I woke midmorning to slanting rays of light breaking through my bedroom window. Sloane was nowhere to be seen. After doing a cursory check of the hallway, I slunk into the bathroom and locked the door behind me.
Solitude. For now.
I pulled the shower curtain, stretching it across the length of the tub. With a twist of my wrist, I turned on the spray, as hot as it would go. The sound of water drumming against the porcelain tub was soothing and hypnotic. I sank down to the floor, pulling my knees to my chest.
Six days ago, a serial killer had contacted me, and my only reaction had been to crawl into the UNSUBโs head, calm and cool. But last night, wearing the same shade of lipstick as my mother had undone me.
It was a coincidence, I told myself.ย A horrible, twisted, untimely coincidence that within days of being contacted by a killer who might have murdered my mother, Lia had made me up to look just like her.
โItโs a popular color. Just say thank you.โ
Steam built up in the air around me, reminding me that I was wasting hot water, a cardinal sin in a house with five teenagers. I stood and swiped my arm across the mirror, leaving a streak on its steam-covered surface.
I stared at myself, banishing the image of Rose Red on my lips. This was me. I was fine.
Stripping off my pajamas, I stepped into the shower, letting the spray hit me straight in the face. The flashback came suddenly and without warning.ย Fluorescent lights flicker overhead. On the ground, my shadow flickers,
too.
The door to her dressing room is slightly ajar.
I concentrated on the sound of the water, the feel of it on my skin, pushing back against the memories.
The smellโ
Abruptly, I turned off the shower. Wrapping a towel around my torso, I stepped out onto the bath mat, dripping wet. I combed my fingers through my hair and turned to the sink.
That was when I heard the scream.
โCassie!โ It took me a moment to pick out my name, and another after that to recognize that Sloane was the one yelling. Wearing only a towel, I rushed across to our room.
โWhat? Sloane, what is it?โ
She was still clad in her pajamas. White-blond hair stuck to her forehead.
โIt had my name on it,โ she said, her voice strained. โItโs not stealing if it has my name on it.โ
โWhat had your name on it?โ
With shaking hands, she held out a padded envelope. โWho did youย not stealย this from?โ I asked.
Sloane looked distinctly guilty. โOne of the agents downstairs.โ Theyโd been screening all of our mail, not just mine.
Angling my head so that I could see what was inside the envelope, I realized why Sloane had screamed.
There, inside the envelope, was a small, black box.
โ โ โ
Once the box had been removed from the envelope, there was no question that it matched the first one: the ribbon, the bow, the white card with my name written on it in careful, not quite cursive script. The only difference was the sizeโand the fact that this time, the UNSUB had used Sloane to get to me.
You know the FBI has me under guard. You want me anyway.
โYou didnโt open the box.โ Agent Briggs sounded surprised. About ten seconds after Iโd realized what was inside the envelope, Agents Starmans and Brooks had burst into the bedroom. Theyโd called Locke and Briggs. Iโd had just enough time to get dressed before the dynamic duo had arrivedโwith another, older man in tow.
โI didnโt want to compromise the physical evidence,โ I said.
โYou did the right thing.โ The man whoโd come with Briggs and Locke spoke for the first time. His voice was gruff, a perfect match for his face, which was weatherworn and suntanned. I put his age at somewhere in the neighborhood of sixty-five. He wasnโt tall, but he had a commanding presence, and he looked at me like I was a child.
โCassie, this is Director Sterling.โ Locke made the introduction, but the things she didnโt say numbered in the dozens.
For instance, she didnโt say that this man was their boss.
She didnโt say that he was the person whoโd signed off on the Naturals program.
She didnโt say that heโd been the one to rake Briggs over coals for using Dean on active cases.
She didnโt have to.
โI want to be there when you open it.โ I addressed the words to Agent Locke, but Director Sterling was the one who replied.
โI really donโt think thatโs necessary,โ he said.
This was a man with children, maybe even grandchildren, even if he was a higher-up at the FBI. I could use that.
โIโm a target,โ I said, allowing my eyes to go wide. โKeeping this information from me makes me vulnerable. The more I know about this UNSUB, the safer I am.โ
โWe can keep you safe.โ The director spoke like a man used to having his words taken as law.
โThatโs what Agent Briggs said four days ago,โ I said, โand now this guy is coming at me through Sloane.โ
โCassieโโ Agent Briggs started to talk to me in the same voice the director usedโlike I was a little kid, like they hadnโt brought me here to solve cases in the first place.
โThe UNSUB struck again, didnโt he?โ My questionโwhich was a guess, reallyโwas met with absolute silence.
I was right.
โThis UNSUB wants me.โ I worked my way through the logic. โYou tried to keep him away from me. Whateverโs in that box, itโs a step up from what the UNSUB sent me last time. A warning for you, a present for me. If he thinks youโre keeping it from me, things are only going to get worse.โ
The director nodded to Agent Briggs. โOpen the box.โ
Briggs put on a pair of gloves. He pulled on the edge of the ribbon, and the bow came undone. He set the card to the side and lifted the lid off the box.
