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Chapter no 8

The Maid (Molly the Maid, 1)

โ€ŒItโ€™s almost the end of my shift. Playing over our first date in myย mind has made the day go by quickly and has amplified my anticipationโ€Œ

for our date tonight. It has also helped me avoid memories of yesterday. For the most part, Iโ€™ve been successful at keeping the flashbacks at bay. There was just the one instance when I remembered Mr. Black, dead in his bed, and for some reason, in my mind, suddenly, it was Rodneyโ€™s face on Mr. Blackโ€™s body, as though they were twinned, inextricably linked.

What utter rubbish. How could I imagine them connected like that, when they exist on polar opposites of so many spectrumsโ€”old versus young, dead versus alive, evil versus good? I shook my head back and forth to erase the nasty image. And just like with an Etch-a-Sketch, a good shake was all it took to wipe my mind clean.

The other intrusive thoughts Iโ€™ve had today are of Giselle. I know sheโ€™s still staying in the hotel, but I donโ€™t know where, which room on the second floor. I do wonder how sheโ€™s doing, what with her husband dead. Is she happy about this turn of events? Or is she sad? Is she relieved to be free from him or concerned about her future? What does she stand to inherit, if anything at all? If the newspapers are right, sheโ€™s the heir apparent to the

family fortune, but Mr. Blackโ€™s first wife and kids will no doubt have something to say about that. And if Iโ€™ve learned anything about the way money works, itโ€™s that it magnetizes toward those born with it, leaving those who need it most without.

It weighs on meโ€”what will become of Giselle.

This is the problem with friendships. Sometimes you know things you shouldnโ€™t know; sometimes you carry other peopleโ€™s secrets for them. And sometimes, that burden takes its toll.

Itโ€™s four-thirtyย P.M., only half an hour before Iโ€™m due to meet Rodney at the Social for our date. Our second dateโ€”progress!

I scoot down the hall with my trolley to let Sunshine know Iโ€™m done cleaning all my rooms, including the one Juan Manuel stayed in last night.

โ€œYouโ€™re a quick one, you are, Miss Molly!โ€ Sunshine says. โ€œIโ€™ve got more rooms to finish, myself.โ€

I say goodbye for the day, then pass by the police officer on my way to the elevator, but he barely registers my presence. I take the elevator to the basement. I peel off my maid uniform and change into my regular clothes, some jeans and a floral blouseโ€”not quite what I would have chosen for a date with Rodney, but Iโ€™ve no more money to spend on excesses such as kitten heels and polka dots. Besides, if Rodneyโ€™s truly a good egg, heโ€™ll judge by the yolk, not by the shell.

At five to five, Iโ€™m downstairs at the front of the Social, waiting by the Please Be Seated sign, looking around for Rodney. He sees me, comes from the back of the restaurant right to my side.

โ€œJust in time, I see.โ€

โ€œI pride myself on punctuality,โ€ I reply. โ€œLetโ€™s go to a booth at the back.โ€ โ€œPrivacy. Yes, that seems appropriate.โ€

We walk through the restaurant to the most secludedโ€”and romanticโ€” booth at the back.

โ€œItโ€™s very quiet here now,โ€ I say, taking in the empty chairs, the two waitresses by their service station talking to each other because thereโ€™s hardly a customer in sight.

โ€œYeah. Wasnโ€™t like this earlier. Lots of cops. And reporters.โ€ He looks around the room, then at me. His bruised eye looks a bit better than it did this morning, but itโ€™s still swollen.

โ€œListen, Iโ€™m really sorry about what happened to you yesterday, finding Mr. Black and all that. Plus, being taken to the cop shop. That must have been intense.โ€

โ€œIt was a disruptive day. Today is going much better. Especially now,โ€ I add.

โ€œSo tell me, when you were with the cops, I hope nothing about Juan Manuel came up.โ€

This is a perplexing line of inquiry. โ€œNo,โ€ I say. โ€œThat has nothing to do with Mr. Black.โ€

โ€œRight. Of course it doesnโ€™t. But you know. Cops can be nosy. I just want to make sure heโ€™s safe.โ€ He runs the fingers of one hand through his thick, wavy hair. โ€œCan you tell me what happened, what you saw in that suite yesterday?โ€ he asks. โ€œI mean, Iโ€™m sure youโ€™re feeling really scared, and maybe it would help to say it all out loud to, you know, a friend.โ€

He reaches his hand out to touch mine. Itโ€™s amazing, the human hand, how much warmth it conveys. Iโ€™ve missed physical contact, what without Gran in my life. She used to do exactly this, put her hand over mine to draw me out and get me to talk. Her hand let me know that no matter what, everything would be okay.

โ€œThank you,โ€ I say to Rodney. It surprises me; it comes out of nowhere

โ€”the urge to cry. I fight it as I tell him about yesterday. โ€œIt all seemed like a normal day until I went to finish cleaning the Blacksโ€™ room. I stepped inside and saw that the sitting room was untidy. I was only supposed to clean the bathroom, but then I went into the bedroom to see if that was a mess as well, and there he was, laid out on the bed. I thought he was napping, butโ€ฆ it turns out he was dead. Very dead.โ€

At this, Rodney takes his other hand so that heโ€™s cradling mine in both of his. โ€œOh, Molly,โ€ he says. โ€œThatโ€™s just awful. Andโ€ฆdid you see anything in the room? Anything out of place or suspicious?โ€

I tell him about the safe being open, how the money was gone, along with the deed Iโ€™d seen in Mr. Blackโ€™s breast pocket earlier in the day.

