood, and folks think sheโs the witness they been talking โbout on the news.โ
Oh. Shit.
โStarr, go ring Kenya up,โ Daddy says. โVante, finish them floors.โ I head for the cash register, passing Seven and Sekani.
The neighborhood knows.
I ring Kenya up, my stomach knotted the whole time. If the neighborhood knows, it wonโt be long until people outside of Garden Heights know. And then what?
โYou rang that up twice,โ Kenya says. โHuh?โ
โThe milk. You rang it up twice, Starr.โ โOh.โ
I cancel one of the milks and put the carton into a bag. Kenyaโs probably cooking for herself and Lyric tonight. She does that sometimes. I ring up the rest of her stuff, take her money, and hand her the change.
She stares at me a second, then says, โWere you really the one with him?โ
My throat is thick. โDoes it matter?โ
โYeah, it matters. Why you keeping quiet โbout it? Like you hiding or something.โ
โDonโt say it that way.โ โBut it is that way. Right?โ
I sigh. โKenya, stop. You donโt understand, all right?โ Kenya folds her arms. โWhatโs to understand?โ
โA lot!โ I donโt mean to yell, but damn. โI canโt go around telling people that shit.โ
โWhy not?โ
โBecause! You ainโt see what the cops just did to my dad โcause they know Iโm the witness.โ
โSo you gonโ let the police stop you from speaking out for Khalil? I thought you cared about him way more than that.โ
โI do.โ I care more than she may ever know. โI already talked to the cops, Kenya. Nothing happened. What else am I supposed to do?โ
โGo on TV or something, I donโt know,โ she says. โTell everybody what really happened that night. Theyโre not even giving his side of the story. Youโre letting them trash-talk himโโ
โExcuseโ How the hell am I letting them do anything?โ
โYou hear all the stuff theyโre saying โbout him on the news, calling him a thug and stuff, and you know that ainโt Khalil. I bet if he was one of your private school friends, youโd be all on TV, defending him and shit.โ
โAre you for real?โ
โHell yeah,โ she says. โYou dropped him for them bougie-ass kids, and you know it. You probably wouldโve dropped me if I didnโt come around โcause of my brother.โ
โThatโs not true!โ โYou sure?โ
Iโm not.
Kenya shakes her head. โFucked-up part about this? The Khalil I know wouldโve jumped on TV in a hot second and told everybody what happened that night if it meant defending you. And you canโt do the same for him.โ
Itโs a verbal slap. The worst kind too, because itโs the truth.
Kenya gets her bags. โIโm just saying, Starr. If I could change what happens at my house with my momma and daddy, I would. Here you are, with a chance to help change what happens in ourย whole neighborhood, and you staying quiet. Like a coward.โ
Kenya leaves. Tim and Mr. Lewis arenโt far behind her. Tim gives me the black power fist on his way out. I donโt deserve it though.
I head to Daddyโs office. Sevenโs standing in the doorway, and Daddyโs sitting on his desk. Sekaniโs next to him, nodding along to whatever Daddyโs saying but looking sad. Reminds me of the time Daddy and Momma had the talk with me. Guess Daddy decided not to wait until Sekaniโs twelve.
Daddy sees me. โSev, go cover the cash register. Take Sekani with you. โBout time he learned.โ
โAww, man,โ Sekani groans. Donโt blame him. The more you learn to do at the store, the more youโre expected to do at the store.
Daddy pats the now-empty spot beside him on the desk. I hop up on it. His office has just enough space for the desk and a file cabinet. Framed photographs crowd the walls, like the one of him and Momma at the courthouse the day they got married, her belly (a.k.a. me) big and round; pictures of me and my brothers as babies, and this one picture from about seven years ago when my parents took the three of us to the mall for one of those J. C. Penney family portraits. They dressed alike in baseball jerseys, baggy jeans, and Timberlands. Tacky.
โYou aโight?โ Daddy asks. โAre you?โ
โI will be,โ he says. โJust hate that you and your brothers had to see that shit.โ
โThey only did it โcause of me.โ
โNah, baby. They started that before they knew โbout you.โ
โBut that didnโt help.โ I stare at my Jโs as I kick my feet back and forth. โKenya called me a coward for not speaking out.โ
โShe didnโt mean it. She going through a lot, thatโs all. King throwing Iesha around like a rag doll every single night.โ
โBut sheโs right.โ My voice cracks. Iโm this close to crying. โI am a coward. After seeing what they did to you, I donโt wanna say shit now.โ
โHey.โ Daddy takes my chin so I have no choice but to look at him. โDonโt fall for that trap. Thatโs what they want. If you donโt wanna speak out, thatโs up to you, but donโt let it be because youโre scared of them. Who do I tell you that you have to fear?โ
โNobody but God. And you and Momma. Especially Momma when sheโs extremely pissed.โ
He chuckles. โYeah. The list ends there. You ainโt got nothing or nobody else to fear. You see this?โ He rolls up his shirt sleeve, revealing the tattoo of my baby picture on his upper arm. โWhat it say at the bottom?โ
โSomething to live for, something to die for,โ I say, without really looking. Iโve seen it my whole life.
โExactly. You and your brothers are something to live for, and something to die for, and Iโll do whatever I gotta do to protect you.โ He kisses my forehead. โIf youโre ready to talk, baby, talk. I got your back.โ