White tissue paper.
Carefully, he opened the tissue paper. A ringlet of hair lay in the box. It was blond.
โOpen the card,โ I said, my voice catching in my throat.
Briggs opened the envelope and pulled out a card. Like the last one, it was white, elegant, but plain. Briggs opened the card, and a photograph fell out.
I caught sight of the girl in the picture before they could obscure it from me. Her wrists were bound behind her body. Her face was swollen, and dried blood had crusted around her scalp. Her eyes were filled with tears and so much fear that I couldย hearย her screaming behind the duct-tape gag.
She had dirty blond hair and a baby face.
โSheโs too young,โ I said, my stomach twisting. The girl in the picture was fifteen, maybe sixteenโand none of the UNSUBโs other victims had been minors.
This girl was younger than me.
โBriggs.โ Locke picked up the photo and held it out to him. โLook at the newspaper.โ
Iโd been so fixated on the girlโs face that I hadnโt noticed the newspaper carefully poised against her chest.
โShe was alive this time yesterday,โ Briggs said, and that was when I knew
โwhy this present was different from the last one, why the hair in the box was blond.
โYou took her,โ I said softly, โbecause they took me.โ
Locke caught my eye, and I knew sheโd heard me. Sheย agreedย with me.
Guilt rose like nausea in the back of my throat. I pushed it down. I could process this later. I could hate the UNSUBโand myselfโfor the blood and bruises on this girlโs face later. But right now, I had to hold it together.
I had toย doย something.
โWho is she?โ I asked. If taking this girl was the killerโs way of lashing out because the FBI had tried to keep him from me, she wouldnโt be just anyone. This girl didnโt fit with the victimology of the UNSUBโs other victims, but if there was one thing I knew about this killer, it was that he always chose his targets for a reason.
โMs. Hobbes, I appreciate your personal interest in this case, but that information is above your pay grade.โ
I gave the director a look. โYou donโt pay me. And if the killer is watching, and you insist on keeping me locked up out of reach, itโs going to get worse.โ
Why couldnโt he see that? Why couldnโt Briggs? It wasย obvious. The FBI wanted to keep me out of this, but the killer wanted me in.
โWhat does the card say?โ Locke asked. โThe picture is only part of the message.โ
Briggs looked at me, then at the director. Then he flipped the card around so that we could read it for ourselves.
CASSIEโWONโT IT LOOK BETTER RED?
The implication was clear. This girl was alive. But she wouldnโt be for long.
โWho is she?โ I asked again.
Briggs kept his mouth clamped shut. He had priorities, and keeping his job was number one.
โGenevieve Ridgerton.โ Locke answered my question, her voice flat. โHer father is a U.S. senator.โ
Genevieve. So now the girl the UNSUB had taken because of me, the girl the UNSUB hadย hurtย because of me, had a name.
The director took a step toward Locke. โThat information is need-to-know, Agent Locke.โ
She waved off his objection. โCassieโs right. Genevieve was taken as a deliberate strike at us. We put protection on Cassie, we kept her from leaving the house, and this was the direct response. Weโre no closer to catching this monster than we were four days ago, and he will kill Genevieve unless we give him a reason not to.โ
He would kill Genevieve because of me.
โWhat are you suggesting?โ The director said those words in a tone brimming with warning, but Locke responded as if the question had been posed in earnest.
โIโm suggesting that we give this killer exactly what he wants. We deal Cassie in. We take her with us and pay another visit to the crime scene.โ
โYou really think sheโll find something we missed?โ
Locke shot me an apologetic look. โNoโbut I think that if we take Cassie to the crime scene, the killer might follow.โ
โWeโre not training these kids to play bait,โ Agent Briggs said sharply.
The director turned his attention from Locke to Briggs. โYou promised me three cold cases by the end of the year,โ he said. โSo far, your Naturals have delivered one.โ
I could feel the dynamics in the room shifting. Agent Briggs didnโt want to risk something happening to one of his precious Naturals. The director was skeptical that our abilities were worth the cost of this program, and whatever objections he had to bringing a seventeen-year-old to a crime scene must have been outweighed by the fact that this situation could have major political ramifications.
This UNSUB hadnโt chosen a senatorโs daughter by chance.
โTake her with you to the club, Briggs,โ the director grunted. โIf anyone asks, sheโs a witness.โ He turned to me. โYou donโt have to do this if you donโt want to, Cassandra.โ
I knew that. I also knew that I did want toโand not just because Locke might be right about my presence being enough to lure the killer out. I couldnโt just sit back and watch this happen.
Behavior. Personality. Environment.ย Victimology. MO. Signature.
I was a Naturalโand as sick as it was, I had a relationship with this UNSUB. If they brought me to the crime scene, I might see something the others had missed.
โIโll go,โ I told the director. โBut Iโm bringing backup of my own.โ