โ€œAnd thatโ€™s it? Nothing else out of the ordinary?โ€

โ€œActually, yes,โ€ I say. I tell him about Giselleโ€™s pills spilled on the floor. โ€œWhat pills?โ€ he asks.

โ€œGiselle has an unmarked bottle. It was that bottle, spilled by Mr.

Blackโ€™s bedside.โ€

โ€œShit. Youโ€™re kidding me.โ€ โ€œIโ€™m not.โ€

โ€œAnd where was Giselle?โ€

โ€œI donโ€™t know. She wasnโ€™t in the suite. In the morning, she seemed quite upset. I know she was planning a trip, because I saw her flight itinerary sticking out of her purse.โ€ I shift in my chair, bringing my chin to rest on my hand coquettishly, like a starlet in a classic film.

โ€œDid you tell the cops that? About the itinerary? Or the pills?โ€

Iโ€™m growing increasingly impatient with this line of interrogation, yet I know that patience is a virtue, a virtue that, among others, I hope he attributes to me.

โ€œI told them about the pills,โ€ I say. โ€œBut I didnโ€™t want to say much else. To be honest, and I hope youโ€™ll keep this confidential, Giselle has been more than just a guest. Sheโ€™sโ€ฆwell, sheโ€™s become a friend to me. And Iโ€™m quite worried about her. The nature of the police questions, they wereโ€ฆโ€

โ€œWhat? They were what?โ€

โ€œIt was almost as though they were suspicious. Of her.โ€ โ€œBut did Black die of natural causes or not?โ€

โ€œThe police were fairly certain that was the case. But not completely.โ€ โ€œDid they ask anything else? About Giselle? About me?โ€

I feel something slither in my stomach, as though a sleeping dragon were just roused from its torpor. โ€œRodney,โ€ I say, with an edge in my voice that I have trouble hiding. โ€œWhy would they ask about you?โ€

โ€œThat was stupid,โ€ he says. โ€œNo idea why I said that. Forget it.โ€

He pulls his hands away and I immediately wish he would put them back.

โ€œI guess Iโ€™m just worried. For Giselle. For the hotel. For all of us, really.โ€

It occurs to me then that Iโ€™m missing something. Every year at Christmas, Gran and I would set up a card table in the living room and work on a puzzle together as we listened to Christmas carols on the radio. The harder the puzzle, the happier we were. And Iโ€™m feeling the same sensation I felt when Gran and I were challenged by a really hard puzzle. Itโ€™s as if Iโ€™m not quite putting the pieces together properly.

Then it occurs to me. โ€œYou said you donโ€™t know Giselle well. Is that correct?โ€

He sighs. I know what this means. Iโ€™ve exasperated him, even though I didnโ€™t mean to.

โ€œCanโ€™t a guy be concerned for someone who seems like a nice person?โ€ he asks. Thereโ€™s a sharp clip to his consonants that reminds me of Cheryl when sheโ€™s up to something unsanitary.

I must course-correct before I put Rodney off me entirely. โ€œIโ€™m sorry,โ€ I say, smiling widely and leaning forward in my chair. โ€œYou have every right to be concerned. Itโ€™s just the way you are. You care about others.โ€

โ€œExactly.โ€ He reaches into his back pocket and takes out his phone. โ€œMolly, take my number,โ€ he says.

A frisson of excitement flitters through me, removing any and all slithering doubt. โ€œYou want me to have your phone number?โ€ Iโ€™ve done it. Iโ€™ve mended fences. Our date is back on track.

โ€œIf anything happensโ€”like the police bother you again or ask too many questionsโ€”you just let me know. Iโ€™ll be there for you.โ€

I take out my phone and we exchange numbers. When I write my name in his phone, I feel inclined to add an identifier. โ€œMolly, Maid and Friend,โ€ I type. I even add a heart emoji at the end as a declaration of amorous intent.

My hands feel jittery as I pass back his phone. Iโ€™m hoping heโ€™ll look at my entry and see the heart, but he doesnโ€™t.

Mr. Snow enters the restaurant then. I see him by the bar, grabbing some paperwork before leaving. Rodney is slouching in the seat opposite me. He

should not be shy about remaining in the workplace after the end of his shift

โ€”Mr. Snow says thatโ€™s a sign of an A++ employee.

โ€œListen, Iโ€™ve gotta go,โ€ Rodney says. โ€œYouโ€™ll call if anything comes up?โ€ โ€œI will,โ€ I say. โ€œI most definitely will make phone contact.โ€

He gets up from the booth and I follow him out the lobby and through the front doors. Mr. Preston is just outside the entrance.

I wave and he tips his hat.

โ€œHey, any cabs around here?โ€ Rodney asks.

โ€œOf course,โ€ Mr. Preston says. He walks to the street, blows his whistle, and waves down a taxi. When it pulls over, Mr. Preston opens the back door. โ€œIn you go, Molly,โ€ he says.

โ€œNo, no,โ€ Rodney replies. โ€œThe cabโ€™s for me. Youโ€™re goingโ€ฆsomewhere else, right, Molly?โ€

โ€œIโ€™m going east,โ€ I say.

โ€œRight. Iโ€™m west. Have a good night!โ€

Rodney gets in and Mr. Preston closes the door. As the taxi pulls away, Rodney waves at me through the window.

โ€œIโ€™ll call you!โ€ I yell after him.

Mr. Preston stands beside me. โ€œMolly,โ€ he says. โ€œBe careful with that one.โ€

โ€œWith Rodney? Why?โ€ I ask.

โ€œBecause that, dear girl, is a frog. And not all frogs turn out to be princes.โ€

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